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This is the second Anthology of collected prose & poetry by Rorry Nighttrain East. During these times of economic recession, the writer has made a very large section of his better works available (along with the new), in one low-priced volume. He refers to this tome as "two once-cold shoulders which have found a warm self love in the park."
This title explores the enduring myth of Dracula and vampires and just why it has remained so popular for so long.
Quintus Aurelius has gone by many aliases over the passing centuries. Originating from ancient Rome now to over 2100 years later he's found home in a sleepy little beach town in New Zealand. It's 1986 and the world has changed a lot, being born totally deaf the road has been a hard one to live in with little communication with people over the passing centuries. Being totally estranged from his twin brother for the past millennium he has to cope with accidentally exposing himself as the vampire he is to a human, not just any human an employee that has been working for him for the last six years. With the immortals being a constant threat to vampires and their way of life, what happens when an immortal shows up who Quintus believed was dead from a time when he was still mortal. This book is written in New Zealand English and it is written more to the way New Zealanders speak, if you have never heard a kiwi speak the lingo in this book might not make sense to you. All of my books are written like this and I like to keep with my kiwi roots, in a sense it gives the characters each a character to them that they wouldn't have if they were American. I've based it at Kaiteriteri which is my most favourite beach in the world, it has a golden coarse sand that you don't see anywhere else with the clearest blue sea.
This book is the first study of the vampires in silent cinema, presenting a detailed academic yet accessible discussion of the films themselves and their sources. For the very first time, The Fire Elemental from the Wharton brothers’ The Mysteries of Myra (1916) is identified as cinema’s original vampire, his appearance initiating a rich and variegated period of film production that is currently missing from studies of horror cinema. Exciting and ground-breaking, Vampires on the Silent Screen also discusses Drakula Halála / Dracula’s death (1920), the first ever filmic female vampire in Erich Kober’s Lilith and Ly (1919), and the Dracula lookalike, Count Merlin in Alexander Korda’s Magic (1917) as well as many other productions. A socio-cultural framework with critical highlighting of eco-horror theory is used throughout to draw these unique discoveries together. This project is a must read for any horror enthusiasts out there.
Like its companion volume, "The Encyclopedia of Science Fiction", this massive reference of 4,000 entries covers all aspects of fantasy, from literature to art.