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THE ULTIMATE IN GIRL POWER!Rachel, Skylar, Caitlin, Beth and Bethany are all eighteen, immortal and can fly.But that is where the similarities end for these five forever teenage girls. They were each chosen before birth and destined to become part of the Immortal Girls, put together by their immortal parents, Isabelle and Alistair, to save humanity from itself when needed.Their story takes you from 1000 AD all the way to present day New York, where the chosen five girls come together slowly through the centuries to form the strongest bond the earth has ever known. Suddenly, they are faced with the biggest threat of their immortal lives. It comes in the form of a secretive scientific research company called Forever Genetics and its brilliant, but unstable CEO, Christian Gruber. Using escaped prisoners that his company set up, he is planning on building an immortal army and taking out the Immortal Girls once and for all.Being immortal is not forever, neither is survival...
The book is about family of immortals that have been around for 66 million years. They are fighting an endless war with their arch-enemies, the cavemen. The cavemen have been around even longer and they feel like they are the rightful rulers of Earth, since they were the first intelligent beings on the planet. They want to enslave mankind, and Bejine's immortal family is the only thing between them and their rule of the Earth! The immortals and the cavemen have been fighting their secret war for millions of years, out of sight of the modern humans. Their battle goes public, as the cavemen try to capture some of the daughters of Bejine, and they are joined by a small group of modern humans, that find out to their surprise that the immortals have not only lived forever but they are extremely hard to kill! Surprises await modern Earth in the 'Endless War'.
The Remembered Dead explores the ways poets of the First World War - and later poets writing in the memory of that war - address the difficult question of how to remember, and commemorate, those killed in conflict. It looks closely at the way poets struggled to meaningfully represent dying, death, and the trauma of witness, while responding to the pressing need for commemoration. The authors pay close attention to specific poems while maintaining a strong awareness of literary and philosophical contexts. The poems are discussed in relation to modernism and myth, other forms of commemoration (photographs, memorials), and theories of cultural memory. There is fresh analysis of canonical poets which, at the same time, challenges the confines of the canon by integrating discussion of lesser-known figures, including non-combatants and poets of later decades. The final chapter reaches beyond the war's centenary in a discussion of one remarkable commemoration of Wilfred Owen.
During the Tang dynasty (618–907), changes in political policies, the religious landscape, and gender relations opened the possibility for Daoist women to play an unprecedented role in religious and public life. Women, from imperial princesses to the daughters of commoner families, could be ordained as Daoist priestesses and become religious leaders, teachers, and practitioners in their own right. Some achieved remarkable accomplishments: one wrote and transmitted texts on meditation and inner cultivation; another, a physician, authored a treatise on therapeutic methods, medical theory, and longevity techniques. Priestess-poets composed major works, and talented priestess-artists produced stunning calligraphy. In Gender, Power, and Talent, Jinhua Jia draws on a wealth of previously untapped sources to explain how Daoist priestesses distinguished themselves as a distinct gendered religious and social group. She describes the life journey of priestesses from palace women to abbesses and ordinary practitioners, touching on their varied reasons for entering the Daoist orders, the role of social and religious institutions, forms of spiritual experience, and the relationships between gendered identities and cultural representations. Jia takes the reader inside convents and cloisters, demonstrating how they functioned both as a female space for self-determination and as a public platform for both religious and social spheres. The first comprehensive study of the lives and roles of Daoist priestesses in Tang China, Gender, Power, and Talent restores women to the landscape of Chinese religion and literature and proposes new methodologies for the growing field of gender and religion.
The Immortal Princess has been crowned Queen of the Underworld! As a newly evolved member of royalty, she has a whole array of powers and abilities at her fingertips. But a new wrinkle is added when a fascinating immortal witch appears. She has the body of a twelve-year-old girl and the fashion sense of a Gothic Lolita--plus some top-secret info about resurrection items!
Amy and Ginger, fraternal twins, realise how much different they are from the average human. During a journey on meeting different covens, the biggest truth that was kept from them is presented at the most inconvenient time. How do Amy and Ginger know the truth from the lies? How do Amy and Ginger survive their lives of not knowing who and what their father is? What about the maternal figure of both Amy and Ginger? There might not be a direct answer to what Amy and Ginger will face.
From beloved elements of children’s playgrounds to leather tools of bondage, a sweeping study of the cultural significance of swings. In Arc of Feeling Javier Moscoso investigates the pleasure of oscillation and explores the surprising history of the swing through its meanings and metaphors, noting echoes and coincidences in remote times and places: from the witch’s broom to aerial yoga and from the gallows to sexual mores. Taking in cultural history, science, art, anthropology, and philosophy, Moscoso explores the presence and role of this artifact in the West, such as in the works of Watteau, Fragonard, and Goya, as well as in other Eastern traditions, including those of India, Korea, Thailand, and China. Linked since ancient times with sex and death, used by gods and madmen, as well as an erotic and therapeutic instrument, the swing is revealed to be an essential but forgotten object in the history of human experience.