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DigiCat Publishing presents to you this special edition of "Indian Conjuring" by L. H. Branson. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
First published in 1922, “Indian Conjuring” is an illustrated guide to Indian magic tricks by Major L. H. Branson (1879 – 1946), a British officer in the British Indian Army and magician. It includes explanations and step-by-step instructions for a variety of magic tricks that the author came across while serving in colonial India during the early twentieth century. Contents include: “A Comparison”, “The Cup and Balls”, “The Bamboo-Sticks”, “The Ring on the Stick”, “The Glass Box”, “The Bunder Boat”, “The Bowl of Rice”, “The Coloured Sands”, “A Rope Trick”, “The Swastika”, “The Egg Bag”, “The Dancing Duck”, “The Mango Tree Trick”, etc. Other notable works by this author include: “A Text Book of Magic as Elbiquet” (1913), “Supplementary Magic as Elbiquet” (1917), and “A Lifetime of Deception: Reminiscences of a Magician” (1953). Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in an affordable, modern, high-quality edition complete with the original text and artwork.
This fascinating book takes us on a journey through the history of Indian magic, exploring the origins of popular tricks like the rope trick and Indian cups and ball. From ancient times, Indian magicians were known for their mystical powers, not just their entertainment skills. We learn about the early use of charms and talismans, and even the existence of Indian fortune tellers during the Roman Empire. The book also contrasts the style of Indian magic in comparison to other Asian cultures, as well as their counterparts in Europe.
This book charts the history of modern magic across India, China and Japan, analyzing representations in the cultural imagination of the West.
Whether commercial, personal, political, professional, or spiritual, knowledge was capital for the Victorians in their ongoing project of constructing a modern information-based society. Victorian Secrecy explores the myriad ways in which knowledge was both zealously accumulated and jealously guarded by individuals, institutions, and government entities in Victorian Britain. Offering a wide variety of critical approaches and disciplinary perspectives, the contributors examine secretive actors with respect to a broad range of subjects, including the narrator in Tess of the d'Urbervilles, John Henry Newman's autobiographical novel Loss and Gain, Richard Dadd's The Fairy Feller's Masterstroke, modes of detection in Bleak House, the secret history of Harriet Martineau's role in the repeal of the Corn Law, and Victorian stage magicians. Taken together, the essays provide a richly textured account of which modes of hiding and revealing articulate secrets in Victorian literature and culture; how social relations are formed and reformed in relationship to secrecy; and what was at stake individually, aesthetically, and culturally in the Victorians' clandestine activities.