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A collection of over 100 limericks with the author's original illustrations.
Edward Lear's much celebrated book of nonsense is here reproduced with all the original pictures and verse and two autobiographical letters by the author. Children and adults alike will delight in the Limerick's that here abound. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Profiles the education and eccentric brilliance of writer and artist Edward Gorey, discussing the creative process that led to more than 100 children's books and inspired a generation of creators, from Lemony Snicket to Tim Burton.
Sloane and Amelia clash with rival detectives when they travel to a secluded mansion in search of a missing fortune in this “warmhearted, very funny, madcap caper” (Kirkus Reviews, starred review) that’s the second book in the fun-filled Tangled Mysteries middle grade series perfect for fans of The Book Scavenger and Lemons. When Sloane Osborn and Amelia Miller-Poe arrive at Tangle Glen mansion, they have one goal: find the two million dollars that went missing on its premises decades ago. Solving the mystery would be just the kind of splashy victory their new detective agency needs to gain traction. Except that everything from the weirdly intense peony competition to the mansion’s cook who may or may not be hiding murder dolls in the attic seems to get in the way of their investigation. Not to mention Amelia’s obsession with speaking in 1920s slang, which sounds like a whole lot of nonsense to Sloane. And when it becomes clear that Amelia and Sloane aren’t the only ones searching for the missing millions, things start to get downright dangerous. So, when Sloane finds herself stranded on the edge of a slippery roof as a terrified bloodhound careens toward her, she can only ask herself: 1. Why are adults so obsessed with peonies? 2. Just how far are the other detectives willing to go to find the millions first? 3. Is the rain gutter on a hundred-year-old mansion strong enough to hold the weight of a thirteen-year-old girl and an exuberant dog?
Edward Lear began his career as an ornithological illustrator, becoming one of the first major artists to draw birds from living models. During this period he was employed to paint the birds from the private menagerie owned by Edward Stanley, the 13th Earl of Derby and one of Lear’s closest friends. In 1837, Lear’s health started to decline. His deteriorating eyesight and failing lungs forced him to abandon the detailed painting required for depicting birds, and, with the help of the earl, he moved to Rome where he established himself as a poet of literary nonsense. While Lear was visiting the Earl of Derby, he wrote poems and drew silly sketches to entertain the earl’s children. In 1846, he collected together his pile of limericks and illustrations and published his first poetical book, titled A Book of Nonsense and dedicated to the Earl of Derby and his children. He decided to publish under the pseudonym Derry down Derry, but after he started making plans for more books, he republished under his real name. His next book, Nonsense Songs, Stories, Botany, and Alphabets wasn’t published until 24 years later, in 1870. Lear then released More Nonsense, which contains more limericks, in 1872, and Laughable Lyrics in 1877. This final book in the series contains many of Lear’s most famous fantastical creatures, such as the Quangle Wangle. The influence of Lear’s poetry in the twentieth-century can be seen in styles like the surrealism movement and the theater of the absurd.
An illuminating look at the surprising upside of ambiguity—and how, properly harnessed, it can inspire learning, creativity, even empathy Life today feels more overwhelming and chaotic than ever. Whether it’s a confounding work problem or a faltering relationship or an unclear medical diagnosis, we face constant uncertainty. And we’re continually bombarded with information, much of it contradictory. Managing ambiguity—in our jobs, our relationships, and daily lives—is quickly becoming an essential skill. Yet most of us don’t know where to begin. As Jamie Holmes shows in Nonsense, being confused is unpleasant, so we tend to shutter our minds as we grasp for meaning and stability, especially in stressful circumstances. We’re hard-wired to resolve contradictions quickly and extinguish anomalies. This can be useful, of course. When a tiger is chasing you, you can’t be indecisive. But as Nonsense reveals, our need for closure has its own dangers. It makes us stick to our first answer, which is not always the best, and it makes us search for meaning in the wrong places. When we latch onto fast and easy truths, we lose a vital opportunity to learn something new, solve a hard problem, or see the world from another perspective. In other words, confusion—that uncomfortable mental place—has a hidden upside. We just need to know how to use it. This lively and original book points the way. Over the last few years, new insights from social psychology and cognitive science have deepened our understanding of the role of ambiguity in our lives and Holmes brings this research together for the first time, showing how we can use uncertainty to our advantage. Filled with illuminating stories—from spy games and doomsday cults to Absolut Vodka’s ad campaign and the creation of Mad Libs—Nonsense promises to transform the way we conduct business, educate our children, and make decisions. In an increasingly unpredictable, complex world, it turns out that what matters most isn’t IQ, willpower, or confidence in what we know. It’s how we deal with what we don’t understand.
In The Sound of Nonsense, Richard Elliott highlights the importance of sound in understanding the 'nonsense' of writers such as Lewis Carroll, Edward Lear, James Joyce and Mervyn Peake, before connecting this noisy writing to works which engage more directly with sound, including sound poetry, experimental music and pop. By emphasising sonic factors, Elliott makes new and fascinating connections between a wide range of artistic examples to ultimately build a case for the importance of sound in creating, maintaining and disrupting meaning.
Blue Sparrow was born on Twitter. It's a compilation of my daily ramblings as a first time novelist encouraging myself and other writers to bite the bullet and do it despite the fear of blank paper, the insecurities, the angst every writer faces when left alone with the story and trying to bleed it out. My Twitter followers asked me to make it. They said they want to carry it around in their pockets and take it out each time they felt stuck, scared, or simply need to smile. Because people tell me my tweets are funny. You be the judge.