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?STORMBREAK? explodes! Toyo Harada has gone to war to save his vision of world peace from the twin threats of his former prot?g? Livewire and Major Charlie Palmer?s H.A.R.D. Corps! Amid the chaos, the tables have turned?and now, members of Harada?s own team are angling to knife each other in the back! When the villains trying to save humanity fight their noblest instincts and the heroes who are trying to stop them struggle against their own demons?can anybody win? And, now, even as the walls of Harada?s IMPERIUM begin to the fall, the seeds of his biggest strike yet are already being sown?
History casts a spell on our minds more powerful than science or religion. It does not root us in the past at all. It rather flatters us with the belief in our ability to recreate the world in our image. It is a form of self-assertion that brooks no opposition or dissent and shelters us from the experience of time. So argues Constantin Fasolt in The Limits of History, an ambitious and pathbreaking study that conquers history's power by carrying the fight into the center of its domain. Fasolt considers the work of Hermann Conring (1606-81) and Bartolus of Sassoferrato (1313/14-57), two antipodes in early modern battles over the principles of European thought and action that ended with the triumph of historical consciousness. Proceeding according to the rules of normal historical analysis—gathering evidence, putting it in context, and analyzing its meaning—Fasolt uncovers limits that no kind of history can cross. He concludes that history is a ritual designed to maintain the modern faith in the autonomy of states and individuals. God wants it, the old crusaders would have said. The truth, Fasolt insists, only begins where that illusion ends. With its probing look at the ideological underpinnings of historical practice, The Limits of History demonstrates that history presupposes highly political assumptions about free will, responsibility, and the relationship between the past and the present. A work of both intellectual history and historiography, it will prove invaluable to students of historical method, philosophy, political theory, and early modern European culture.
Empire is an evocative, yet little examined, word. It can mean the domination of vast territories, a Christian world order, a corrupt form of government, or a humanitarian endeavour. Historians relegate the concept of empire to the pre-modern world, identifying the state as the characteristic political form of the modern world. This book examines the range of meanings attributed to the concept of empire in the medieval and early modern world, demonstrating how the concepts of empire and state developed in parallel, not sequentially.
This volume focuses on special military and diplomatic missions in various provinces of the Empire that Augustus and Tiberius entrusted to selected members of the domus Augusta, granting them special prerogatives (imperia extraordinaria). Sawiński compares and analyses various primary and secondary sources exploring special powers and missions in the provinces of the domus Augusta during the reigns of Augustus and Tiberius, from 27 BC to AD 23, from border regions on the Rhine and the Danube to client states such as Judaea and Armenia. It explores the legal aspects of these powers wielded in the provinces and how these missions and the subsequent honours helped to solidify power within a new hereditary system of power. The reader will also find in it a critical discussion of the current state of research on this subject. Holders of Extraordinary Imperium under Augustus and Tiberius offers an important study of these powers and prerogatives of the imperial family that will be of interest to anyone working on the Augustan age, the early Empire and Principate, and the Roman imperial family. This volume should also prove useful to students of archaeology and art history.
How was the Roman emperor viewed by his subjects? How strongly did their perception of his role shape his behaviour? Adopting a fresh approach, Panayiotis Christoforou focuses on the emperor from the perspective of his subjects across the Roman Empire. Stress lies on the imagination: the emperor was who he seemed, or was imagined, to be. Through various vignettes employing a wide range of sources, he analyses the emperor through the concerns and expectations of his subjects, which range from intercessory justice to fears of the monstrosities associated with absolute power. The book posits that mythical and fictional stories about the Roman emperor form the substance of what people thought about him, which underlines their importance for the historical and political discourse that formed around him as a figure. The emperor emerges as an ambiguous figure. Loved and hated, feared and revered, he was an object of contradiction and curiosity.
Domesticating Empire is the first contextually-oriented monograph on Egyptian imagery in Roman households. Caitlín Barrett draws on case studies from Flavian Pompeii to investigate the close association between representations of Egypt and a particular type of Roman household space: the domestic garden. Through paintings and mosaics portraying the Nile, canals that turned the garden itself into a miniature "Nilescape," and statuary depicting Egyptian themes, many gardens in Pompeii offered ancient visitors evocations of a Roman vision of Egypt. Simultaneously faraway and familiar, these imagined landscapes made the unfathomable breadth of empire compatible with the familiarity of home. In contrast to older interpretations that connect Roman "Aegyptiaca" to the worship of Egyptian gods or the problematic concept of "Egyptomania," a contextual analysis of these garden assemblages suggests new possibilities for meaning. In Pompeian houses, Egyptian and Egyptian-looking objects and images interacted with their settings to construct complex entanglements of "foreign" and "familiar," "self" and "other." Representations of Egyptian landscapes in domestic gardens enabled individuals to present themselves as sophisticated citizens of empire. Yet at the same time, household material culture also exerted an agency of its own: domesticizing, familiarizing, and "Romanizing" once-foreign images and objects. That which was once imagined as alien and potentially dangerous was now part of the domus itself, increasingly incorporated into cultural constructions of what it meant to be "Roman." Featuring brilliant illustrations in both color and black and white, Domesticating Empire reveals the importance of material culture in transforming household space into a microcosm of empire.