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"Praised by the New York Times as "a highly important exhibition book," this lavishly produced catalog reproduces illustrated texts from the groundbreaking exhibition at the Arthur M. Sackler Gallery. Called "fabulous" by the Washington Post, Falnama was the first show of its kind dedicated to the art of divination in the Islamic world. The Falnama were brilliantly painted compositions created in Safavid Iran and Ottoman Turkey in the sixteenth and early seventeenth centuries. Falnama: The Book of Omens combines rare images with scholarly texts on the deeper meaning of dreams, omens, and divination. Featured in this first publication ever devoted to the Falnama as a genre are intact volumes as well as text folios and illustrations now dispersed among international public and private collections. Essays by scholars of Safavid, Ottoman, and Byzantine history and language, complemented by full-color illustrations, offer detailed analysis of the form, content, and meaning of these rarely seen works of art. The first-ever translations of three of the four monumental copies provide insight into a vivid and enduring aspect of human concern--the unknown."--Publisher's website.
Twelve-year-old Henry Coffin, the son of a private investigator, helps a gorgeous high school girl in her dangerous attempt to find her kidnapped mother.
A beautifully crafted memoir about fathers and sons, masculinity, and the lengths we sometimes go to in order to confront our past "[A] lucidly written memoir . . . Coffin’s triumph lies in ridding the language of his father, a language that compelled him to dwell in a house he did not recognize." —Matthew Janney, The Los Angeles Review of Books While lifting weights in the Seldon Jackson College gymnasium on a rainy autumn night, Jaed Coffin heard the distinctive whacking sound of sparring boxers down the hall. A year out of college, he had been biding his time as a tutor at a local high school in Sitka, Alaska, without any particular life plan. That evening, Coffin joined a ragtag boxing club. For the first time, he felt like he fit in. Coffin washed up in Alaska after a forty-day solo kayaking journey. Born to an American father and a Thai mother who had met during the Vietnam War, Coffin never felt particularly comfortable growing up in his rural Vermont town. Following his parents’ prickly divorce and a childhood spent drifting between his father’s new white family and his mother’s Thai roots, Coffin didn’t know who he was, much less what path his life should follow. His father’s notions about what it meant to be a man—formed by King Arthur legends and calcified in the military—did nothing to help. After college, he took to the road, working odd jobs and sleeping in his car before heading north. Despite feeling initially terrified, Coffin learns to fight. His coach, Victor “the Savage,” invites him to participate in the monthly Roughhouse Friday competition, where men contend for the title of best boxer in southeast Alaska. With every successive match, Coffin realizes that he isn’t just fighting for the championship belt; he is also learning to confront the anger he feels about a past he never knew how to make sense of. Deeply honest and vulnerable, Roughhouse Friday is a meditation on violence and abandonment, masculinity, and our inescapable longing for love. It suggests that sometimes the truth of what’s inside you comes only if you push yourself to the extreme.
A testament to American veterans past and present, and what began as a simple family tree project, evolved this true-life tale of an 'ordinary' man's extraordinary life.
This essential foundation for teaching vocal technique is now available in paperback! Based on the great teaching of the past, it explains the utilization of principles and applications of vocal techniques. The Chromatic Vowel Chart defines the vowel color changes in chromatic progressions for all voices, and the text explains how singing principles can be used by relying on the ear, the eye, and the sense of vibration in the body. Cloth edition [0-8108-1933-3] published in 1987. Paperback edition available April 2002.
Drawing on her love of archaeology and the legends surrounding the Lost Colonists of Roanoke Island, author Deborah Dunn has woven a spell-binding murder mystery about a young archaeologist, Andrea Warren, who goes in search of why her father committed suicide as a young man while looking for the infamous coffins of Beechland, coffins the locals claim belong to remnants of the 117 men, women, and children who vanished without a trace in 1590. But what she discovers soon puts her life in danger. Who wants to stop her? And how far would they go to keep her from making one of the most important archaeological discoveries of all time: What happened to the Lost Colony of Roanoke Island? Where did Virginia Dare go? "Most archaeologists, including myself, rarely have the time or the inclination to read historical novels, particularly those whose themes are archaeology. There are so many errors in the research or the stories are so unrealistic that it is difficult to truly enjoy reading. But The Coffins was the exception. Not only is it a successful blend of historical research and local ethnography, it is a true page-turning crime thriller. Think Sue Grafton meets Ivor Noel Hume. It is historical fiction as it should be written. A great read!" Dr. Charles Ewen, Director of the Phelps Archaeology Lab, Professor, East Carolina University Greenville, North Carolina
After a marijuana-addled brawl with a rival gang, 16-year-old Azael wakes up to find himself surrounded by a familiar set of concrete walls and a locked door. Juvie again, he thinks. But he can't really remember what happened or how he got picked up. He knows his MS13 boys faced off with some punks from Crazy Crew. There were bats, bricks, chains. A knife. But he can't remember anything between that moment and when he woke behind bars. Azael knows prison, and something isn't right about this lockup. No phone call. No lawyer. No news about his brother or his homies. The only thing they make him do is watch some white girl in some cell. Watch her and try to remember. Lexi Allen would love to forget the brawl, would love for it to disappear back into the Xanax fog it came from. And her mother and her lawyer hope she chooses not to remember too much about the brawl?at least when it's time to testify. Lexi knows there's more at stake in her trial than her life alone, though. She's connected to him, and he needs the truth. The knife cut, but somehow it also connected.
Rose Coffin can't win. She's teased for her secondhand clothes. She's teased for blushing all the time. And she's teased for slipping into song at inopportune moments, though that's the only thing that keeps her panic at bay. After a particularly mortifying incident, Rose escapes to the woods where she's captured by a group of otherworldly creatures. They take her to Eppersett-a magical, eerily beautiful place where cemeteries are full of dead dreams, moving castles roll along on tracks, and most shocking of all . . . people seem to love Rose at first sight. They tell her that she's "the one they've been waiting for. The one who's going to save them." An evil force called the Abomination is on the loose, and there's only one thing powerful enough to stop it-her voice.There's just one catch. Rose hasn't been brought to Eppersett to fight the Abomination.She's going to be sacrificed to it. She's the chosen one all right . . . the one who's been chosen to die.In this startlingly original fantasy, M.P. Kozlowsky takes readers on a journey like no other-an adventure that'll transform everything you thought you knew about friendship, love, and the true power of finding your voice.