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A remarkable, heartfelt, beautifully written analysis of the late work of major artists which author Max Porter has called “completely and utterly marvelous.” In 2020, as the spread of COVID-19 caused pandemonium worldwide,a painter and writer returned to a childhood home to reflect upon the transcendence of nature and the work of the artists he most admires. It seems to Christopher Neve that in their final works—their late style—that they have something remarkable in common. This has more to do with intuition and memory than with rationality or reason. Immortal Thoughts: Late Style in a Time of Plague is an anthology of these reflections. In this personal and moving account, nineteen short essays on artists are interspersed with recollections of the cataclysmic global progress of the disease in poignant contrast to the beauty of the seasons in Neve’s isolated house and garden. From Paul Cézanne and Michelangelo to Rembrandt and Gwen John, Neve dwells on artists’ late ideas, memories, risks, and places in the context of time and mortality. As much art history as a discussion of great art in the context of the “dance of death,” Neve also writes about Pierre Bonnard, Giorgio Morandi, Nicolas Poussin, Chaim Soutine, and many others. Immortal Thoughts is a summary of a lifetime’s contemplation of art.
Drawing on decades of conversations with practicing artists, Martin Gayford offers intimate insight into the practice, meaning, and potential of painting. Painting is an almost inconceivably ancient activity that remains vigorously alive in the twenty-first century. Every successful painting creates a new world, which we inhabit for as long as we care to look at it. Paintings can incorporate profound ideas and paradoxes that can be grasped without words. For those who dedicate themselves to it, the art of painting can become an all-consuming, lifelong obsession. It is a subject on which painters themselves are often the most incisive commentators. Martin Gayford’s riveting and richly illustrated book deftly brings together numerous artists’ voices, past and present. It draws on a trove of conversations conducted over more than three decades with artists including Frank Auerbach, Gillian Ayres, Frank Bowling, Cecily Brown, Peter Doig, Lucian Freud, Katharina Fritsch, David Hockney, Claudette Johnson, R. B. Kitaj, Lee Ufan, Paula Rego, Gerhard Richter, Bridget Riley, Jenny Saville, Frank Stella, Luc Tuymans, Zeng Fanzhi, and many more. Here too is Vincent van Gogh on Rembrandt, John Constable on Titian, Francis Bacon on Velázquez, Lee Krasner on Pollock, and Jean-Michel Basquiat on Picasso. We hear the personal reflections of these artists on their chosen medium; how and why they paint; how they came to the practice; the influence of fellow painters; and how they find creative sustenance and inspirationin their art. How Painting Happens crosses the centuries to give us a wealth of insights into the endlessly compelling phenomenon of painters and painting.
From Cahiers d’Art, a monograph on one of the most ambitious collections of 20th-century art, and its complex, charismatic creator, Theodor Ahrenberg. Living with Matisse, Picasso, and Christo explores one of the most ambitious, and yet largely unknown, private collections of twentieth-century Western art, and its charismatic creator Theodor “Teto” Ahrenberg (1912–1989). Containing over 6,000 artworks acquired between the 1940s and late 1980s, Ahrenberg’s collection features key works by artists as distinguished and diverse as Pablo Picasso, Henri Matisse, Marc Chagall, Le Corbusier, Olle Bartling, Sam Francis, Öyvind Fahlström, Tadeusz Kantor, Lucio Fontana, Christo, Jean Tinguely, and Niki de Saint Phalle. Ahrenberg’s ever-evolving collection was shaped by his commitment to the changing notion of contemporary art, his dedication to young and marginalized artists, and a self- declared conviction that he was not merely a collector but one who facilitated exhibitions, collaborations, and commissions, and who employed art as an instrument against conservatism and complacency. Ahrenberg passionately believed in personally meeting those artists whose works he acquired, and he accordingly established rich, long-term friendships that transcended the conventional artist-collector dynamic.
Christopher Neves classic book is a journey into the imagination through the English landscape. How is it that artists, by thinking in paint, have come to regard the landscape as representing states of mind? Painting, says Neve, is a process of finding out, and landscape can be its thesis. What he is writing is not precisely art history: it is about pictures, about landscape and about thought. Over the years, he was able to have discussions with many of the thirty or so artists he focuses on, the inspiration for the book having come from his talks with Ben Nicholson; and he has immersed himself in their work, their countryside, their ideas. Because he is a painter himself, and an expert on 20th-century art, Neve is well equipped for such a journey. Few writers have conveyed more vividly the mixture of motives, emotions, unconscious forces and contradictions which culminate in the creative act of painting. Each of the thirteen chapters has a theme and explores its significance for one or more of the artists. The problem of time, for instance, is considered in relation to Paul Nash, God in relation to David Jones, music to Ivon Hitchens, hysteria to Edward Burra, abstraction to Ben Nicholson, the spirit in the mass to David Bomberg. There are also chapters about painters ideas on specific types of country: about Eric Ravilious and the chalk landscape, Joan Eardley and the sea, and Cedric Morris and the garden.
