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In a Different Place offers a richly textured account of a modern pilgrimage, combining ethnographic detail, theory, and personal reflection. Visited by thousands of pilgrims yearly, the Church of the Madonna of the Annunciation on the Aegean island of Tinos is a site where different interests--sacred and secular, local and national, personal and official--all come together. Exploring the shrine and its surrounding town, Jill Dubisch shares her insights into the intersection of social, religious, and political life in Greece. Along the way she develops the idea of pilgrimage-journeying away from home in search of the miraculous--as a metaphor for anthropological fieldwork. This highly readable work offers us the opportunity to share one anthropologist's personal and professional journey and to see in a "different place" the inadequacy of such conventional anthropological categories as theory versus data, rationality versus emotion, and the observer versus the observed. Dubisch examines in detail the process of pilgrimage itself, its relationship to Orthodox belief and practice, the motivations and behavior of pilgrims, the relationship between religion and Greek national identity, and the gendered nature of religious roles. Seeking to evoke rather than simply describe, her book presents readers with a sense of the emotion, color, and power of pilgrimage at this Greek island shrine.
Fiona and Yolanda's friendship is tested by the place and time they live in -- the Bronx in the early 1960's.
Megadeth: Another Time, A Different Place gives the audience a front-row seat into the early days and meteoric rise of this young band who would become one of the most influential groups of all time and, with Anthrax, Slayer, and Metallica, consistently touted among the best "thrash metal" bands ever to cross the stage. This is the first Megadeth photography book and only the second book documenting their rise to rock glory, including rare, never-before-seen photographs representing a small but crucial period of time in their career. Hale's photographs, from intimate backstage photographs to screaming, kinetic live shots, are the images of a young band prepared to take on the world. "The 'work' that you hold in your hands now is the work of a friend, who is also a 'photo-grrrrrrr-apher,' and who has captured the very essence of my career: hungry, gritty, hard, cold, impersonal, personal, and very personal. Also, the sensitive unseen side of me, which was somewhat of an anomaly with the public and left me an enigma to my peers." -Dave Mustaine from the Foreword
Exploring place from myriad perspectives, this volume presents evocative encounterssuch as the Great Barrier Reef experienced through touch or Lake Mungo encountered through soundwhile shedding light on the meaning of place for deaf people. Case studies include the Maze prison in Northern Ireland, Inuit hunting grounds in northern Canada, and the songlines of the Anangu people in central Australia. Iconic landscapes, lookouts, buildings, gardens, suburbs, grieving places, and even cars all provide contexts for experiencing and understanding place.
Metaphysics: Contemporary Readingsis a comprehensive anthology that draws together leading philosophers writing on the major themes in Metaphysics. Chapter sections cover: Universals; Particulars; Modality and Possible Worlds; Causation; Time; and Realism and Anti-Realism. The readings are designed to complement Michael Loux'sMetaphysics: A Contemporary Introduction, 2nd Edition.
Cities are raucous, cacophonous, and complex. Many dimensions of life play out and conflict across cities’ intricate landscapes, be they political, cultural, economic, or social. Urban policy makers and analysts often attempt to “cut through the noise” of urban disagreement by emphasizing a dominant lens for understanding the key, central logic of the city. How To Think About Cities sees this tendency to selective vision as misleading and ultimately unjust: cities are many things at once to different people and communities. This book describes the various ways of seeing the functions and landscapes of the city as place frames, and the constant process of negotiating which place frames best explain the city as place-making. Martin and Pierce call for an explicitly hybrid perspective that shifts between many different frames for making sense of cities. This approach highlights how any given stance opens up some lines of inquiry and understanding while closing off others. Thinking of cities as sites of contested perspectives promotes a synthetic approach to urban analysis that emphasizes difference and political possibility. This mosaic view of the city will be a welcome read for those within urban studies, geography, and social sciences exploring the many faces of urban life.