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Paul Norris, an out-of-work advertising executive, finds himself on a cross-country job tracking down a shipping crate. The crate holds something valuable -- but exactly what, exactly, no one will say. In the process of finding the crate, Paul finds himself caught between shady characters, beautiful women...and more than a few double-crosses!
A haunted inn. A scarecrow festival. A cursed room. When Richard Beckett quits his job to travel the world, he soon learns that he is a magnet for trouble. His attraction to the unearthly beauty of a young married woman leads him to a strange room in a dilapidated inn. Can the headlines about mysterious disappearances be explained rationally, or will he become the latest victim of The Vanishing Room? ""In a world of body-horrors, slashers, and splatter movies Fenton returns to the romance of vintage psychological horror."" Paralysed and in pitch darkness, I was assaulted by the dust that rose from the thick fabric I now rested on. It burned my airways with each shallow breath; and the tiny motes stuck to my dry eyes, causing a fierce itch that I was helpless to remedy. The rush of panic lasted several minutes and though I suffered it in both stillness and silence, my mind screamed and thrashed.
For all first perspective drawing courses at the Freshman/Sophomore level for majors including Interior Design, Graphic Design, Game Art, Animation, and Industrial Design; and for all courses in Interior Design Perspective, Sketch, and/or Presentation. This book will also be useful in high school courses for students pursuing careers in the Applied Arts. This book helps students learn how to draw quickly and believably by mastering practical techniques for perspective drawing and estimating scale and proportion. Drawing on extensive experience teaching beginners, the authors overcome many limitations of previous books. Rather than featuring professional work that beginners can't possibly duplicate, they show examples of student drawings, helping students gain confidence and gauge their progress. Avoiding unnecessary theory, math, and jargon, they help students develop an intuitive sense of scale and proportion for creating believable perspectives, and offer valuable tricks and shortcuts throughout. In place of lengthy narratives, they support each lesson with supporting video walking through key techniques. The authors also devote lessons to SketchUp (for blocking out perspectives) and Photoshop (for enhancing sketches). This is the Stand Alone text. The text is available for purchase with MyInteriorDesignKit! MyInteriorDesignKit is an online supplement that offers book specific resources including flashcards, study aids, images, projects and additional material not found in the book. The package containing both this text and MIDK is ISBN: 0133012050. If you wish to purchase access to MyInteriorDesignKit stand alone, go to the site and click on BUY ACCESS next to the text in use.
Into the Wild meets Walden—a lyrical memoir for nature lovers and for anyone who has wondered what it would be like to disconnect from our hyper-connected culture and seek more meaningful connections After losing vision in one eye and becoming estranged from his family and friends, a young man spent two years searching for identity in self-imposed solitude in the backwoods of northern Vermont, where he embarked on a project of stripping away facades and all social ties--and learned to face himself. On a clear May afternoon at the end of his junior year at Harvard, Howard Axelrod played a pick-up game of basketball. In a skirmish for a loose ball, a boy’s finger hooked behind Axelrod’s eyeball and left him permanently blinded in his right eye. A week later, he returned to the same dorm room, but to a different world. A world where nothing looked solid, where the distance between how people saw him and how he saw had widened into a gulf. Desperate for a sense of orientation he could trust, he retreated to a jerry-rigged house in the Vermont woods, where he lived without a computer or television, and largely without human contact, for two years. He needed to find a more lasting sense of meaning away from society’s pressures and rush. Named one of the best books of the year by Slate, Chicago Tribune, Entropy Magazine, and named one of the top 10 memoirs by Library Journal
Hand drawing and sketching are fundamental aspects for visual communication in the design field. Individuals can use these two techniques to improve their understanding of spatial concepts, to provide common language for translation of visual ideas and to assist with developing creative design solutions. This book provides every student with an opportunity to learn hand design drawing skills. Students are progressed from very basic drawing techniques to the drawing of complete interior perspective rooms. The step-by-step instructions, hand drawn illustrations and video demonstrations, provide effective support material for this process. In addition, creative strategies and helpful hints throughout the book encourage students to overcome typical obstacles. Creating realistic drawings in proportion depends on the ability to draw a box in perspective. Therefore, the basic theory of this book uses the box method of drawing. Furthermore, all of the objects illustrated are interior elements, furniture and accessories. Each of the three sections in the book builds upon the other. Part I, Drawing Fundamentals, focuses on techniques for learning basic line drawing skills. It covers drawing various forms and the adding of value, texture, pattern, shade and shadow. Part II, Drawing Interior Elements, demonstrates techniques for drawing furniture in one-point and two-point perspective. It also includes instruction for drawing plants, tabletop objects, accessories and window treatments. Finally, Part III, Perspective Drawing, provides detailed instructions for drawing one-point and two-point perspectives of interior spaces. This section provides students the opportunity to bring together all they have learned in previous sections and apply it to toward communicating design ideas. This edition also contains a new section on Advanced Perspective Techniques, which provides a variety of tips and techniques for creating and embellishing perspective drawings.
