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Captures the art of still life painting with reproductions of masterworks by such Impressionist artists as Van Gogh, Renoir, Cezanne, Gaughin, Monet, and Manet.
Here are some of the most memorable masterpieces in the still-life painting genre from artists such as Caillebotte, Cézanne, Degas, Fantin-Latour, Gauguin, Manet, Monet, Morisot, Pissarro, Renoir, Sisley, and van Gogh.
The New York Times–bestselling biography of Manet, Cezanne, Degas, and others—a “revealing group portrait . . . lively, required reading” (People). Though they were often ridiculed or ignored by their contemporaries, their paintings are now revered around the world. Their dazzling works are familiar to even the most casual art lovers—but how well do we know the Impressionists as people? The first book to offer an intimate and lively biography of the world’s most popular group of artists, including Manet, Monet, Pissarro, Cézanne, Renoir, Degas, Sisley, Morisot, and Cassatt. Sue Roe’s Private Lives of the Impressionists, follows an extraordinary group of artists into their Paris studios, down the rural lanes of Montmartre, and into the rowdy riverside bars of a city undergoing monumental change. Vivid and deeply researched, it casts a brilliant light on this unparalleled society of genius colleagues who lived and worked together for twenty years—and transformed the art world with their breathtaking depictions of ordinary life.
- Digitally restored illustrations- Translated captions- AnnotatedVincent Van Gogh often depicted flowering fields, gardens and floral arrangements through the skilled prism of his own unique vision, from the tulips of his native Holland to the sunflowers, irises and lavender fields of Southern France where he spent his last years. In particular, the years 1887 and 1890 were peak years for his flower paintings. Vincent Van Gogh's short art career provided the world with unparalleled paintings from a troubled genius. It was to be an age of post-Impressionistic color, form and wonderment that the art world discovered only after the master's death. Bouts of anxiety, mental illness and epilepsy may have tormented him and brought about his suicide at the age of 37. But they may also have been catalysts for an emotionality and vibrance in his art that reveals a turbulent search for grace.This volume displays 50 of Van Gogh's finest flower art pieces in a digitally restored state: their eye-popping brilliance and vitality are just as on the day Vincent Van Gogh finished them. Unless otherwise noted, they were originally oil paintings on canvas or wood. The arrangement is chronological within each category.Images include: FLOWERS GROWINGTulip Fields, 1883Garden with Sunflower & Female Figure, 1887Shed in Montmartre with Sunflower, 1887Lavender Field of Saintes-Maries, 1888Flowering Garden with Path, 1888Flower Garden, 1888Garden Behind House (Noon Hour), 1888Memory of the Garden at Etten, 1888Iris, 1889Irises (Sword Lilies), 1889Lilac Bush, 1889Poppies & Butterflies, 1890Rose Bush, 1890Marguerite Gachet in Her Garden, 1890Poppy Field, 1890Garden of Daubigny I, 1890Child with an Orange among the Flowers, 1890Young Girl in Wheat Field with Poppies, 1890Garden at Auvers, 1890Garden of Daubigny II, 1890FLOWER ARRANGEMENTSLunaria, 1884Forget-Me-Not and Peonies, 1886Vase with Asters and Phlox, 1886Vase with Sunflowers, Roses & Other Flowers, 1886Vase with Red Poppies, 1886Vase with Zinnias, 1886Geraniums in a Flower Pot, 1886Carnations in a Vase, 1886Cornflowers, Poppies, Peonies & Chrysanthemums, 1886Vase with Red & White Carnations on a Yellow Background, 1886Crown Imperials in a Copper Vase, 1887Vase with Daisies and Anemones, 1887Lilacs, Daisies & Anemones in a Vase, 1887Lilacs with an Orange Background, 1887Two Cut Sunflowers, 1887Four Withered Sunflowers, 1887Fourteen Sunflowers in a Vase, 1888Twelve Sunflowers in a Vase, 1888Three Sunflowers in a Vase, 1888Vase with Oleanders next to Zola's "Joie de Vivre" Novel, 1888Twelve Sunflowers in a Vase, 1889Fourteen Sunflowers in a Vase, 1889Vase with Irises, 1890Irises on a Yellow Background, 1890Vase with Roses, 1890Wildflowers and Thistles in a Vase, 1890Vase with Greater Musk Mallows, 1890Cornflowers & Poppies in a Vase, 1890Japanese Vase with Roses & Anemones, 1890Vase with Flowers & Thistles, 1890
Studying the effects of light, climate, and the seasons, Camille Pisarro experimented with art theory and technique, and fused a distinctive style that remained his own within the larger style of Impressionism. This publication presents Pisarro's oeuvre in all its thematic and artistic diversity. It is a spectrum which extends from the coloristic masterpieces of his early years, especially his landscapes, through to his later, equally famous views of Rouen and Paris, and includes a diversity of subject matter as seen in his portraits, still lifes, market scenes and representations of everyday peasant life.
