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The Ananga Ranga (Stage of Love) or Kamaledhiplava (Boat in the Sea of Love) is an Indian sex manual written by Kalyana Malla in the 15th or 16th century AD. The poet wrote the work in honor of Lad Khan, son of Ahmed Khan Lodi. He was related to the Lodi dynasty, which from 1451 to 1526 ruled India. Later commentators have said it is aimed specifically at preventing the separation of a husband and wife. This work is often compared to the Kama Sutra, on which it draws. It was translated into English in the year 1885, under the editorship of Sir Richard Francis Burton . "Satisfaction and enjoyment comes for a man with possession of a beautiful woman. Men marry because of the peaceful gathering, love, and comfort and they often get nice and attractive women. But the men do not give the women full satisfaction The reason is due to the ignorance of the writings of the Kamashastra and the disdain of the different types of women. These men view women only from the perspective of an animal. They are foolish and spiritless". The work was intended to show that a woman is enough for a man. The book provides instructions in how a husband can promote the love for his wife through sexual pleasure. The husband can so greatly enjoy living with his wife, that it is as if he had lived with 32 different women. The increasingly varied sexual pleasures are able to produce harmony, thus preventing the married couple from getting tired of one another. In addition to the extensive catalogue of sexual positions for both partners, there are details regarding foreplay and lure.
• A full-color collection of Eastern erotic art that presents lovemaking as a highly spiritual expression. • Brings together some of the finest examples of erotic art from India and Nepal, including pieces from the private collection of Nepalese royalty. • Includes commentaries and translations of verse from authentic Tantric treatises. • Companion book to The Erotic Sentiment in the Paintings of China and Japan. Hindu culture has always viewed lovemaking as one of the highest forms of spiritual and artistic expression. In the past it was customary to present newlyweds with beautifully painted erotic manuals on their wedding night. These "pillow books," often illustrated by great artists, helped to break down barriers and initiate the young couples into the aesthetics and techniques of physical love. A variety of pillow books are represented in The Erotic Sentiment, bringing together some of the finest examples from India and Nepal, including pieces from the private collection of a Nepalese king. Accompanying these exquisite reproductions are commentaries and translations of verse from authentic Tantric treatises. Together with the paintings, they elevate physical love to the spiritual realm of joyous ecstasy.
Exploring erotica in Indian art, from the images of the Mother Goddess to tantrik diagrams, from palm leaf to celluloid, and from miniature paintings to modern art, this book finds a continuity in the motifs and the principles that shaped brush strokes, line drawings, and camera focuses down the centuries.
Some sculptures adorning the outer walls of the temples of medieval period of India, depict bold erotic themes of sexual act or union of male and females in unusual postures. This has evoked curiosity in many lovers of art and philosophy as to why erotic sculptures were part of temple architecture. This well illustrated research work explores the intentions of such sculptural representations and derives how the highly abstract, philosophical and universal topic of taming the mind through Raja yoga and forms of tantra yoga has been translated into the very attractive figurative form and presented in temples to give information about the esoteric knowledge.