“A rich, sensual, bewitching adventure of good vs. evil with love as the prize.” ~Publisher’s Weekly on ETERNITY WINNER: RT Book Reviews: Reviewers Choice Award WINNER: Reviewer's Listserv: Best Paranormal Romance Award WINNER: New Jersey Romance Writers: Golden Leaf Award One of BN.com's "Top 12 Reads of the Year" 300 years ago, Raven St. James was hanged for witchcraft. But she revives among the dead to find herself alive. She is an Immortal High Witch, one of the light. A note from her mother warns that there are others, those of the Dark, who preserve their own lives by taking the hearts of those like her. Duncan Wallace’s forbidden love for the secretive lass costs him his life. 300 years later, he loves her again, tormented by hazy memories of a past that can’t be real. She tells him of another lifetime, claims to be immortal. Though he knows she’s deluded, he can’t stay away. And the Dark Witch after her heart is far closer than either of them know. If you liked OUTLANDER, or HIGHLANDER, you will LOVE this series. Don’t miss Book 2, INFINITY or Book 3, DESTINY. “A hauntingly beautiful story of a love that endures through time itself.” ~New York Times Bestselling Author, Kay Hooper “This captivating story of a love that reaches across the centuries, becomes as immortal as the lover’s themselves, resonates with timeless passion, powerful magic, and haunting heartbreak.” ~BN.com’s official review
A page-turning novel that is also an exploration of the great philosophical concepts of Western thought, Jostein Gaarder's Sophie's World has fired the imagination of readers all over the world, with more than twenty million copies in print. One day fourteen-year-old Sophie Amundsen comes home from school to find in her mailbox two notes, with one question on each: "Who are you?" and "Where does the world come from?" From that irresistible beginning, Sophie becomes obsessed with questions that take her far beyond what she knows of her Norwegian village. Through those letters, she enrolls in a kind of correspondence course, covering Socrates to Sartre, with a mysterious philosopher, while receiving letters addressed to another girl. Who is Hilde? And why does her mail keep turning up? To unravel this riddle, Sophie must use the philosophy she is learning—but the truth turns out to be far more complicated than she could have imagined.
Everything that’s taught in seminary . . . all in one place! Maybe you’re involved in ministry but you never had the chance to go to seminary. Maybe it was many years ago and you need a refresher. Or maybe you just graduated and you don’t want to forget it all. If any of these descriptions fits you, One Volume Seminary is the resource you need. This book is written by former and current faculty of Moody Bible Institute and Moody Theological Seminary. Editors Michael Boyle, Laurie Norris, and Kerwin Rodriguez combine their years of pastoral wisdom, one-on-one counseling, high-level scholarship, and savvy street-smarts from the church’s frontlines to offer you a one-stop-shop for ministry training. One Volume Seminary provides sixty essays with practical advice for every aspect of church life—always grounded in the Word of God—under six main headings: Doctrinal Basics General Ministry to the Local Church Special Situations in Ministry Ministry to the World Proclaiming the Word in Worship and Preaching Practical Church Skills From baptizing a convert to balancing a budget . . . from preaching the Word to premarital counseling . . . from soteriology to spiritual warfare . . . from the Trinity to the teenager . . . this book covers it all. Though a seminary education is irreplaceable, One Volume Seminary is the next best thing to give you the training and equipping you need to succeed in ministry.
From Charles Dickens’ London to today’s megacities, a fascinating exploration of what urban walking tells us about modern life—for fans of Rebecca Solnit, Olivia Laing’s The Lonely City, and literary history. “A labyrinthine journey into the literature of walking and thinking,” as seen in the lives and works of Edgar Allan Poe, Virginia Woolf, Ray Bradbury, and other literary greats (Guardian). There is no such thing as a false step. Every time we walk we are going somewhere. Especially if we are going nowhere. Moving around the modern city is not a way of getting from A to B, but of understanding who and where we are. In a series of riveting intellectual rambles, Matthew Beaumont retraces episodes in the history of the walker since the mid-19th century. From Dickens’s insomniac night rambles to restless excursions through the faceless monuments of today’s neoliberal city, the act of walking is one of self-discovery and self-escape, of disappearances and secret subversions. Pacing stride for stride alongside literary amblers and thinkers such as Edgar Allan Poe, André Breton, H. G. Wells, Virginia Woolf, Jean Rhys and Ray Bradbury, Beaumont explores the relationship between the metropolis and its pedestrian life. Through these writings, Beaumont asks: Can you get lost in a crowd? What are the consequences of using your smartphone in the street? What differentiates the nocturnal metropolis from the city of daylight? What connects walking, philosophy and the big toe? And can we save the city—or ourselves—by taking to the pavement?
Paris, May 1940. Nazi troops storm the city and at Le Bourget airport, on the last flight out, sits Dr Alexandre Yersin, his gaze politely turned away from his fellow passengers with their jewels sewn into their luggage. He is too old for the combat ahead, and besides he has already saved millions of lives. When he was the brilliant young protégé of Louis Pasteur, he focused his exceptional mind on a great medical conundrum: in 1894, on a Hong Kong hospital forecourt, he identified and vaccinated against bubonic plague, later named in his honour Yersinia pestis. Swiss by birth and trained in Germany and France, Yersin is the son of empiricism and endeavour; but he has a romantic hunger for adventure, fuelled by tales of Livingstone and Conrad, and sets sail for Asia. A true traveller of the century, he wishes to comprehend the universe. Medicine, agriculture, the engine of the new automobile, all must be opened up, examined and improved. Ceaselessly curious and courageous, Yersin stands, a lone genius,against a backdrop of world wars, pandemics, colonialism, progress and decadence. He is brought to vivid, thrilling life in Patrick Deville's captivating novel, which was a bestseller and shortlisted for every major literary award in France.
A compressed, visceral novel about exile, dislocation, and the emotional minefields between mothers and daughters.