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Biblical references to over four hundred similes, metaphors, and symbols are compiled under headings and subheadings, enabling pastors, teachers, and students to locate and compare the imagery of Scripture.
This reference work explores the images, symbols, motifs, metaphors, figures of speech, and literary patterns found in the Bible. With over 800 articles by over 100 expert contributors, this is an inviting, enlightening and indispensable companion to the reading, study, contemplation and enjoyment of the Bible.
Explores some of the images which biblical writers use to teach about God; images include light, rock, and wind as well as a gardener, father, and architect.
"The New Testament does not develop a systematic doctrine of salvation," writes Brenda Colijn. "Instead, it presents us with a variety of pictures taken from different perspectives." Students of the New Testament and of theology will both find their vision broadened and their understanding deepened by this rich, informative study. As the author seeks to understand their implications for people of faith, she uncovers how New Testament images provide the building blocks of the master story of redemption.
For all iconophiles, that is, those who accept the dogma of the Seventh Ecumenical Council, but especially the Orthodox who claim that the icon has a sacramental and mystical character, it is naturally disquieting to hear the claim that the early Christians were aniconic and iconophobic. If this claim is true, the theology and the veneration of the icon are seriously undermined. It is, therefore, natural for iconophiles to attempt to disprove the thesis according to which the early Christians had no images whatsoever (aniconic) because they believed them to be idols (iconophobic). It is equally natural for iconophiles to want to substantiate, as much as this is possible, their deep intuition that the roots of Christian iconography go back to the apostolic age. This study weakens the notion and credibility of the alleged hostility of the early Christians to non-idolatrous images, providing a more balanced evaluation of this question.
First published in 1960, Paul Minear's classic work identifies and explicates ninety-six images for the church found in the New Testament. Comprehensive and accessibly written, it has been used in seminary classes for over thirty years. Its range of reach and incredibly rich discussions of the many images and metaphors make this book a splendid resource for students and pastors. The New Testament Library offers authoritative commentary on every book and major aspect of the New Testament, as well as classic volumes of scholarship. The commentaries in this series provide fresh translations based on the best available ancient manuscripts, offer critical portrayals of the historical world in which the books were created, pay careful attention to their literary design, and present a theologically perceptive exposition of the text.
Published on the occasion of the exhibition organized by the Kimbell Art Museum and shown there November 18, 2007 - March 30, 2008.
This book explores the revelation of God’s love in the mystery of the covenant, and shows how this potent theological concept has inspired artists through the ages to reflect on the nature of divine interaction with mankind. It traces the development of the covenantal relationship between God and the Jewish people as given in the Hebrew Scriptures, and examines the Christian concept of the New Covenant, portrayed by Gospel writers and those of the early Church in the New Testament. Alongside this, the book matches a variety of artistic work in which these texts are made visible. The reference to over 300 works of art is a mere sample, and will inspire readers to research this hugely rich resource both for their own interest and for use in teaching about the Christian faith and its important Jewish roots. Learning in the contemporary world often lifts the emphasis from mere words to illustration, and this book shows clearly that, throughout history, the Christian world has sought to use art to aid understanding of biblical texts. Art continues to be used hand-in-hand with the Scriptures in present-day classrooms, as well as in group and individual study. This volume provides a basis for the exploration of God’s love in his covenantal relationship with the People of God, ancient and modern, and will serve to inspire an investigation of the huge range of artistic interpretation which is available through twenty-first century technology.
When Othmar Keel's book first appeared in Germany in 1972, it was a pioneering study, the first to compare systematically the conceptual world of a biblical book with that of ancient Near Eastern iconography. First translated into English in 1978, the book has proven its lasting value for exegesis of the Psalms, the comparative study of the Bible and its world, and the study of ancient Near Eastern art and iconography.