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Georgia Peach Award Nominee • Florida Teens Read Award Nominee • ABC Best Books for Young Readers • Bank Street College Best Children’s Books of the Year • A Junior Library Guild Selection • Hugo & Locus award finalist In Other Lands is an exhilarating novel from bestselling author Sarah Rees Brennan about surviving four years in the most unusual of schools - friendship, falling in love, diplomacy, and finding your own place in the world — even if it means giving up your phone. Excerpt: The Borderlands aren’t like anywhere else. Don’t try to smuggle a phone or any other piece of technology over the wall that marks the Border — unless you enjoy a fireworks display in your backpack. (Ballpoint pens are okay.) There are elves, harpies, and — best of all as far as Elliot is concerned — mermaids. "What’s your name?" "Serene." "Serena?" Elliot asked. "Serene," said Serene. "My full name is Serene-Heart-in-the-Chaos-of-Battle." Elliot’s mouth fell open. "That is badass." Elliot? Who’s Elliot? Elliot is thirteen years old. He’s smart and just a tiny bit obnoxious. Sometimes more than a tiny bit. When his class goes on a field trip and he can see a wall that no one else can see, he is given the chance to go to school in the Borderlands. It turns out that on the other side of the wall, classes involve a lot more weaponry and fitness training and fewer mermaids than he expected. On the other hand, there’s Serene-Heart-in-the-Chaos-of-Battle, an elven warrior who is more beautiful than anyone Elliot has ever seen, and then there’s her human friend Luke: sunny, blond, and annoyingly likeable. There are lots of interesting books. There’s even the chance Elliot might be able to change the world. Chapter illustrations by Casey Nowak.
“Immersive . . . bracingly ambitious . . . rewinds the story of life on Earth—from the mammoth steppe of the last Ice Age to the dawn of multicellular creatures over 500 million years ago.”—The Economist LONGLISTED FOR THE BAILLIE GIFFORD PRIZE • “One of those rare books that’s both deeply informative and daringly imaginative.”—Elizabeth Kolbert, author of Under a White Sky ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Prospect (UK) The past is past, but it does leave clues, and Thomas Halliday has used cutting-edge science to decipher them more completely than ever before. In Otherlands, Halliday makes sixteen fossil sites burst to life on the page. This book is an exploration of the Earth as it used to exist, the changes that have occurred during its history, and the ways that life has found to adapt―or not. It takes us from the savannahs of Pliocene Kenya to watch a python chase a group of australopithecines into an acacia tree; to a cliff overlooking the salt pans of the empty basin of what will be the Mediterranean Sea just as water from the Miocene Atlantic Ocean spills in; into the tropical forests of Eocene Antarctica; and under the shallow pools of Ediacaran Australia, where we glimpse the first microbial life. Otherlands also offers us a vast perspective on the current state of the planet. The thought that something as vast as the Great Barrier Reef, for example, with all its vibrant diversity, might one day soon be gone sounds improbable. But the fossil record shows us that this sort of wholesale change is not only possible but has repeatedly happened throughout Earth history. Even as he operates on this broad canvas, Halliday brings us up close to the intricate relationships that defined these lost worlds. In novelistic prose that belies the breadth of his research, he illustrates how ecosystems are formed; how species die out and are replaced; and how species migrate, adapt, and collaborate. It is a breathtaking achievement: a surprisingly emotional narrative about the persistence of life, the fragility of seemingly permanent ecosystems, and the scope of deep time, all of which have something to tell us about our current crisis.
To the Boys and Girls Who Will Read This Book You all want to cross the ocean in a big steamship, I'm sure. Perhaps some of you are looking forward to going by air some day. But there is an easier way to travel than that. It is the book way. Without the trouble of packing even an over-night bag, this book will take you to many far away and fascinating lands. Watty Piper hopes that it will do more than that. One of the pleasantest things about going to new places is making new friends, isn't it? The little folks from far away, whom you will meet in these pages, do not wear clothes like yours. They do not eat the same kind of food. But under their skins, you will find they are not so different from you after all. Surely you can be friends. And now we're off. A pleasant journey. WATTY PIPER. Text and illustrations introduce The Everyday Life Of Children In Various Countries Around The World. Written by the same man as "The Little Engine that Could".
