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This modern divine comedy, based on the original Divine Comedy that Dante wrote 700 years ago, tells the story of Tom Reed and how his early interest in Dante inspired him to make his own viaggio (journey) to the Underworld. After describing Tom's church upbringing and his joining, then leaving the church, the story continues in the Underworld (a.k.a. Hell) with a cast of characters Dante never could have imagined: Tanya, the CEO; Umberto, the Guest Master; Rachel, a young Dante scholar from Berkeley; visitors from China, India, Kenya, and Germany; and famous people in history woken up from the Big Nap for a "Great Minds and Personalities" conference attended by such greats as Socrates, Alexander the Great, Joan of Arc, Einstein, Isaac Bashevis Singer, and Groucho Marx. Tom also visits his father who's in a "Purgatory precinct" and talks to Hashem, his "wife" Naomi, and somebody called Satan who wears a cowboy hat and walks with a swagger. The climax of Tom's viaggio is his visit to the Crusaders who used to be in charge because he wants to include them in the book he plans to write that could make him the next Dante. However, because the Crusaders disapprove of his being a "defrocked priest," when he arrives, they withdraw their invitation and put him on trial. After he survives his ordeal with the help of Wanda (an ex-nun), members of GETA (Ghosts for the Ethical Treatment of Animals), and Dante himself, Tom is taken to the exit and resurfaces in New Jersey where Beatrice, his college girlfriend with whom he's back in contact, is waiting for him. Dante had his Beatrice (one of the great love stories of world literature), so why shouldn't Tom have his?
Dante, the pilgrim, is the image of an author who stubbornly looks ahead, seeking and building the "Great Beyond" (Manguel). Following in his footsteps is therefore not a return to the past, going à rebours, but a commitment to the future, to exploring the potential of humanity to "transhumanise". This dynamic of self-transcendence in Dante’s humanism (Ossola), which claims for European civilisation a vocation for universalism (Ferroni), is analysed in the volume at three crucial moments: Firstly, the establishment of an emancipatory relationship between author and reader (Ascoli), in which authorship is authority and not power; secondly, the conception of vision as a learning process and horizon of eschatological overcoming (Mendonça); finally, the relationship with the past, which is never purely monumental, but ethically and intertextually dynamic, in an original rewriting of the original scriptural, medieval, and classical culture (Nasti, Bolzoni, Bartolomei). A second group of contributions is dedicated to the reconstruction of Dante’s presence in Portuguese literature (Almeida, Espírito Santo, Figueiredo, Marnoto, Vaz de Carvalho): they attest to the innovative impact of Dante’s work even in literary traditions more distant from it.
A richly detailed graveyard history of the Florentine poet whose dead body shaped Italy from the Middle Ages and the Renaissance to the Risorgimento, World War I, and Mussolini’s fascist dictatorship. Dante, whose Divine Comedy gave the world its most vividly imagined story of the afterlife, endured an extraordinary afterlife of his own. Exiled in death as in life, the Florentine poet has hardly rested in peace over the centuries. Like a saint’s relics, his bones have been stolen, recovered, reburied, exhumed, examined, and, above all, worshiped. Actors in this graveyard history range from Lorenzo de’ Medici, Michelangelo, and Pope Leo X to the Franciscan friar who hid the bones, the stone mason who accidentally discovered them, and the opportunistic sculptor who accomplished what princes, popes, and politicians could not: delivering to Florence a precious relic of the native son it had banished. In Dante’s Bones, Guy Raffa narrates for the first time the complete course of the poet’s hereafter, from his death and burial in Ravenna in 1321 to a computer-generated reconstruction of his face in 2006. Dante’s posthumous adventures are inextricably tied to major historical events in Italy and its relationship to the wider world. Dante grew in stature as the contested portion of his body diminished in size from skeleton to bones, fragments, and finally dust: During the Renaissance, a political and literary hero in Florence; in the nineteenth century, the ancestral father and prophet of Italy; a nationalist symbol under fascism and amid two world wars; and finally the global icon we know today.
Literary Studies: A Practical Guide provides a comprehensive foundation for the study of English, American, and world literatures, giving students the critical skills they need to best develop and apply their knowledge. Designed for use in a range of literature courses, it begins by outlining the history of literary movements, enabling students to contextualize a given work within its cultural and historical moment. Specific focus is then given to the use of literary theory and the analysis of: Poetry Prose fiction and novels Plays Films. A detailed unit provides clear and concise introductions to literary criticism and theory, encouraging students to nurture their unique insights into a range of texts with these critical tools. Finally, students are guided through the process of generating ideas for essays, considering the role of secondary criticism in their writing, and formulating literary arguments. This practical volume is an invaluable resource for students, providing them with the tools to succeed in any English course.
In this first book-length study in the fieldof authorial criticism, various specialists from Italian, French, English, and Spanish studies collectively discuss literary careers spanning from classical antiquity through the Renaissance.
Dante Alighieri was early in recognizing that our age has a problem. His hometown, Florence, was at the epicenter of the move from the medieval world to the modern. He realized that awareness of divine reality was shifting, and that if it were lost, dire consequences would follow. The Divine Comedy was born in a time of troubling transition, which is why it still speaks today. Dante's masterpiece presents a cosmic vision of reality, which he invites his readers to traverse with him. In this narrative retelling and guide, from the gates of hell, up the mountain of purgatory, to the empyrean of paradise, Mark Vernon offers a vivid introduction and interpretation of a book that, 700 years on, continues to open minds and change lives.
Vols. 30-54 include 1932-56 of "Victorian bibliography," prepared by a committee of the Victorian Literature Group of the Modern Language Association of America.
National Geographic Traveler: Florence and Tuscany offers the best of Florence and Tuscany. Illustrations, history, and practical information allow you to learn much about the monuments of Florence, from the Duomo to Piazza della Signoria, museums and galleries, Renaissance palaces, and churches. After Florence, you can move toward Siena and San Gimignano, visit the Chianti region if you are a wine lover or the Apuan Alps for some excursions, or head to the south of the region to learn about the history and culture of the Etruscans on a beach holiday. In central-southern Tuscany, you can appreciate the abbeys, historic villages, and the sublime countryside, stopping in Pienza or Montalcino for excursions. Witness historical re-enactments and events and enjoy the pleasure of cooking, including wines are an inseparable part of the trip. Indulge in shopping for fashion, art, and antiques.
Each number includes the section "Reviews."