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The gripping and elegiac stories of eight lost books, and the mysterious circumstances behind their disappearances. They exist as a rumour or a fading memory. They vanished from history leaving scarcely a trace, lost to fire, censorship, theft, war or deliberate destruction, yet those who seek them are convinced they will find them. This is the story of one man's quest for eight mysterious lost books. Taking us from Florence to Regency London, the Russian Steppe to British Columbia, Giorgio van Straten unearths stories of infamy and tragedy, glimmers of hope and bitter twists of fate. There are, among others, the rediscovered masterpiece that he read but failed to save from destruction; the Hemingway novel that vanished in a suitcase at the Gare du Lyon; the memoirs of Lord Byron, burnt to avoid a scandal; the Magnum Opus of Bruno Schulz, disappeared along with its author in wartime Poland; the mythical Sylvia Plath novel that may one day become reality. As gripping as a detective novel, as moving as an elegy, this is the tale of a love affair with the impossible, of the things that slip away from us but which, sometimes, live again in the stories we tell.
Once upon a time—before the 1860s—people loved old roses like "Pearl of Gold," "Marchionesse of Lorne," or "Autumn Damask." Then along came the hybrid tea roses, which were easier to arrange, more dramatic, and longer-blooming, and the old roses were all but forgotten. Now the lovely, subtle-hued, richly perfumed old roses are making a comeback, thanks to the efforts of a stubborn band of eccentric characters who rescued them from back alleys, ramshackle cottages, and overgrown graveyards across the country. Thomas Christopher tells us the fascinating stories of the old roses—how they were created and made their way to America—and the unforgettable people who "rustle" them from abandoned lots and secret gardens today, revelling in the mystery of an "unknown yellow."
The long-awaited penultimate volume--"the very summit of Proust's art" (Slate)--in the acclaimed Penguin translation of Marcel Proust's greatest work, in time for the 150th anniversary of his birth "The greatest literary work of the twentieth century." --The New York Times A Penguin Classics Deluxe Edition, with flaps and deckle-edged paper Peter Collier's acclaimed translation of The Fugitive introduces a new generation of American readers to the literary riches of Marcel Proust. The sixth and penultimate volume in Penguin Classics' superb new edition of In Search of Lost Time--the first completely new translation of Proust's masterpiece since the 1920s--brings us a more comic and lucid prose than readers of English have previously been able to enjoy. "Miss Albertine has left!" So begins The Fugitive, the second part of what is often referred to as "the Albertine cycle," or books five and six of In Search of Lost Time. As Marcel struggles to endure Albertine's departure and vanquish his loss, he ends up in an anguished search for the essential truth of the enigmatic fugitive, whose love affairs with other women provoke in him jealousy and a new understanding of sexuality. Eventually, he lets go of Albertine and begins to find himself, discovering his own long-lost inner sources of creativity. For more than seventy-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 2,000 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Questions of survival and loss bedevil the study of early printed books. Many early publications are not particularly rare, but many have disappeared altogether. Here leading specialists in the field explore different strategies for recovering this lost world of print.
Named a Times Literary Supplement Best Book of the Year A Pulitzer Prize–winning historian revisits Marcel Proust’s masterpiece in this essay on literature and memory, exploring the question of identity—that of the novel’s narrator and Proust’s own. This engaging reexamination of In Search of Lost Time considers how the narrator defines himself, how this compares to what we know of Proust himself, and what the significance is of these various points of commonality and divergence. We know, for example, that the author did not hide his homosexuality, but the narrator did. Why the difference? We know that the narrator tried to marginalize his part-Jewish background. Does this reflect the author’s position, and how does the narrator handle what he tries, but does not manage, to dismiss? These are major questions raised by the text and reflected in the text, to which the author’s life doesn’t give obvious answers. The narrator’s reflections on time, on death, on memory, and on love are as many paths leading to the image of self that he projects. In Proustian Uncertainties, Saul Friedländer draws on his personal experience from a life spent investigating the ties between history and memory to offer a fresh perspective on the seminal work.
SPANNING SIX GENERATIONS and three continents,My Name, a Living Memoryis a fictionalized saga of author Giorgio van Straten’s family from the Napoleonic era through World War II. The story begins in Rotterdam in 1811, when Hartog son of Alexander — father, cucumber salesman, and Dutch Jew — is forced by Napoleonic edict to choose a last name. He chooses Straaten, the Dutch word for “street.” The name presages a journey through history that flings Hartog’s descendants as far afield as San Francisco, London, Odessa, Sao Paolo, and Tbilisi. They witness the Gold Rush, the Russian Revolution, the Stalinist purges, and, finally, the Holocaust. Some are uprooted by business interests, including the author’s grandfather, who lost one of the A’s in his surname en route. As the political climate grows increasingly perilous for Jews throughout Europe, several are forced to flee for their lives, and many fail to return from Auschwitz, Sobibor, and Bergen-Belsen. Historical fiction of a very personal sort, van Straten weaves his relatives’ stories together, much as an art restorer reconstructs the missing portions of a fresco, guided by the evidence that remains. A gold watch, a few photographs, crumpled documents and letters, family lore; these are the artifacts from which lives are re-created. In the end, the story of van Straten’s family can be read as a testament to the rich and varied history and culture of Jews in Europe and the Americas.
Part of the series "The Library of Doom," this title includes a collection of deadly and dangerous books.
No library's complete without the classics! The first volume of Proust's seven-part novel "In Search of Lost Time," also known as "A Remembrance of Things Past," "Swann's Way" is the auspicious beginning of Proust's most prominent work. A mature, unnamed man recalls the details of his commonplace, idyllic existence as a sensitive and intuitive boy in Combray. For a time, the story is narrated through his younger mind in beautiful, almost dream-like prose. In a subsequent section of the volume, the narrator tells of the excruciating romance of his country neighbor, Monsieur Swann. The narrator reverts to his childhood, where he begins a similarly hopeless infatuation with Swann's little daughter, Gilberte. More than this apparently fragmented narrative, however, is the importance of the themes of memory, time, and art that connect and interweave the man's memories. Considered to be one of the twentieth century's major novels, Proust ultimately portrays the volatility of human life in this sweeping contemplation of reality and time. Illustrated with book-end doodles about reading
It is one of the most astonishing facts of cinema history: an extraordinary number of important films are believed to be lost forever. Spanning from the early days of the silent movies to as late as the 1970s and touching all corners of the global film experience, groundbreaking works of significant historical and artistic importance are gone. Cinema icons including Orson Welles, Stanley Kubrick, Alfred Hitchcock, Oscar Micheaux and Vincente Minnelli are among those impacted by this tragedy, and pioneering technological achievements in color cinematography, sound film technology, animation and widescreen projection are among the lost treasures. How could this happen? And is it possible to recover these missing gems? In this book, noted film critic and journalist Phil Hall details circumstances that resulted in these productions being erased from view. For anyone with a passion for the big screen, In Search of Lost Films provides an unforgettable consideration of a cultural tragedy.