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"Kilimanjaro slowly takes shape as the night sounds die, its glaciated peak tinged pink in the early light. A solitary wildebeest stares motionless as if mesmerized by the towering mass; a small caravan of giraffe drifts across the plain in solitary file, necks undulating to the slow rhythm of their gangling stride. There is an inexplicable deja vu about the African savannas, as if some subliminal memory is tweaked by the birthplace of our hominid lineage." --from In the Dust of Kilimanjaro In the Dust of Kilimanjaro is the extraordinary story of one man's struggle to protect Kenya's wildlife. World-renowned conservationist David Western -- who grew up in Africa and whose life is intertwined with the lives of its animals and indigenous peoples -- presents a history of African wildlife conservation and an intimate glimpse into his life as a global spokesperson and one of Kenya's most prominent citizens. Beginning with his childhood adventures hunting in rural Tanganyika (now Tanzania), Western describes how and why the African continent came to hold such power over him. In lyrical prose, he recounts the years of solitary fieldwork in and around Amboseli National Park that led to his gradual awakening to what was happening to the animals and people there. His immersion in the culture and ecology of the region made him realize that without an integrated approach to conservation, one that involved people as well as animals, Kenya's most magnificent creatures would be lost forever. His accounts of his friendships with the Maasai add a personal dimension to the book that gives the reader new appreciation for the centuries-old links between Africa's wildlife and people. Continued coexistence rather than segregation, he argues, offers the best hope for the world's wildlife. Western describes how his unique understanding of the potentially devastating problems in the region helped him pioneer a new approach to global wildlife conservation that balances the needs of people and wildlife without excluding one or the other. More than an exceptional autobiography, In the Dust of Kilimanjaro is a riveting look at local and global efforts to preserve species and protect ecosystems. It is the definitive story of wildlife conservation in Africa with a strong and timely message about co-existence between humans and animals.
This is the last of Hemingway's manuscripts to be published in its entirety. Editors Lewis and Fleming have taken great pains to publish as complete and faithful a publication as possible without editorial distortion. Hemingway called this title his "African Book." It is a thoughtful, adventuresome, and comedic recounting of his final safari in Africa.
The inspiring memoir of a plus-size woman who summited Kilimanjaro while overcoming fat prejudice and her own demons -- "I was moved and inspired by every page of this beautiful book" (Cheryl Strayed) Kara Richardson Whitely was determined to reach the summit of Mt. Kilimanjaro. But she struggled with each step -- with the grueling conditions on the steep mountainside, with the 300-pound weight of her own body, and with her food addiction, which came from a lifetime of reckoning with feelings of failure and shame. Deep in her personal gorge, Kara realized the only way out was up. Gorge: My Journey Up Kilimanjaro at 300 Pounds is the raw story of Kara's ascent from the depths of self-doubt to the top of the world. Her inspiring trek speaks to every woman who has struggled with her self-image or felt that food was controlling her life. Honest and unforgettable, Kara's journey is one of intense passion, endurance, and self-acceptance.
A thoughtful exploration of how humans have endangered the Earth but can pull it back from the brink, as told by a renowned conservationist This personal and thoughtful book by renowned Kenya conservationist David Western traces our global conquest from Maasai herders battling droughts in Africa to the technological frontiers of California. Western draws on a half century of research in the savannas and his own life’s journey to argue that conservation is not a modern invention. The success of all societies past and present lies in conservation practices, breaking biological barriers and learning to live in large cooperative groups able to sustain a healthy environment. Our ecological emancipation from nature enabled us to expand our horizons from conserving food and water for survival to saving whales, elephants, and our cultural heritage. In the Anthropocene, our scientific knowledge and modern sensibilities offer hope for combating global warming and creating a planet able to sustain the wealth of life, but only if we use our unique cultural capacity of cooperation to plan our future.
A collection of ten short fiction stories by American author Ernest Hemingway, including the title work about a hardened adventurer on safari in Africa who must face his innermost fears when an accident threatens to cut short his life.
Steven Barnes’s Great Sky Woman unveiled the world of a prehistoric people in the shadow of modern-day Mount Kilimanjaro. Now, in Shadow Valley, the astounding sequel, we follow the Ibandi people’s odyssey through a land where everything has changed—a land from whose ashes will grow the roots of civilization and the enduring truths of love, family, forgiveness, and faith. After the catastrophic eruption of Father Mountain, the Ibandi are divided, desperate, and afraid. Most have followed the only person in whom they still believe: young Sky Woman, who was on the great mountain when it exploded and who, along with Frog Hopping, returned to tell the tale. Nurtured by an elder whose searing visions have left her blind, Sky Woman nonetheless doubts her own visionary powers as she follows a path she can hardly discern—across savannah and parched plains—to find a valley of plenty for a people on the brink of collapse. But in fact, Sky Woman and Frog were not the only survivors of the mountain’s explosion. Another man has emerged from the destruction, vengeance pulsing in his veins, to lead a separate group of Ibandi into a vicious and reckless act of war. Soon these two strands of survivors will meet, through chance, desperation, and sheer willpower. In a world in which every moment is lived on the edge between life and death, where animal and human predators can strike in an instant, where the gods themselves seem lost, and dreams entwine with reality, a people’s destiny rushes toward them. The Ibandi must make a last, violent stand against complete destruction. In this hypnotic, thrilling, and beautiful novel, Steven Barnes explores relationships between friends and lovers, leaders and followers, strangers and allies. At once visceral and soaringly insightful, Shadow Valley is about who we are as human beings today as seen through the wondrous prism of our distant past.
