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James Joyce’s Finnegans Wake has repeatedly been declared to be entirely untranslatable. Nonetheless, it has been translated, transposed, or transcreated into a surprising variety of languages – including complete renditions in French, German, Portuguese, Dutch, Japanese, and Korean, and partial renditions in Italian, Spanish, and a variety of other languages. Impossible Joyce explores the fascinating range of different approaches adopted by translators in coming to grips with Joyce’s astonishing literary text. In this study, Patrick O’Neill builds on an approach first developed in his book Polyglot Joyce, but deepens his focus by considering Finnegans Wake exclusively. Venturing from Umberto Eco’s assertion that the novel is a machine designed to generate as many meanings as possible for readers, he provides a sustained examination of the textual effects generated by comparative readings of translated excerpts. In doing so, O’Neill makes manifest the ways in which attempts to translate this extraordinary text have resulted in a cumulative extension of Finnegans Wake into an even more extraordinary macrotext encompassing and subsuming its collective renderings.
With her mother's passing, Alexandra Bolton gave up on love to take care of her family. Now, with the Bolton name in disgrace due to her father's profligate ways, marrying an elderly squire might be the only way to save her family from absolute ruin. But when she meets the infamous Duke of Clarewood, old dreams—and old passions—are awakened as never before. Yet she cannot accept his shocking proposition! He is the wealthiest, most powerful peer in the realm, and having witnessed the cold horror of marriage as a child, he has vowed never to wed. But Alexandra Bolton inflames him as no woman has ever done, and she also serves him his first rejection! Now Clarewood—who always gets what he wants—will choose which rules to play by. But when passion finally brings them together, a terrible secret threatens to tear them apart….
Collection of skits, readings, poems & information for holidays.
Heavy snow falls from the sky as the wind fiercely blows. The snow swirls around and around, making it impossible to see. In this captivating introduction to blizzards, early readers will be swept up in the dramatic text that describes the first signs of a blizzard, its destructive power, and, most importantly, how to stay safe from a blizzard’s icy blast. Each 24-page book features controlled text with age-appropriate vocabulary and simple sentence construction. Stunning photos closely align with descriptive text that will grab kids’ attention. Emergent readers won’t be able to stop turning the pages as they learn about the forces of nature that can wreak havoc on our world.
Recognize, confront, and conquer the fears holding you back from living boldly and freely with renowned Bible teacher and New York Times bestselling author, Joyce Meyer. Fear is the devil's favorite tool in the toolbox of schemes he uses to destroy God's good plan for you. He uses it to hold you back and prevent progress in your relationships, career, and more. In Do It Afraid, Joyce Meyer explains that fear is everywhere and affects everyone. It rules many people, but it doesn't have to rule you any longer. She will teach you how to: Understand fear and recognize how it works in your life. Confront those fears that are holding you back. Change your mindset for lasting freedom from some of the most common fears people face. Remember, courage isn't the absence of fear; it is learning how to move forward in the presence of fear. Courageous people do what they believe in their hearts they should do, no matter how they feel or what doubts fill their minds. When you take ownership of your problems and open your heart to God, He will help bring light into darkness so that you can be free.
