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All too often, this brilliant novel of thwarted love and revenge miscarried has been read for its political implications. Now, a quarter century after The Joke was first published and several years after the collapse of the Soviet-imposed Czechoslovak regime, it becomes easier to put such implications into perspective in favor of valuing the book (and all Kundera 's work) as what it truly is: great, stirring literature that sheds new light on the eternal themes of human existence. The present edition provides English-language readers an important further means toward revaluation of The Joke. For reasons he describes in his Author's Note, Milan Kundera devoted much time to creating (with the assistance of his American publisher-editor) a completely revised translation that reflects his original as closely as any translation possibly can: reflects it in its fidelity not only to the words and syntax but also to the characteristic dictions and tonalities of the novel's narrators. The result is nothing less than the restoration of a classic.
Over 1,000 jokes, 96 drawings. Index. "Gr.4-6. A gigantic compendium of rib-tickling, giggle-inspiring one liners, puns, funny stories, put-downs...Clever and witty."--SLJ. "True kid appeal."--Learning. 256 pages, b/w illus. throughout, 5 3/8 x 8 1/4.
This edited volume brings together scholars of comedy to assess how political comedy encounters neoliberal themes in contemporary media. Central to this task is the notion of genre; under neoliberal conditions (where market logics motivate most actions) genre becomes “mixed.” Once stable, discreet categories such as comedy, horror, drama and news and entertainment have become blurred so as to be indistinguishable. The classic modern paradigm of comedy/tragedy no longer holds, if it ever did. Moreover, as politics becomes more economic and less moral or normative under neoliberalism, we are able to see new resistance to comedic genres that support neoliberal strategies to hide racial and gender injustice such as unlaughter, ambiguity, and anti-comedy. There is also an increasing interest with comedy as a form of entertainment on the political right following both Brexit in the UK and the election of Trump in the U.S. Several essays confront this conservative comedy and place it in context of the larger humor history of these debates over free speech and political correctness. For comedians too, entry into popular media now follows the familiar neoliberal script of the celebration of self-help with the increasing admonishment of those who fail to win in market terms. Laughter plays an important role in shaming and valorizing (often at the same time!) the precarious subject in the aftermath of global recession. Doubling down on austerity, self-help policies and equivocation in the face of extremist challenges (right and left), politics foils the critical comedian’s attempt to satirize and parody its object. Characterized by ambiguity, mixed genre and the increasing use of anti-humor, political comedy mirrors the social and political world it mocks, parodies and celebrates often with lackluster results suggesting that the joke might be on us, as audiences.
In a blend of essayistic poetics, Broadbent wields alchemy, translation and necromancy to bring readers In on the Great Joke. What do you get when you cross Lao Tzu and an application for a university teaching application? What do you get when you give W. G. Sebald and Clarice Lispector the ability to speak from the afterlife? What happens if a girl is stopped at a red light for an entire year? In on the Great Joke is a palace of hybridity, where film structure informs poetry, poetry alters the essay, and the essay recalibrates the joke. Broadbent has lent her ear to the dead, the living, the voiceless, to give us the punchline of what it means to be intellectually alive. 'Then there's Laura Broadbent. She is, as are her poems, full of sultry verve and invective. Watch out. Her lines are dizzying and always on point.' - Michael Nardone, Hobo Magazine Praise for Oh There You Are I Can't See You Is It Raining?: 'Oh There You Are... succeeds because it is accessible. Intellectually rigorous and evasive, it also makes itself emotionally available.' - Justin F. Ridgeway, Broken Pencil
As John Hodgman says in this book's introduction, “We all know that books are funny. First, they are made of paste and cloth, which is funny, as is the fact that people still buy and read them.” With that in mind, the McSweeney's Joke Book of Book Jokes collects the best book-related humor from the humor-laden archives of McSweeney's Internet Tendency. Open it and be regaled by such sketches, lists, letters, and spoofs as: Postcards from James Joyce to his Brother Stan Winnie-the-Pooh is My Coworker Ikea Product or Lord of the Rings Character? Popular Children's Fairy Tales Reimagined Using Members of My Family The Very Unauthorized Biography of Steven Seagal Chuck Norris Erotica John Updike, Television Writer Jane Eyre Runs for President Cormac McCarthy Writes to the Editor of the Santa Fe New Mexican Holden Caulfield Gives the Commencement Speech to a High School Letters from Odysseus's College Roommate And many dozens more.
