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'Land Art' includes a detailed introduction as well as a timeline of the most important events (political, cultural, scientific, etc.) that took place during the time period. It contains a selection of the most important works of the epoch.
"This book presents an introduction to master screenprinter Lou Stovall by his son--part memoir, part history--that shows Lou Stovall's path as an artist while illuminating the golden age of art in DC in the 1960s and 1970s. It then presents a stunning series of prints and poems from his Of the Land series that showcase innovative screenprinting techniques. It finishes with an excerpt from Lou's autobiography, which gives readers a sense of his approach to art and life, which are intertwined. Stovall created The Workshop in 1968 as a small, active silkscreen workshop focused primarily on printing community posters. Under Stovall's leadership, Workshop, Inc. evolved into an internationally-respected printmaking facility and Stovall collaborated with Jacob Lawrence and Sam Gilliam, among others. His works are part of numerous collections, including the National Gallery of Art, Smithsonian Ameican Art Museum, and The Phillips Collection. Publication coincides with a Kreeger Museum exhibit and precedes a forthcoming exhibit at the University of Georgia (TBD)"--
A chronology of many histories of Land art, this title begins with the early American masters of the movement, including Robert Smithson, Michael Heizer, Walter De Maria, and James Turrell. While making a thorough study these figures, the author explores the contribution of many key figures such as Richard Long, Jamish Fulton, Giuseppe Penone, Joseph Beuys and Ana Mendieta.
The definitive survey of Land Art and contemporary environmental art, now available in paperback
Light and nature blend breathtakingly in this collection of photographs from all over the world. Nature photographer Art Wolfe's vision of light in the wilderness of seven continents conveys a singular beauty. Photo essay in Audubon magazine's September issue. Articles in Smithsonian, Outside, and other national magazines. 100 color photographs.
Snow, ice, leaves, flowers, branches, rocks, sand and light... this book is a series of simple works of art, made with easily found natural materials, through the changing seasons. For those who delight in a few minutes of creativity, for families and for educators, the book is a rich source of inspiration to engage closely with the shapes, colours and textures of the everyday outdoors
"This catalogue to accompany the museum exhibition traces the emergence of the artistic impulses to use the earth as material, land as medium, and to locate works in remote sites, beyond familiar art contexts. Significantly, "Ends of the Earth" challenges many myths about Land art--that it was primarily a North American phenomenon, that it was foremost a sculptural practice, and that it exceeds the confines of the art system. Featuring over 100 artists hailing from countries including Great Britain, Germany, Iceland, Israel, Japan, the Netherlands, and the United States, the exhibition constitutes the most comprehensive survey of Land art to date"--Provided by publisher.
An attempt to melt an iceberg with a blowtorch, an indoor lake of tequila, an ascent of Mt Everest, driftwood burnt with sunlight focused through a magnifying glass and a doorbell that emits the sound of a dying star; these are some of the extraordinary artistic strategies covered in this collection. Gathering together texts published since 2002, as well as specially written new essays, In Land traces recent engagements with landscape, nature, environment and the cosmos.