Bestselling author Astrid Scholte returns with a thrilling adventure in which the dead can be revived . . . for a price. Now in paperback. Ever since her sister, Elysea, drowned, seventeen-year-old Tempe's been looking for answers. And for a price, Tempe will finally get them . . . from her dead sister. On the nearby island of Palindromena, the research facility, once paid, will revive the dearly departed for a period of twenty-four hours before returning them to death. It isn't a heartfelt reunion that Tempe is after, though. Elysea died keeping a terrible secret, one that has ignited an unquenchable fury in Tempe: finally, she'll know the truth about their parents' deaths. Instead of answers, Elysea persuades Tempe to break her out of the facility to embark on a dangerous journey to discover the truth and mend their broken bond before Elysea's time runs out. Complicating matters, they're pursued every step of the way by two Palindromena employees desperate to find them before the secret behind the revival process and the true cost of restored life is revealed.
Learn important drawing skills with 30+ step-by-step demonstrations of favorite subjects. Learning how to draw is fun, so whether you've never drawn before or have been drawing for years, grab a pencil and some paper, and let's have fun drawing together! Each of the 30+ lessons focuses on a different topic, technique, or concept, promoting learning through clear step-by-step demonstrations for successful drawings. No experience necessary! Readers will get creative and have fun learning how to draw with this essential addition to any art-instruction library.
Rodinsky's world was that of the East European Jewry, cabbalistic speculation, an obsession with language as code and terrible loss. He touched the imagination of artist Rachel Lichtenstein, whose grandparents had left Poland in the 1930s. This text weaves together Lichtenstein's quest for Rodinsky - which took her to Poland, to Israel and around Jewish London - with Iain Sinclair's meditations on her journey into her own past and on the Whitechapel he has reinvented in his own writing. Rodinsky's Room is a testament to a world that has all but vanished, a homage to a unique culture and way of life.
A moving and entrancing novel set in Paris during World War II about an American woman, a dashing pilot, and a young Jewish girl whose fates unexpectedly entwine—perfect for the fans of Kristen Hannah’s The Nightingale and Martha Hall Kelly’s Lilac Girls, this is “an emotional, heart-breaking, inspiring tribute to the strength of the human spirit and the enduring power of love” (Mariah Stewart, New York Times bestselling author). When Ruby first marries the dashing Frenchman she meets in a coffee shop, she pictures a life strolling arm in arm along French boulevards, awash in the golden afternoon light. But it’s 1938, and war is looming on the horizon. Unfortunately, her marriage soon grows cold and bitter, her husband Marcel, distant and secretive—all while the Germans flood into Paris, their sinister swastika flags waving in the breeze. When Marcel is killed, Ruby discovers the secret he’d been hiding—he was a member of the French resistance—and now she is determined to take his place. She becomes involved in hiding Allied soldiers—including a charming RAF pilot—who have landed in enemy territory. But her skills are ultimately put to the test when she begins concealing her twelve-year-old Jewish neighbor, Charlotte, whose family was rounded up by the Gestapo. Ruby and Charlotte become a little family, but as the German net grows tighter around Paris, and the Americans debate entering the combat, the danger increases. No one is safe. “Set against all the danger and drama of WWII Paris, this heartfelt novel will keep you turning the pages until the very last word” (Mary Alice Monroe, New York Times bestselling author).
Depth, perspective of sky and sea, shadows, much more, not usually covered. 391 diagrams, 81 reproductions of drawings and paintings.