Experience the contemporary impressionist landscape paintings of modern artist Erin Hanson.
This first comprehensive presentation of this collection from the Cleveland Museum of Art, includes paintings by Monet, Degas, Renoir, Boudin and Manet among other innovative artists of the Impressionist and Post-Impressionist period. Each painting is presented with descriptions detailing the artist's motifs and context of the work in the Impressionist era. The title, with its essays and over 100 colour plates, provides a thorough focus of the dramatic artistic development of the century between 1850 and 1950 through the remarkable pieces of this collection. 100 colour Illustrations
From T.J. Clark comes this provocative study of the origins of modern art in the painting of Parisian life by Edouard Manet and his followers. The Paris of the 1860s and 1870s was a brand-new city, recently adorned with boulevards, cafés, parks, Great Exhibitions, and suburban pleasure grounds—the birthplace of the habits of commerce and leisure that we ourselves know as "modern life." A new kind of culture quickly developed in this remade metropolis, sights and spectacles avidly appropriated by a new kind of "consumer": clerks and shopgirls, neither working class nor bourgeois, inventing their own social position in a system profoundly altered by their very existence. Emancipated and rootless, these men and women flocked to the bars and nightclubs of Paris, went boating on the Seine at Argenteuil, strolled the island of La Grande-Jatte—enacting a charade of community that was to be captured and scrutinized by Manet, Degas, and Seurat. It is Clark's cogently argued (and profusely illustrated) thesis that modern art emerged from these painters' attempts to represent this new city and its inhabitants. Concentrating on three of Manet's greatest works and Seurat's masterpiece, Clark traces the appearance and development of the artists' favorite themes and subjects, and the technical innovations that they employed to depict a way of life which, under its liberated, pleasure-seeking surface, was often awkward and anxious. Through their paintings, Manet and the Impressionists ask us, and force us to ask ourselves: Is the freedom offered by modernity a myth? Is modern life heroic or monotonous, glittering or tawdry, spectacular or dull? The Painting of Modern Life illuminates for us the ways, both forceful and subtle, in which Manet and his followers raised these questions and doubts, which are as valid for our time as for the age they portrayed.
A beautiful book that argues artists were fascinated by still life painting considerably earlier than previously thought This eloquent and generously illustrated book asserts that artists were fascinated by and extremely skilled at still life significantly earlier than previously thought. Instead of the genre beginning in the early 17th century, noted scholar David Ekserdjian explores its origins in classical antiquity and the gradual re-emergence of still life in Renaissance painting. The author presents a visual anthology of finely executed flowers, fruit, food, household objects, and furnishings seen in the background of paintings. Paintings are reproduced in full and paired with detailed close-ups of still-life elements within the work. Ekserdjian further examines both the artistic and symbolic significance of a chosen detail, as well as information about each artist's career. Featured works include radiant paintings from Renaissance greats such as Da Vinci, D rer, Holbein, Michelangelo, Raphael, and Van Eyck, as well as the work of less-celebrated masters Barth lemy d'Eyck and Ortolano.
Master Impressionism with an art-instruction classic. Impressionism has inspired generations of American artists. And no one has done more for the cause of American Impressionism than Charles Hawthorne, the founder of the Cape Cod School of Art. In Painting the Impressionist Landscape, author and artist Lois Griffel explores Hawthorne’s theories about color and light in depth. Griffel, the longtime director of the school Hawthorne founded, teaches his philosophy like no other painter can, with inspiring step-by-step painting lessons and illuminating text. A true classic of art instruction, Painting the Impressionist Landscape has sold more than 30,000 copies in hardcover in the fifteen years since it was first published. Now a new generation of painters can bring impressionism into their work with this convenient and affordable paperback edition.