Over 500 giggles, groans, and belly laughs! Kids can’t resist sharing jokes (even you try to stop them), so they always need a fresh supply. We’ve stuffed the pages of this little joke book with the funniest jokes we could find. Old favorites, new favorites, and a few festering stinkers, all guaranteed to make kids laugh out loud. You’ll find Q&A jokes, knock-knock jokes, riddles, and one-liners. And, of course, we’ve included entire chapters of those all-time kid-pleasers: elephant jokes, pirate jokes, and space jokes. Here’s a sampling: What's black and white, black and white, black and white? A penguin rolling down a hill. Why don’t zombies eat clowns? They taste funny. Why did the hen scold her chicks? They were using fowl language. What kind of books do skunks read? Best-smellers! How does Darth Vader like his toast? On the dark side. . . . and many more!
“A sensitive and vivid study of early female stand-ups… [Levy is a] painstaking, knowledgeable guide.” —New York Times Book Review A hilarious and moving account of the trailblazing women of stand-up comedy who broke down walls so they could stand before the mic—perfect for fans of The Marvelous Mrs. Maisel and Hacks Today, women are ascendant in stand-up comedy, even preeminent. They make headlines, fill arenas, spawn blockbuster movies. But before Amy Schumer slayed, Tiffany Haddish killed, and Ali Wong drew roars, the very idea of a female comedian seemed, to most of America, like a punch line. And it took a special sort of woman—indeed, a parade of them—to break and remake the mold. In on the Joke is the story of a group of unforgettable women who knocked down the doors of stand-up comedy so other women could get a shot. It spans decades, from Moms Mabley’s rise in Black vaudeville between the world wars, to the roadhouse ribaldry of Belle Barth and Rusty Warren in the 1950s and '60s, to Elaine May's co-invention of improv comedy, to Joan Rivers's and Phyllis Diller’s ferocious ascent to mainstream stardom. These women refused to be defined by type and tradition, facing down indifference, puzzlement, nay-saying, and unvarnished hostility. They were discouraged by agents, managers, audiences, critics, fellow performers—even their families. And yet they persevered against the tired notion that women couldn’t be funny, making space not only for themselves, but for the women who followed them. Meticulously researched and irresistibly drawn, Shawn Levy's group portrait forms a new pantheon of comedy excellence. In on the Joke shows how women broke into the boys’ club, offered new ideas of womanhood, and had some laughs along the way.
While debating Sir Winston on the House of Commons, Lady Astor says, Sir Winston, if I were your wife, I should poison your tea. Sir Winston replies, Madam, if I were your husband, I would drink it. In 1066, a Battle of Hastings ensued in England, eventually causing two languages to merge and form modern English. In The Jokes on Me, English language aficionado Jim Purdy provides an entertaining tutorial of jokes, explanations, and associated vocabulary based on this historical transition. Purdy bases most of his jokes on sex, politics, and religion, depending on the unexpected as he leads serious students of languages to the other side of English. While including jokes not intended for the easily offended, Purdy relies on the experiences he acquired during his frequent travels throughout Europe as he shares jokes as diverse as the world around us. Purdy spares no one from his humorous jabs, including Lady Astor and Sir Winston, the Lone Ranger, and the Pope. The Jokes on Me is a step-by-step guide that will encourage both novice and experienced students of languages to gain a new appreciation of the American sense of humor while simultaneously enhancing their vocabulary and linguistics abilities.