A Washington Post Notable Book When a young man is gunned down in the streets of Nairobi, his grief-stricken father and sister bring his body back to their crumbling home in the Kenyan drylands. But the murder has stirred up memories long since buried, precipitating a series of events no one could have foreseen. As the truth unfolds, we come to learn the secrets held by this parched landscape, hidden deep within the shared past of a family and their conflicted nation. Spanning Kenya’s turbulent 1950s and 1960s, Dust is spellbinding debut from a breathtaking new voice in literature.
The first decade of the 21st century has seen a proliferation of North American and European films that focus on African politics and society. While once the continent was the setting for narratives of heroic ascendancy over self (The African Queen, 1951; The Snows of Kilimanjaro, 1952), military odds (Zulu, 1964; Khartoum, 1966) and nature (Mogambo, 1953; Hatari!,1962; Born Free, 1966; The Last Safari, 1967), this new wave of films portrays a continent blighted by transnational corruption (The Constant Gardener, 2005), genocide (Hotel Rwanda, 2004; Shooting Dogs, 2006), ‘failed states’ (Black Hawk Down, 2001), illicit transnational commerce (Blood Diamond, 2006) and the unfulfilled promises of decolonization (The Last King of Scotland, 2006). Conversely, where once Apartheid South Africa was a brutal foil for the romance of East Africa (Cry Freedom, 1987; A Dry White Season, 1989), South Africa now serves as a redeemed contrast to the rest of the continent (Red Dust, 2004; Invictus, 2009). Writing from the perspective of long-term engagement with the contexts in which the films are set, anthropologists and historians reflect on these films and assess the contemporary place Africa holds in the North American and European cinematic imagination.
This book explores foreign policy developments in post-colonial Africa. A continental foreign policy is a tenuous proposition, yet new African states emerged out of armed resistance and advocacy from regional allies such as the Bandung Conference and the League of Arab States. Ghana was the first Sub-Saharan African country to gain independence in 1957. Fourteen more countries gained independence in 1960 alone, and by May 1963, when the Organisation of African Unity (OAU) was formed, 30 countries were independent. An early OAU committee was the African Liberation Committee (ALC), tasked to work in the Frontline States (FLS) to support independence in Southern Africa. Pan-Africanists, in alliance with Brazzaville, Casablanca and Monrovia groups, approached continental unity differently, and regionalism continued to be a major feature. Africa’s challenges were often magnified by the capitalist-democratic versus communist-socialist bloc rivalry, but through Africa’s use and leveraging of IGOs – the UN, UNDP, UNECA, GATT, NIEO and others – to advance development, the formation of the African Economic Community, OAU’s evolution into the AU and other alliances belied collective actions, even as Africa implemented decisions that required cooperation: uti possidetis (maintaining colonial borders), containing secession, intra- and inter-state conflicts, rebellions and building RECs and a united Africa as envisioned by Pan Africanists worked better collectively.
Alexandra penned Kilimanjaro Uncovered in real time while preparing and during her climb on the Northern Circuit, a little-known hiking route away from the crowds to the top of Kilimanjaro. She provides valuable guidance for those interested in climbing themselves and tells a broader story of a truly life-changing experience. PART I - PREPARATION: While Alex over-prepared her hike, she found a lack of concise, trustworthy information in other literature, including how to select the best tour operator. For the first time, Kilimanjaro Uncovered provides comprehensive, unbiased guidance how to organize a climb, based on her experience and in-depth research. PART II - HIKING: On Kilimanjaro, Alex sees her own preconceptions turned on their heads. With the immediacy and intimacy of a journal, she tells her story with honesty, brutal at times, with self-deprecating humour, real passion and a zest for life. In easy-to-read conversational style she bares her heart with descriptions of what it means to feel vulnerable on such a trek, not least her own vulnerability, and how strength prevails when one feels most exposed. "Alex's description of the final push to the summit is some of the best writing I have seen in ages. Her real-time view of experiences is gripping . . . will have you reading well into the night." "The issue of porter welfare is taken up and is being acted upon even as this book goes to print. At a time when political correctness is killing the truth, the honest language here makes for a refreshing read. Kilimanjaro Uncovered is also, at times, laugh-out-loud funny - just like life. This makes it real." "If only for the entertainment of sharing in the experiences of what it means to be human and 'proud to be wild' for nine days, I'd say, read Kilimanjaro Uncovered by Alex Tanbai." "A must read for any mountain trekker" "A fun, informative and inspiring story" "Full of brilliant little nuggets of information that will help you prepare" "This book will have you reading well into the night"