Download Free In This Place Book in PDF and EPUB Free Download. You can read online In This Place and write the review.

A narrative meditation on joint nonviolence, opening a window to the questions of power, multiple narratives, and imagination that touch on struggles for justice everywhere. As a Palestinian youth, Sulaiman Khatib encountered the occupation in his village and attempted to fight back, stabbing an Israeli. Imprisoned at the age of 14, he began a process of political and spiritual transformation still unfolding today. In a book he asked Penina Eilberg-Schwartz, an American Jew, to write, and based on years of conversation between them, Khatib shares how his activism became deeply rooted in the belief that we must ground all work—from dialogue to direct action to healing—in recognition of the history and humanity of the other. He reveals how he became convinced that Palestinian freedom can flourish alongside Jewish connection to the land where he was born. In language that is poetic and unflinchingly honest, Eilberg-Schwartz and Khatib chronicle what led him to dedicate his life to joint nonviolence. In his journey, he encountered the deep injustice of torture, witnessed the power of hunger strikes, and studied Jewish history. Ultimately, he came to realize mutual recognition, alongside a transformation of the systems that governed their lives, was necessary for both Palestinians and Israelis to move forward. Still, as he built friendships with Israelis and resisted the occupation alongside them, he could not lose sight of the great power imbalance in the relationship, of all the violence and erasure still present as they dreamt forward together. Intimate and political, In This Place Together opens us up to the dangers and hopes of working with others across vast differences in power and experience. And it opens a new space, shapes a third narrative, and finds another world that can exist—though it’s often hard to see—inside this one.
The landscape photographed and the reflections on the sites of the Sunday Gospels paint a geography little changed since the time of Jesus and his followers. To see the Judean Wilderness or the River Jordan or the hills of Jerusalem is to see the topography, the land features that existed two thousand years ago. And in seeing them we are reminded that this is what Jesus saw. The dust and heat are the reality of his day and time as much as they are ours. To encounter that land if only through word and image is to touch the world of Jesus.
“The diversity of voices and songs reminds us that the home front and the battlefront are always connected and that music and war are deeply intertwined.” —Heather Marie Stur, author of 21 Days to Baghdad For a Kentucky rifleman who spent his tour trudging through Vietnam’s Central Highlands, it was Nancy Sinatra’s “These Boots Are Made for Walkin’.” For a black marine distraught over the assassination of Martin Luther King Jr., it was Aretha Franklin’s “Chain of Fools.” And for countless other Vietnam vets, it was “I Feel Like I’m Fixin’ to Die” or the song that gives this book its title. In We Gotta Get Out of This Place, Doug Bradley and Craig Werner place popular music at the heart of the American experience in Vietnam. They explore how and why U.S. troops turned to music as a way of connecting to each other and the World back home and of coping with the complexities of the war they had been sent to fight. They also demonstrate that music was important for every group of Vietnam veterans—black and white, Latino and Native American, men and women, officers and “grunts”—whose personal reflections drive the book’s narrative. Many of the voices are those of ordinary soldiers, airmen, seamen, and marines. But there are also “solo” pieces by veterans whose writings have shaped our understanding of the war—Karl Marlantes, Alfredo Vea, Yusef Komunyakaa, Bill Ehrhart, Arthur Flowers—as well as songwriters and performers whose music influenced soldiers’ lives, including Eric Burdon, James Brown, Bruce Springsteen, Country Joe McDonald, and John Fogerty. Together their testimony taps into memories—individual and cultural—that capture a central if often overlooked component of the American war in Vietnam.
A look at the human sense of time, a biological rhythm that may follow a different beat from that dictated by external, "official," "objective" timepieces. Time and Place—Timeplace—is a continuum of the mind, as fundamental as the spacetime that may be the ultimate reality of the material world.Kevin Lynch's book deals with this human sense of time, a biological rhythm that may follow a different beat from that dictated by external, "official," "objective" timepieces. The center of his interest is on how this innate sense affects the ways we view and change—or conserve, or destroy—our physical environment, especially in the cities.
Explore the past 150 years through the eyes of Indigenous creators in this groundbreaking graphic novel anthology. Beautifully illustrated, these stories are an emotional and enlightening journey through Indigenous wonderworks, psychic battles, and time travel. See how Indigenous peoples have survived a post-apocalyptic world since Contact. Each story includes a timeline of related historical events and a personal note from the author. Find cited sources and a select bibliography for further reading in the back of the book. The accompanying teacher guide includes curriculum charts and 12 lesson plans to help educators use the book with their students. This is one of the 200 exceptional projects funded through the Canada Council for the Arts’ New Chapter initiative. With this $35M initiative, the Council supports the creation and sharing of the arts in communities across Canada.
