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In ʻIndelible Memoriesʼ Eugenie Knox reveals one of the most colorful facets of the diamond which is the Melbourne arts world. Her story encompasses a wondrous family life, not without tragedy; through the heady times of the sixties and seventies; with travel to Europe and the U.S.A., and life in India; along with the vagaries of tree, and sea change. A key figure in bringing from overseas modern twentieth century dance and the practices of yoga and spiritual faith, Eugenie formed a creative mould from which many Melbourne artists have drawn. Melanie Wiltshire, traveller, reader, homemaker. Those lucky enough to have seen her performances know they have been privy to the work of a genius within a small pearl of the arts scene. The Dance of Life Studio which Eugenie founded long ago remains a place of influence. And her yoga classes on the Mornington Peninsula are as invigorating and inspirational as ever. Written and illustrated by Eugenie, this is a book which will astound the unsuspecting and delight all . Herein is a remarkable offering from a woman who now by way of words, parts the curtains and leads us again onto paths of discovery.
This truly intersectional collection of essays, fiction, and poetry sound the voices of black, Latinx, Asian, queer, and trans writers and says "me too" 22 times. Whether reflecting on their teenage selves or their modern-day workplaces, each contributor approaches the subject with unforgettable authenticity and strength.
Karin Tilmans is an historian, and academic coordinator of the Max Weber Programme at the European University Institute, Florence. Frank van Vree is an historian and professor of journalism at the University of Amsterdam. Jay M. Winter is the Charles J. Stille Professor of History at Yale. --
How popular films from Memento to Slumdog Millionaire can help us understand how memory works. In the movie Slumdog Millionaire, the childhood memories of a young game show contestant trigger his correct answers. In Memento, the amnesiac hero uses tattoos as memory aids. In Away from Her, an older woman suffering from dementia no longer remembers who her husband is. These are compelling films that tell affecting stories about the human condition. But what can these movies teach us about memory? In this book, John Seamon shows how examining the treatment of memory in popular movies can shed new light on how human memory works. After explaining that memory is actually a diverse collection of independent systems, Seamon uses examples from movies to offer an accessible, nontechnical description of what science knows about memory function and dysfunction. In a series of lively encounters with numerous popular films, he draws on Life of Pi and Avatar, for example, to explain working memory, used for short-term retention. He describes the process of long-term memory with examples from such films as Cast Away and Groundhog Day; The Return of Martin Guerre, among other movies, informs his account of how we recognize people; the effect of emotion on autobiographical memory is illustrated by The Kite Runner, Titanic, and other films; movies including Born on the Fourth of July and Rachel Getting Married illustrate the complex pain of traumatic memories. Seamon shows us that movies rarely get amnesia right, often using strategically timed blows to the protagonist's head as a way to turn memory off and then on again (as in Desperately Seeking Susan). Finally, he uses movies including On Golden Pond and Amour to describe the memory loss that often accompanies aging, while highlighting effective ways to maintain memory function.
"'Marvellous, powerful, beautiful' KIJ JOHNSON, multi-times winner of the HUGO AND NEBULA AWARDS 'Beautifully written, meaningful, top-drawer storytelling. An extraordinary novel in the tradition of great old-school literary science fiction like Atwood and Bradbury' - LEAGUE OF EXTRAORDINARY AUTHORS" Misty woods; abandoned towns; secrets in the landscape; a forbidden life by night; the scent of bygone days; a past that lies below the surface; and a door in a dream that seems to hold the answers. Paftoo is a 'bod'; made to serve. He is a groundsman in the last remaining countryside estate, once known as Harkaway Hall and now a theme park. Paftoo holds scattered memories of the old days but they are regularly deleted to keep him productive. When he starts to have dreams of the Lost Lands past, Paftoo is thrown into a nightly battle for his memories, his soul and his cherished connection with Lifeform Three. Includes an appendix of suggested questions for reading groups. "'I really didn't want this book to end; it's that good' - BUILD ANOTHER BOOKCASE"
Exhibitions for Social Justice assesses the state of curatorial work for social justice in the Americas and Europe today. Analyzing best practices and new curatorial work to support all those working on exhibitions, Gonzales expounds curatorial practices that lie at the nexus of contemporary museology and neurology. From sharing authority, to inspiring action and building solidarity, the book demonstrates how curators can make the most of visitors’ physical and mental experience of exhibitions. Drawing on ethnographic and archival work at over twenty institutions with nearly eighty museum professionals, as well as scholarship in the public humanities, visual culture, cultural studies, memory studies, and brain science, this project steps back from the detailed institutional histories of how exhibitions come to be. Instead, it builds a set of curatorial practices by examining the work behind the finished product in the gallery. Demonstrating that museums have the power to help our society become more hospitable, equitable, and sustainable, Exhibitions for Social Justice will be of interest to scholars and students of museum and heritage studies, gallery studies, arts and heritage management, and politics. It will also be valuable reading for museum professionals and anyone else working with exhibitions who is looking for guidance on how to ensure their work attains maximum impact.
