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Dr. Ethan LaPierre was content in his tenure as a professor at the prestigious Oxford University, spending his days in the classroom, his leisure time with his dearest friend, Dr. Colin Bishop. An accomplished intellectual rooted in academia, Ethan had no greater aspirations and no intention of altering his current trajectory in life until an astounding discovery in the field of science captured his attention and imagination, grabbing him by the throat. His friend and longtime colleague, Dr. Anson Van Ruden would introduce Ethan to this conceptual project of limitless potential while still in its infancy. Although intrigued, he'd initially rejected the offer to join Anson's team, opting instead for the simpler life as a professor of history and philosophy, not believing an opportunity presented him would ever come to fruition. It was not until the moment a program shrouded in secrecy for years finally went public and took center stage that Ethan took notice, reconnecting with Anson and the project. Ultimately, by surrendering to his innate curiosity, wondering what it could mean for him, for humanity and for history, Ethan took a decided leap of faith. What followed is an extraordinary tale of the human spirit and mind, a divine and hellacious roller coaster ride inside a tornado of emotions and experiences that will leave the main character and the reader breathless. "In A Flicker" delves into the deepest, darkest fears of any mortal soul, what one fears of them self and likewise, the ones they love. Those who dare to jump into the chasm will emerge haunted by the ghosts who have been there all along.
A New York Times Bestseller “A smart, edge-of-your-seat story with plot twists you’ll never see coming. Stacy Willingham’s debut will keep you turning pages long past your bedtime.” —Karin Slaughter When Chloe Davis was twelve, six teenage girls went missing in her small Louisiana town. By the end of the summer, her own father had confessed to the crimes and was put away for life, leaving Chloe and the rest of her family to grapple with the truth and try to move forward while dealing with the aftermath. Now twenty years later, Chloe is a psychologist in Baton Rouge and getting ready for her wedding. While she finally has a fragile grasp on the happiness she’s worked so hard to achieve, she sometimes feels as out of control of her own life as the troubled teens who are her patients. So when a local teenage girl goes missing, and then another, that terrifying summer comes crashing back. Is she paranoid, seeing parallels from her past that aren't actually there, or for the second time in her life, is Chloe about to unmask a killer? From debut author Stacy Willingham comes a masterfully done, lyrical thriller, certain to be the launch of an amazing career. A Flicker in the Dark is eerily compelling to the very last page.
HOPE is our children's window for a better tomorrow. In terms of resilience and well-being, hope is a critically important predictor of success. This creative story from the best-selling author of My Mouth is a Volcano!, and Bubble Gum Brain, reminds children that dark clouds can be temporary and asking for help is always okay. We all have times when we need to borrow a little hope from someone else.

When your clouds get too dark, and too heavy to push away, Reach out and ask, "Can I borrow some light?" "I'm having a really bad day." It's always okay to admit to yourself, "I just can't do it today. Everyone needs somebody sometimes, to help them find their way." Sometimes the dark clouds overhead seem too heavy and you feel like giving up. Little candle knows all about this. Bad grades, blasted on social media, worried about making the team, and wondering who her real friends are so many hard things to deal with! All she can see is darkness. But her story begins to change when someone notices she needs a boost of hope. As little candle is reminded she has purpose and her own unique gifts, and that she isn't the only one with dark clouds, her dim light begins to shine brighter. This hopeful story emphasizes for children (and adults) the many different ways to ask for help, and their ability to be a hope builder for others, too.

Catching a killer is dangerous—especially if he lives next door From the hugely talented author of The Kind Worth Killing comes an exquisitely chilling tale of a young suburban wife with a history of psychological instability whose fears about her new neighbor could lead them both to murder . . . Hen and her husband Lloyd have settled into a quiet life in a new house outside of Boston, Massachusetts. Hen (short for Henrietta) is an illustrator and works out of a studio nearby, and has found the right meds to control her bipolar disorder. Finally, she’s found some stability and peace. But when they meet the neighbors next door, that calm begins to erode as she spots a familiar object displayed on the husband’s office shelf. The sports trophy looks exactly like one that went missing from the home of a young man who was killed two years ago. Hen knows because she’s long had a fascination with this unsolved murder—an obsession she doesn’t talk about anymore, but can’t fully shake either. Could her neighbor, Matthew, be a killer? Or is this the beginning of another psychotic episode like the one she suffered back in college, when she became so consumed with proving a fellow student guilty that she ended up hurting a classmate? The more Hen observes Matthew, the more she suspects he’s planning something truly terrifying. Yet no one will believe her. Then one night, when she comes face to face with Matthew in a dark parking lot, she realizes that he knows she’s been watching him, that she’s really on to him. And that this is the beginning of a horrifying nightmare she may not live to escape. . .
