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This is a new history of Venice, which looks at the lives of the famous individuals of the Republic to try and define its character.
An inspector rages against the announcement that police HQ is to relocate – the way so many of the city’s residents already have – to the mainland... An aspiring author struggles with the inexorable creep of rentalisation that has forced him to share his apartment, and life, with ‘global pilgrims’... An ageing painter rails against the liberties taken by tourists, but finds his anger undermined by his own childhood memories of the place... The Venice presented in these stories is a far cry from the ‘impossibly beautiful’, frozen-in-time city so familiar to the thousands who flock there every year – a city about which, Henry James once wrote, ‘there is nothing new to be said.’ Instead, they represent the other Venice, the one tourists rarely see: the real, everyday city that Venetians have to live and work in. Rather than a city in stasis, we see it at a crossroads, fighting to regain its radical, working-class soul, regretting the policies that have seen it turn slowly into a theme park, and taking the pandemic as an opportunity to rethink what kind of city it wants to be.
An inside view of Venice from bon vivant, art historian, author, musician, and world traveler Alexis Gregory, evoking the great palaces of Venice, legendary friends including Peggy Guggenheim, Lily Volpi, and Arrigo Cipriani, and great Venetian figures of the past such as the mad Marchesa Casati, the Sapphic muse Princess Winnaretta de Polignac, and the spoiled Charles de Besteigui. In this illustrated book, the city's emblematic characters, places, and events come alive.
We tried 1,000 places. And included only the 30 best. 30 unforgettable experiences that capture the soul of Venice. Every guide in the "Soul of" collection includes: - the 30 best experiences a city has to offer - interviews with those who give the city its spirit - illustrations that capture the city's soul
“The rise and fall of Venice’s empire is an irresistible story and [Roger] Crowley, with his rousing descriptive gifts and scholarly attention to detail, is its perfect chronicler.”—The Financial Times The New York Times bestselling author of Empires of the Sea charts Venice’s astounding five-hundred-year voyage to the pinnacle of power in an epic story that stands unrivaled for drama, intrigue, and sheer opulent majesty. City of Fortune traces the full arc of the Venetian imperial saga, from the ill-fated Fourth Crusade, which culminates in the sacking of Constantinople in 1204, to the Ottoman-Venetian War of 1499–1503, which sees the Ottoman Turks supplant the Venetians as the preeminent naval power in the Mediterranean. In between are three centuries of Venetian maritime dominance, during which a tiny city of “lagoon dwellers” grow into the richest place on earth. Drawing on firsthand accounts of pitched sea battles, skillful negotiations, and diplomatic maneuvers, Crowley paints a vivid picture of this avaricious, enterprising people and the bountiful lands that came under their dominion. From the opening of the spice routes to the clash between Christianity and Islam, Venice played a leading role in the defining conflicts of its time—the reverberations of which are still being felt today. “[Crowley] writes with a racy briskness that lifts sea battles and sieges off the page.”—The New York Times “Crowley chronicles the peak of Venice’s past glory with Wordsworthian sympathy, supplemented by impressive learning and infectious enthusiasm.”—The Wall Street Journal
This collection of renowned artists and writers who have been powerfully drawn to Venice includes Mark Twain, John Singer Sargent, Mary McCarthy and more. 30 color illustrations.
One of the most famous literary works of the 20th century, the novella “Death in Venice” embodies themes that preoccupied Thomas Mann (1875–1955) in much of his work; the duality of art and life, the presence of death and disintegration in the midst of existence, the connection between love and suffering, and the conflict between the artist and his inner self. Mann’s handling of these concerns in this story of a middle-aged German writer, torn by his passion for a Polish youth met on holiday in Venice, resulted in a work of great psychological intensity and tragic power.
From the myth of Arcadia through to the twenty-first century, ideas about sustainability – how we imagine better urban environments – remain persistently relevant, and raise recurring questions. How do cities evolve as complex spaces nurturing both urban creativity and the fortuitous art of discovery, and by which mechanisms do they foster imagination and innovation? While past utopias were conceived in terms of an ideal geometry, contemporary exemplary models of urban design seek technological solutions of optimal organisation. The Venice Variations explores Venice as a prototypical city that may hold unique answers to the ancient narrative of utopia. Venice was not the result of a preconceived ideal but the pragmatic outcome of social and economic networks of communication. Its urban creativity, though, came to represent the quintessential combination of place and institutions of its time. Through a discussion of Venice and two other works owing their inspiration to this city – Italo Calvino’s Invisible Cities and Le Corbusier’s Venice Hospital – Sophia Psarra describes Venice as a system that starts to resemble a highly probabilistic ‘algorithm’, that is, a structure with a small number of rules capable of producing a large number of variations. The rapidly escalating processes of urban development around our big cities share many of the motivations for survival, shelter and trade that brought Venice into existence. Rather than seeing these places as problems to be solved, we need to understand how urban complexity can evolve, as happened from its unprepossessing origins in the marshes of the Venetian lagoon to the ‘model city’ that endured a thousand years. This book frees Venice from stereotypical representations, revealing its generative capacity to inform potential other ‘Venices’ for the future.
In the new book, Serenissima: Venice in Winter, Frank Van Riper and Judith Goodman provide a stunning combination of fine art and journalistic photography twinned with lyrical text to capture the visual magic that occurs when "the most serene republic" reclaims itself as a living, breathing city and once more becomes a place "of water-filled streets..velvet shadows and footsteps echoing off paving stones in the post-midnight silence..." Six years in the making and shot entirely in black and white, Serenissima: Venice in Winter combines brilliant architectural imagery with documentary photography in the tradition of Henri Cartier-Bresson, Robert Frank and the great Italian photojournalist Gianni Berengo Gardin. Frank Van Riper's text shows the same literary mastery that won him a Nieman Fellowship to Harvard and reflects the dreamlike quality of the photographs, while also acknowledging the mystery and magic that Venice is famous for. AUTHOR: Frank Van Riper and Judith Goodman are a husband-and-wife team whose speciality is location portraiture and documentary photography. Goodman's photographs have appeared in Washington's Corcoran Gallery of Art and in the Baltimore Museum. Van Riper's photographs are in the permanent collection of the National Portrait Gallery, National Museum of American Art, and Portland Museum of Art in Portland, Maine. He now writes 'Frank Van Riper on Photography,' a column that appears exclusively and worldwide on Washingtonpost.com, making him the most widely read photography writer in the United States. SELLING POINTS: Over 90 photographs of this historic and romantic city as it is rarely captured, during the winter's mist and rain Of interest to any collector of fine art photography, travelers, and lovers of Italy 92 b/w photos