Every year from April to October, the Sánchez family traveled—crowded in the back of trucks, camping in converted barns, tending and harvesting crops across the breadth of the United States. Although hoeing sugar beets with a short hoe was their specialty, they also picked oranges in California, apples in Washington, cucumbers in Michigan, onions and potatoes in Wisconsin, and tomatoes in Iowa. Winters they returned home to the Winter Garden region of South Texas. In 1951, Saúl Sánchez began to contribute to his family’s survival by helping to weed onions in Wind Lake, Wisconsin. He was eight years old. Rows of Memory tells his story and the story of his family and other migrant farm laborers like them, people who endured dangerous, dirty conditions and low pay, surviving because they took care of each other. Facing racism both on the road and at home, they lived a largely segregated life only occasionally breached by friendly employers. Despite starting school late and leaving early every year and having to learn English on the fly, young Saúl succeeded academically. At the same time that Mexican Americans in South Texas upended the Anglo-dominated social order by voting their own leaders into local government, he upended his family’s order by deciding to go to college. Like many migrant children, he knew that his decision to pursue an education meant he would no longer be able to help feed and clothe the rest of his family. Nevertheless, with his parents’ support, he went to college, graduating in 1967 and, after a final display of his skill with a short hoe for his new friends, abandoned migrant labor for teaching. In looking back at his youth, Sánchez invites us to appreciate the largely unrecognized and poorly rewarded strength and skill of the laborers who harvest the fruits and vegetables we eat. A first-person portrait of life on the bottom rung of the food system, this coming-of-age tale illuminates both the history of Latinos in the United States and the human consequences of industrial agriculture.
Memory and Community in Sixteenth-Century France engages the question of remembering from a number of different perspectives. It examines the formation of communities within diverse cultural, religious, and geographical contexts, especially in relation to the material conditions for producing texts and discourses that were the foundations for collective practices of memory. The Wars of Religion in France gave rise to numerous narrative and graphic representations of bodies remembered as icons and signifiers of the religious ’troubles.’ The multiple sites of these clashes were filled with sound, language, and diverse kinds of signs mediated by print, writing, and discourses that recalled past battles and opposed different factions. The volume demonstrates that memory and community interacted constantly in sixteenth-century France, producing conceptual frames that defined the conflicting groups to which individuals belonged, and from which they derived their identities. The ongoing conflicts of the Wars hence made it necessary for people both to remember certain events and to forget others. As such, memory was one of the key ideas in a period defined by its continuous reformulations of the present as a forum in which contradictory accounts of the recent past competed with one another for hegemony. One of the aims of Memory and Community in Sixteenth-Century France is to remedy the lack of scholarship on this important memorial function, which was one of the intellectual foundations of the late French Renaissance and its fractured communities.
Within the context of Miguel de Cervantes Saavedra and his influence on Jorge Luis Borges, Manuel Puig and Gabriel Marquez, Paul Kong brings a variety of theoretical perspectives to bear as he analyzes the concepts of the archive and the manuscript. Setting the stage with an exploration of the intricate and intriguing relationship between the archive and the manuscript, Kong questions the apparently natural association between the two. In the light of Kong's historically contextualized and patient exegesis, the ideological nature of the archive, evident in its charge to serve as a totalizing habitat, stands in contrast with the manuscript that resists attempts to contain it. The playful responses of Borges, Puig and Marquez as they mine the "archive" of Cervantes' works support the anti-colonial dimension of Latin American literature and further problematize the relationship between archive and manuscript. The book concludes with a discussion of the future of archival discourse, especially in the setting of the virtual reality of the Internet and of globalization. Carefully grounded by Kong's close readings and supported by a wealth of astute references and allusions to writers as diverse as Virgil, Wordsworth, and Dickens, The Raiders and Writers of Cervantes' Archive is sure to provoke and intrigue Latin American scholars, narrative theorists, archivists, and those interested in issues related to cultural domination, ideology, and cyberspace.