"In This Place Called Prison offers a vivid and unique examination of religion within prison and argues for its key role among some of society's most vulnerable. Although prison is defined by control--from rules and routines to mandatory labor and monitored visits--for many, religion offers a way out. Religion challenges what it means to be punished and affords community and connection in the face of fear and isolation. Rachel Ellis spent twelve months conducting ethnographic research inside the guarded gates of Mapleside Prison, a US state women's correctional facility, talking with hundreds of incarcerated women, staff, and religious volunteers. Through their stories, Ellis sets the scene of mass incarceration today, detailing how contemporary prisons both reflect and worsen the systemic racial, social, and gender inequalities characteristic of the American landscape of profound stratification. She also offers insight into how religion relates to the carceral system, tracing the role of religious institutions throughout the history of prison punishment. Offering a trenchant account of how religion collides and colludes with the state in an enduring tension between freedom and control, In This Place Called Prison speaks to the human quest for dignity and light in even the darkest of places"--
This monograph is an investigation of Yahwistic votive practice during the Hellenistic period. The dedicatory inscriptions from the Yahweh temple on Mount Gerizim are analyzed in light of votive practice in Biblical literature and in general on the basis of a thorough terminological and theoretical discussion. A special focus is laid on remembrance formulae, which request the deity to remember the worshipper in return for a gift. These formulae cannot only be found at Gerizim, but also in other Semitic dedicatory inscriptions. Therefore these texts are interpreted in their broader cultural context, placed within a broad religious practice of dedicating gifts to the gods and leaving inscriptions in sanctuaries. Finally, the aspect of divine remembrance in the Hebrew Bible is explored and related to the materiality of the votive inscription. The research concludes that there is a perception of the divine behind this practice on Mount Gerizim that ties together the aspects of gift, remembrance and material presence. This ‘theology’ is echoed both in similar Semitic dedicatory inscriptions and in the Hebrew Bible.
Selected as a Union of American Hebrew Congregations (UAHC) “Significant Jewish Book” Jacob was running away from home. One night he lay down in the wilderness to sleep and had one of the great mystical experiences of Western religion. He dreamed there was a ladder, with angels ascending and descending, stretched between heaven and earth. For thousands of years, people have tried to overhear what the messengers came down to tell Jacob, and us. Now in a daring blend of scholarship and imagination, psychology and history, Lawrence Kushner gathers an inspiring range of interpretations of Genesis 28:16 given by sages, from Shmuel bar Nachmani in third-century Palestine to Hannah Rachel Werbermacher of Ludomir who lived in Poland two hundred years ago. Through a fascinating new literary genre and Kushner’s creative reconstruction of the teachers’ lives and times, we enter the study halls and sit at the feet of these spiritual masters to learn what each discovered about God’s Self and ourselves as they ascend and descend Jacob’s ladder. In this illuminating journey, our spiritual guides ask and answer the fundamental questions of human experience: Who am I? Who is God? What is God’s role in history? What is the nature of evil? How should I relate to God and other people? Could the universe really have a self? Rabbi Lawrence Kushner brilliantly reclaims a millennium of Jewish spirituality for contemporary seekers of all faiths and backgrounds. God Was in This Place & I, i Did Not Know is about God and about you; it is about discovering God’s place in the universe, and yours.
Seeking to deepen current scholarly engagement with vocational exploration in both theory and practice, At This Time and In This Place champions the themes of calling and vocation as key elements of effective undergraduate education. Growing out of a year-long seminar sponsored by the Council of Independent Colleges and its Network for Vocation in Undergraduate Education (NetVUE), this book brings together a nationwide group of scholars from a variety of disciplines in order to produce new scholarly writing on this topic. It offers a historical and theoretical account of vocational reflection and discernment and also suggests how these endeavors can be carried out through specific educational practices. Attending both to the current state of higher education and to broader cultural trends, the contributors examine the contours of vocation from historical, theological, and philosophical perspectives. They consider the relationship between vocation and virtue, both of which encourage the cultivation of habits that lead to a life marked by flourishing and fulfillment-for oneself and for others. The authors also discuss how to engage students in actively reflecting on questions of meaning and purpose through classroom conversations, co-curricular activities, programs for community engagement, and attention to a campus's physical features. At This Time and In This Place offers a compelling argument for vocational reflection and discernment in undergraduate education and represents a significant contribution to the emerging scholarly literature in this field.
*A New York Times Notable Book* *A New York Times Book Review Editors' Choice* *A Publishers Weekly Top Ten Book of the Year* Binyavanga Wainaina tumbled through his middle-class Kenyan childhood out of kilter with the world around him. This world came to him as a chaos of loud and colorful sounds: the hair dryers at his mother's beauty parlor, black mamba bicycle bells, mechanics in Nairobi, the music of Michael Jackson—all punctuated by the infectious laughter of his brother and sister, Jimmy and Ciru. He could fall in with their patterns, but it would take him a while to carve out his own. In this vivid and compelling debut memoir, Wainaina takes us through his school days, his mother's religious period, his failed attempt to study in South Africa as a computer programmer, a moving family reunion in Uganda, and his travels around Kenya. The landscape in front of him always claims his main attention, but he also evokes the shifting political scene that unsettles his views on family, tribe, and nationhood. Throughout, reading is his refuge and his solace. And when, in 2002, a writing prize comes through, the door is opened for him to pursue the career that perhaps had been beckoning all along. A series of fascinating international reporting assignments follow. Finally he circles back to a Kenya in the throes of postelection violence and finds he is not the only one questioning the old certainties. Resolutely avoiding stereotype and cliché, Wainaina paints every scene in One Day I Will Write About This Place with a highly distinctive and hugely memorable brush.