“A brilliantly collaged snapshot of the variety and wealth of literary criticism, and Joyce studies, today.”—Tony Thwaites, author of Joycean Temporalities “Celebrates the multiplicity and sheer rampant excess of Joyce’s prodigally polysemous text with seventeen different scholars employing a likewise prodigal range of critical methodologies.”—Patrick O’Neill, author of Impossible Joyce: Finnegans Wakes “Each of the scholars involved is at the top of his and her game. Their commitment and excitement about the task at hand is evident on virtually every page. This book makes the Wake relevant and accessible to a whole new generation of readers.”—Garry Leonard, author of Advertising and Commodity Culture in Joyce This is the first Finnegans Wake guide to focus exclusively on the multiple meanings and voices in Joyce’s notoriously intricate diction. Rather than leveling the text it illuminates many layers of puns, wordplay, and portmanteaus, celebrating the Wake’s central experimental technique. Renowned Joyce scholars explore the polyvocality of individual chapters using game theory, ecocriticism, psychoanalysis, historicism, myth, philosophy, genetic studies, feminism, and other critical frameworks. They set in motion cross-currents and radiating structures of meaning that permeate the entire text and open up satisfying readings of the Wake for novices and seasoned readers alike. A volume in the Florida James Joyce Series, edited by Sebastian D. G. Knowles
"The first comprehensive account of the enormous impact of Joyce on German modernist and postmodern writers. An indispensable book on Joyce's 'German' face."—Gerald Gillespie, Stanford University In August 1919, a production of James Joyce's Exiles was mounted at the Munich Schauspielhaus and quickly fell due to harsh criticism. The reception marked the beginning of a dynamic association between Joyce, German-language writers, and literary critics. It is this relationship that Robert Weninger analyzes in The German Joyce. Opening a new dimension of Joycean scholarship, this book provides the premier study of Joyce's impact on German-language literature and literary criticism in the twentieth century. The opening section follows Joyce's linear intrusion from the 1910s to the 1990s by focusing on such prime moments as the first German translation of Ulysses, Joyce's influence on the Marxist Expressionism debate, and the Nazi blacklisting of Joyce's work. Utilizing this historical reception as a narrative backdrop, Weninger then presents Joyce's horizontal diffusion into German culture. Weninger succeeds in illustrating both German readers' great attraction to Joyce's work as well as Joyce's affinity with some of the great German masters, including Goethe and Rilke. He argues that just as Shakespeare was a model of linguistic exuberance for Germans in the eighteenth century, Joyce became the epitome of poetic inspiration in the twentieth. This volume, through Weninger's critiques and repositions, simultaneously revisits the fraught relationship between influence and intertextuality in literary studies and reassesses their value as tools for contemporary comparative criticism today. Robert K. Weninger, emeritus professor of German and comparative literature at King’s College London, is author or editor of over ten books, including Arno Schmidts Joyce-Rezeption 1957-1970: Ein Beitrag zur Poetik Arno Schmidts, and is a past editor of the Journal of Comparative Critical Studies.
When bestselling author Joyce Meyer posted "God's not mad at you" on Facebook, she didn't anticipate that her words would trigger thousands of responses of gratitude and relief. Apparently many Christians struggle to reconcile their perception of God as both a loving parent and a stern judge. In GOD IS NOT MAD AT YOU, Joyce will help those who haven't truly received God's love because they are afraid of His anger and disapproval. She explores the source of this confusion, so His genuine character can be better understood and His love can be experienced on an entirely new level. Chapter titles include: * Perfectionism and Approval * The Pain of Rejection * Guilt and Shame * Developing Your Potential * Run to God, Not from Him * Getting Comfortable with God "It is important for us to remember that God's anger is directed toward our sinful behavior rather than toward us. If you feel guilty right now and are afraid that God is mad at you, then you are miserable. But your misery can be immediately changed to peace and joy by simply believing God's Word. Believe that God loves you and that He is ready to show you mercy and forgive you completely. Believe that God has a good plan for your life. Believe that God is not mad at you!" --Joyce Meyer
ISBN 9042000953 (paperback) NLG 40.00 encyclopaedias (Peter Burke).
In his study of negative existence and how it affects James Joyce's principal characters, Gian Balsamo joins the ongoing debate about the Irish writer's relationship to Dante and considers the centrality of messianism to that relationship. Finding in Dante a negative poetics that becomes a model for Joyce, Balsamo suggests that the inception and cessation of life - two occurrences that conventionally are deemed impossible to experience personally and directly - typically frame the existential experiences of Joyce's main characters. Balsamo perceives Stephen, Leopold, and Shem as messianic figures because they rebel against this convention, clustering their lives around the very events of inception and burial. Balsamo traces the engagement of each of the three characters in a negative existence immune from the rules and limitations of ordinary experience. Each struggles to express rather than exorcise the fecundity of his own mortality; each reinvents his biography as involving the pivotal transaction of one death - be it a mother's, a son's, or even that of his own body - in return for catharsis. Durkheim, and Noam Chomsky, Balsamo challenges the current debate by identifying the messianic thread that ties together the biographies of Joyce's three characters. Faced with the fissure between history and poetic vocation, Stephen embraces the sacrificial poetry of silence. Faced with the domestic squalor provoked by the loss of his son, Leopold renews at every meal the cathartic exchange of food and semen. Faced with a destiny of death and decomposition, Shem reenacts the tradition of the medieval cycle drama, stretching his own body like a parchment on a cross and then rubricating it like a sacred manuscript.