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Professor Wertenbaker here explains how the headright system, tobacco cultivation, and the importation of slave labor transformed the colony of Virginia from largely a society of yeoman farmers to a planter aristocracy.
"More examples of Texas' rich heritage of locally made nineteenth-century furniture and information on the craftsmen who produced it"--
A supplemental textbook for middle and high school students, Hoosiers and the American Story provides intimate views of individuals and places in Indiana set within themes from American history. During the frontier days when Americans battled with and exiled native peoples from the East, Indiana was on the leading edge of America’s westward expansion. As waves of immigrants swept across the Appalachians and eastern waterways, Indiana became established as both a crossroads and as a vital part of Middle America. Indiana’s stories illuminate the history of American agriculture, wars, industrialization, ethnic conflicts, technological improvements, political battles, transportation networks, economic shifts, social welfare initiatives, and more. In so doing, they elucidate large national issues so that students can relate personally to the ideas and events that comprise American history. At the same time, the stories shed light on what it means to be a Hoosier, today and in the past.
For millions of Americans, Solomon D. Butcher's photographs epitomize the sod-house frontier. His images from western Nebraska constitute the most extensive photographic record of the generation that settled the Great Plains. Their faces are imprinted on our minds: jaunty bachelors and earnest husbands (Civil War veterans of both armies), spinster sodbusters, determined mothers, cowhands, farmhands, and former slaves--all in search of land of their own. This first book devoted to Butcher and his photos presents a unique visual chronicle of that epoch, firmly establishing Butcher's place in frontier photography. In a substantial introduction, John E. Carter traces the variegated career of this Virginia-born photographer who was himself an immigrant to the Nebraska plains. Combining critical analysis with biography, Carter situates Butcher in western history as well as in the history of photography and assesses his achievements in both. Exploring the nature of Butcher's works and their scope, content, and significance, Carter offers a perspective for evaluating the historical evidence found in his work and new insights into the evolution of Butcher's style and subject matter. In this new paperback edition, more than 125 photographs are superbly reproduced in duotone from high-resolution scans of glass negatives. This edition also includes a new afterword by Carter, tracing the fascinating history of the photographs themselves after Butcher sold them to the Nebraska State Historical Society in 1912. Everyone interested in the plains pioneers or historical American photography will prize this splendid book.
"More examples of Texas' rich heritage of locally made nineteenth-century furniture and information on the craftsmen who produced it"--