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When four college friends formed the Brown Sugarettes Mastermind Group, they had very different goals—but matched each other in ambition. Yet ten years later they can’t help wondering what happened to the hopeful, confident, driven women they used to be—and how to get them back . . . Radio personality Raina, known as “the black Delilah,” hates the wholesome persona that’s made her a success. Doling out syrupy versions of her grandma’s wisdom feels worlds away from the sarcastic, tell-it-like-it-is woman Raina really is. Kara Jones was sure she’d be a master sommelier by thirty. Life and loss interfered with that plan. Now she has one more chance—but it’s taking a toll on her self-esteem and her marriage. Nikki Grayson hardly recognizes the stay-at-home mom she’s become. When her band signed a record deal, she swapped the limelight for a minivan and a sensible ’do. Now she’s wishing she had followed her heart. Instead, she’s drowning her regret in alcohol. Public defender Sienna Njeri willingly put her city council aspirations aside to support her fiancé’s bid for office—and now she’s wondering if her loyalty is misplaced. Longing for the support, advice, and tough love they once shared, all four resolve to start meeting up again. After all, their dreams may still be within reach. But are they worth the price they’ll pay to achieve them?
Drawing on the beatitudes, the experiments of King Solomon in Ecclesiastes, and many other Scriptures, Count Gasparin formulated how God gives happiness to people. Gasparin states that happiness is a product of redemption only. Holiness is happiness and sin is misery; therefore, true happiness only starts at conversion because of mankind’s total depravity. From there happiness is lived out through obedience, accomplishing God’s work given to us, as well as prayer and dependence.
In How To Be Perfectly Unhappy, Inman explores the surprising benefits of forgetting about “happiness,” and embracing instead the meaningful activities that keep us busy and interested and fascinated.
By exploring the connections between aesthetic sensitivity and moral character, this book connects them both to the larger cultural malaise. It locates the relationship between human nature and moral reasoning in what the author calls "domestic aesthetic skill," bringing together moral and aesthetic judgment about little things that are close to home—food, clothing, and furniture. McCracken combines the study of modern moral theory with the study of modern economics, contemporary popular culture, advertising, and design, to help understand how heady theories become translated into everyday actions.