Collected here for the first time are all of the tales from the land of Tortall, featuring both previously unknown characters as well as old friends. Filling some gaps of time and interest, these stories, some of which have been published before, will lead Tammy's fans, and new readers into one of the most intricately constructed worlds of modern fantasy.
The boys of Kings Row head to France with exes, rivalries, and secrets in this fun and hilarious novel by a New York Times bestselling author—inspired by the award-nominated comic series by C.S. Pacat and Johanna The Mad. The boys of Kings Row are off to a training camp in Europe! Surrounded impressive scenery and even more impressive European fencing teams, underdog Nicholas can't help but feel out of place. With the help of a local legend, though, he and the rest of the team finds it within themselves to face superior fencers, ex-boyfriends, expulsion, and even Nicholas's golden-boy, secret half-brother, the infamous Jesse Coste. Will Aiden and Harvard end up together, though? En garde! The second installment of this enticing original YA novel series by Sarah Rees Brennan, rich with casual diversity and queer self-discovery, explores never-before-seen drama inspired by C.S. Pacat's critically acclaimed Fence comic series. Text and Illustration copyright: © 2021 BOOM! Studios Fence(TM) and © 2021 C.S. Pacat
One of TIME's 100 Must Read Books of 2020 and one of Good Housekeeping's Best Books of the Year “One of the smartest young writers of her generation.”—Book Riot Featuring a new afterword from the author, Morgan Jerkins' powerful story of her journey to understand her northern and southern roots, the Great Migration, and the displacement of black people across America. Between 1916 and 1970, six million black Americans left their rural homes in the South for jobs in cities in the North, West, and Midwest in a movement known as The Great Migration. But while this event transformed the complexion of America and provided black people with new economic opportunities, it also disconnected them from their roots, their land, and their sense of identity, argues Morgan Jerkins. In this fascinating and deeply personal exploration, she recreates her ancestors’ journeys across America, following the migratory routes they took from Georgia and South Carolina to Louisiana, Oklahoma, and California. Following in their footsteps, Jerkins seeks to understand not only her own past, but the lineage of an entire group of people who have been displaced, disenfranchised, and disrespected throughout our history. Through interviews, photos, and hundreds of pages of transcription, Jerkins braids the loose threads of her family’s oral histories, which she was able to trace back 300 years, with the insights and recollections of black people she met along the way—the tissue of black myths, customs, and blood that connect the bones of American history. Incisive and illuminating, Wandering in Strange Lands is a timely and enthralling look at America’s past and present, one family’s legacy, and a young black woman’s life, filtered through her sharp and curious eyes.
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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Peter Doig is well known for the exotic atmospheres and dreamy narratives that appear in his work. With an uncommonly rich color palette and a unique material sensibility, he has created some of the most resonant and evocative images in contemporary painting, placing him among the most inventive painters working today. But, as this extensive volume makes clear, he is also a sophisticated visual thinker, endlessly preoccupied with the process and history of painting. No Foreign Lands is the first publication to examine in depth the conceptual underpinnings of Doig's oeuvre. Particular attention is given to the importance of motifs, themes and variations in his work, explored in over 200 paintings and works on paper from the past 13 years, among them new works never before published.Born in Edinburgh in 1959, Peter Doig was raised in Canada and spent two decades in London before moving to Trinidad, where he now lives and works. Doig graduated from St. Martin's School of Art in 1983 and the Chelsea School of Art in 1990. He was nominated for the Turner Prize in 1994, and was included in the 2006 Whitney Biennial. In February 2013, his painting "The Architect's Home in the Ravine" sold for $12,000,000 at a London auction. The exhibition No Foreign Lands, which opened at the Scottish National Gallery before traveling to the Museum of Fine Arts, Montreal, showcases works created during the past ten years, much of which the artist spent in Trinidad. The Independent called the exhibition "a thrilling show," and The Observer praised it as "mesmerizing."