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Winner, 2024 Patrick D. Hanan Prize for Translation, Association for Asian Studies In the first half of the eighteenth century, rival dynasties of Naqshbandi Sufi shaykhs vied for influence in the Tarim Basin, part of present-day Xinjiang. In the 1750s, the collapse of the Junghar Mongol state gave one branch of this family an opportunity to assert their independence in the oasis cities of Kashgar and Yarkand. Others sided with the armies of the Qing dynasty, which were massing on the frontiers to invade. The ensuing conflict saw the region incorporated into the expanding Qing imperium. Three decades afterward, Muḥammad Ṣadiq Kashghari was commissioned to write an account of these Naqshbandi Sufis and their downfall. Blending the genres of collective biography and historical epic, mixing prose and verse, Kashghari’s text vividly depicts religious and political conflicts on the eve of the Qing conquest. It became the most popular and influential Chaghatay-language work to grapple with this divisive period. This volume presents the complete, long recension of In Remembrance of the Saints, translated for the first time into any Western language and extensively annotated with reference to both Islamic and Qing sources. The introduction situates the work in the Inner Asian tradition of Sufi biography and discusses the political factors shaping historical memory in Qianlong-era Xinjiang. Providing a rare local perspective on China’s expansion into Muslim borderlands, this translation sheds light on Xinjiang’s political and religious traditions and makes a foundational work of Inner Asian literature available to students and scholars.
This is a major work of Islamic mysticism by the great thirteenth-century Persian poet, Farid al-Din Attar. Translated by A J Arberry, Attar's work and thought is set in perspective in a substantial introduction.
. . . we move to the town of Aconchi on the Río Sonora, where the mission church once contained a life-sized crucifix with a black corpus, known both as Nuestro Señor de Esquipulas . . . and El Cristo Negro de Aconchi . . . So describes well-known and beloved folklorist James S. Griffith as he takes us back through the decades to a town in northern Sonora where a statue is saved—and in so doing, a community is saved as well. In Saints, Statues, and Stories Griffith shares stories of nearly sixty years of traveling through Sonora. As we have come to expect through these journeys, “Big Jim”—as he is affectionately known by many—offers nothing less than the living traditions of Catholic communities. Themes of saints as agents of protection or community action are common throughout Sonora: a saint coming out of the church to protect the village, a statue having a say in where it resides and paying social calls to other communities, or a beloved image rescued from destruction and then revered on a private altar. A patron saint saves a village from outside attackers in one story—a story that has at least ten parallels in Sonora’s former mission communities. Details may vary, but the general narrative remains the same: when hostile nonbelievers attack the village, the patron saint of the church foils them. Griffith uncovers the meanings behind the devotional uses of religious art from a variety of perspectives—from artist to audience, preservationist to community member. The religious artworks transcend art objects, Griffith believes, and function as ways of communicating between this world and the next. Setting the stage with a brief geography, Griffith introduces us to roadside shrines, artists, fiestas, saints, and miracles. Full-color images add to the pleasure of this delightful journey through the churches and towns of Sonora.
After Jesus, Peter is the most frequently mentioned individual both in the Gospels and in the New Testament as a whole. He was the leading disciple, the "rock" on which Jesus would build his church. How can we know so little about this formative figure of the early church? World-renowned New Testament scholar Markus Bockmuehl introduces the New Testament Peter by asking how first- and second-century sources may be understood through the prism of "living memory" among the disciples of the apostolic generation and the students of those disciples. He argues that early Christian memory of Peter underscores his central role as a bridge-building figure holding together the diversity of first-century Christianity. Drawing on more than a decade of research, Bockmuehl applies cutting-edge scholarship to the question of the history and traditions of this important but strangely elusive figure. Bockmuehl provides fresh insight into the biblical witness and early Christian tradition that New Testament students and professors will value.
From USCCB Publishing, this revision of the General Instruction of the Roman Missal (GIRM) seeks to promote more conscious, active, and full participation of the faithful in the mystery of the Eucharist. While the Missale Romanum contains the rite and prayers for Mass, the GIRM provides specific detail about each element of the Order of Mass as well as other information related to the Mass.
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Questions run the breadth of the Mormon experience, including doctrinal questions as well as questions about the LDS lifestyle.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Within two years after the death of Francis of Assisi, Thomas of Celano composed The Life of Saint Francis of Assisi, a portrait of the newly canonized Umbrian: a saint who easily met all the criteria needed for canonization and walked in the footsteps of Martin, Benedict, Bernard, Malachy, and so many others. Less than twenty years later, Thomas used his literary skills once more. In many ways, The Remembrance of the Desire of a Soul, his second portrait of Francis, exceeded his first as the friar unleashed his poetic powers to capture the wonder and especially the uniqueness of the saint’s life and vision. Hardly had this work become known, when Thomas composed a comprehensive, orderly view of Francis’s miracles, The Treatise on the Miracles. The three classic works appear here for the first time in one volume. “Thomas of Celano's early literary portraits of Francis bring us into intimate contact with the Poor Man of Assisi. These works exhibit that rare combination of charm and profundity. Every lover of Francis will treasure this volume.” Lawrence S. Cunningham John A. O'Brien Professor of Theology The University of Notre Dame