From the golden age of art movies and underground cinema to X-rated porn, splatter films, and midnight movies, this breathtaking thriller is a tour de force of cinematic fact and fantasy, full of metaphysical mysteries that will haunt the dreams of every moviegoer. Jonathan Gates could not have anticipated that his student studies would lead him to uncover the secret history of the movies--a tale of intrigue, deception, and death that stretches back to the 14th century. But he succumbs to what will be a lifelong obsession with the mysterious Max Castle, a nearly forgotten genius of the silent screen who later became the greatest director of horror films, only to vanish in the 1940s, at the height of his talent. Now, 20 years later, as Jonathan seeks the truth behind Castle's disappearance, the innocent entertainments of his youth--the sexy sirens, the screwball comedies, the high romance--take on a sinister appearance. His tortured quest takes him from Hollywood's Poverty Row into the shadowy lore of ancient religious heresies. He encounters a cast of exotic characters, including Orson Welles and John Huston, who teach him that there's more to film than meets the eye, and journeys through the dark side of nostalgia, where the Three Stooges and Shirley Temple join company with an alien god whose purposes are anything but entertainment.
Secrets are like pennies. Everybody's got one, even the poorest among us. For generations, the Jensens have raised their families in the small Montana town of Moose Creek, where gossip spreads faster than the wind. Yet some secrets need to be told. When twenty-one-year-old Bea discovers she's pregnant on the heels of her husband losing his job, she's forced to admit she needs help and asks her dad for a place to stay. But past resentments keep her from telling him all that's going on. Mitch Jensen is thrilled to have a full house again, though he's unimpressed with Bea's decisions: dropping out of college, marrying so young--and to an idealistic city kid, of all things. Mitch hopes to convince Bea to return to the path he's always envisioned for her, but she's changed since her mom died. And he refuses to admit how much he's changed, too, especially now that he might be losing his mother as well. Grandma June is good at spinning stories, but there's one she's never told. Now that her mind is starting to fade, her time to tell it is running out. But if she reveals the truth before her memories are gone forever, the Jensen family will never be the same. "Powner will be the next big star in Christian fiction."--Library Journal starred review
This short story follows Judah Walker, the caretaker of the old church and graveyard in the small, English village of Brandenbury. One night, he thinks he sees a flicker of candlelight in one of the stained glass windows. Normally a very practical man, Judah's nerves are tested in the cold, dark night as he remembers a creepy poem while searching for intruders.
From Agatha Award-winning author Daryl Wood Gerber, the fourth in an enchantingly whimsical series featuring Courtney Kelly, the owner of a fairy-gardening and tea shop in Carmel, California. It’s a special place brimming with good vibes and the kind of magical assistance its proprietor will need to investigate a shocking murder at a prestigious art show! Making fairy gardens, and teaching crafters how to do the same, keeps Carmel-by-the-Sea shop owner Courtney Kelly busy—but sometimes she has to make time for a wee bit of detective work . . . With a theater foundation tea and an art show planned at Violet Vickers’s estate, Courtney is hired to create charming fairy gardens for the event. It’s not so charming, however, when her best friend Meaghan’s ex-boyfriend turns out to be Violet’s latest artistic protégé. Even worse, not long after Meaghan locks horns with him, his body is found in her yard, bludgeoned with an objet d’murder. There’s a gallery of suspects, from an unstable former flame to an arts and crafts teacher with a sketchy past. But when the cops focus on Meaghan’s business partner, who’s like a protective older brother to her, and discover he also has a secret financial motive, Courtney decides to draw her own conclusions. Fearing they’re missing the forest for the trees, and with some help from Fiona the sleuthing fairy, she hopes to make them see the light . . .
Ever since the first stories about aliens were written, the "what ifs?" have been explored. Suppose there were intelligent beings observing earth from another galaxy? Would they view the inhabitants of this world as inferior? Would their interests serve mankind or themselves, or both? A FLICKER FROM AFAR captures the flare of the old 1950's science fiction movies viewed on Saturday afternoons when life wasn't as hectic or complicated. In the story, life on earth is about to change dramatically as man's penchant for violence is leading to mass destruction. All live with the harsh reality of impending world war, the disease, starvation and death brought about by man's thirst for power. But another force, representatives of an alien civilization, arrives to take control of earth. What are their motives? Do they come to save or to conquer?