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AD 2012, October 1st. NASA received a set of data from a satellite. After deciphering it, it was found to be a picture of the Earth.
purple path to immortality
Jin Chai shook her head, her red face revealed a smile that seemed to cause wind and dust to fall. She sighed as her life's treasured sword was buried, not seeing Shuang Hua as young as it was today. He just took the rouge clasp and wiped away all his pride. When he saw the return of Wang Sun, his dream had been filled with gratitude. He had drunk too much and slept soundly.
When the vampires turn the tables on Luke, the hunter becomes the hunted. Luke and his growing werewolf army have stemmed the tide of vampires flooding into Portland. But when he tries to take a daytrip with his ward, they barely make it out of town before being called back. His friends found the vampire’s leader. Luke and his strike team plan a raid but are stymied when the police swoop in and escort the vampire to safety. With the police aiding the vampires, Luke is put on the defensive while they hunt the vicious leader of the vampires. Locked in a deadly game of cat and mouse, Luke and his friends are outnumbered, outgunned, and pushed to the brink. He must sacrifice everything to defeat his age-old enemy and save his friends…
Meng Jiangnü Brings Down the Great Wall brings together ten versions of a popular Chinese legend that has intrigued readers and listeners for hundreds of years. Elements of the story date back to the early centuries B.C.E. and are an intrinsic part of Chinese literary history. Major themes and subtle nuances of the legend are illuminated here by Wilt L. Idema's new translations and pairings. In this classic story, a young woman named Meng Jiang makes a long, solitary journey to deliver winter clothes to her husband, a drafted laborer on the grandiose Great Wall construction project of the notorious First Emperor of the Qin dynasty (BCE 221-208). But her travels end in tragedy when, upon arrival, she learns that her husband has died under the harsh working conditions and been entombed in the wall. Her tears of grief cause the wall to collapse and expose his bones, which she collects for proper burial. In some versions, she tricks the lecherous emperor, who wants to marry her, into providing a stately funeral for her husband and then takes her own life. The versions presented here are ballads and chantefables (alternating chanted verse and recited prose), five from urban printed texts from the late Imperial and early Republican periods, and five from oral performances and partially reconstructed texts collected in rural areas in recent decades. They represent a wide range of genres, regional styles, dates, and content. From one version to another, different elements of the story--the circumstances of Meng Jiangnu's marriage, her relationship with her parents-in-law, the journey to the wall, her grief, her defiance of the emperor--are elaborated upon, downplayed, or left out altogether depending on the particular moral lessons that tale authors wished to impart. Idema brings together his considerable translation skills and broad knowledge of Chinese literature to present an assortment of tales and insightful commentary that will be a gold mine of information for scholars in a number of disciplines. Haiyan Lee's essay discusses the appeal of the Meng Jiangnü story to twentieth-century literary reformers, and the interpretations they imposed on the material they collected.
This book establishes how the doctrine of divine simplicity was interwoven with the formation of a Christian Trinitarian understanding of God before Nicaea. For centuries, Christian theology affirmed God as simple (haplous) and Triune. But the doctrine of the simple Trinity has been challenged by modern critics of classical theism. How can God, conceived as purely one without multiplicity, be a Trinity? This book sets a new historical foundation for addressing this question by tracing how divine simplicity emerged as a key notion in early Christianity. Pui Him Ip argues that only in light of the Platonic synthesis between the Good and the First Principle (archē) can we make sense of divine simplicity as a refusal to associate any kind of plurality that brings about contraries in the divine life. This philosophical doctrine, according to Ip, was integral to how early Christians began to speak of the divine life in terms of a relationship between Father and Son. Through detailed historical exploration of Irenaeus, sources from the Monarchian controversy, and especially Origen’s oeuvre, Ip contends that the key contribution from ante-Nicene theology is the realization that it is nontrivial to speak of the begetting of a distinct person (Son) from a simple source (Father). This question became the central problematic in Trinitarian theology before Nicaea and remained crucial for understanding the emergence of rival accounts of the Trinity (“pro-Nicene” and “anti-Nicene” theologies) in the fourth century. Origen and the Emergence of Divine Simplicity before Nicaea suggests a new revisional historiography of theological developments after Origen and will be necessary reading for serious students both of patristics and of the wider history of Christian thought.
The great tribulation of the Primordial Era had the dancing of Fiendgods and Fiendgods, the pacification of Elder Gods, and the three parts of the Ancestral Star, leaving behind the primordial era of spacetime and time to last forever. The Sword God was heavily injured in the Ancient Void Cave and couldn't be cured. He forcefully opened the Ancient Path of Space and Time to return to Earth, leaving behind his legacy for fate. This was a lucky chance that Gu Juntian had come across on Earth. Once he became a god, he would rule the Heaven Realm for 100 thousand years. He deeply missed his parents and his wife, returning to earth after suffering so much and becoming a mortal. And now that the Three Realms had come to an end, Juntian had to shoulder a heavy responsibility. He had to do this for his family, for his friends, and for the lives of the people of the Three Realms. Earth, Human Realm, Earth Realm, Heaven Realm ... Outer universe. The journey through the Thorn Rampart had been a battle of wits with the geniuses of various races, powers of the Three Realms, and demons and gods alike. Miracles had been created one after another, leaving behind countless legends ...
The career of Erasmus Darwin (1731-1802) affords an extraordinary glimpse into the intellectual ferment of late-eighteenth- and early-nineteenth-century Britain. As a popular poet, practicing physician, inventor of speaking machines and mechanical birds, essayer of natural history from geology to meteorology, and proponent of an evolutionary theory that inspired his famous grandson Charles, he left a lasting impression on almost every branch of knowledge. His magnum opus, and the synthesis of his myriad interests, is The Botanic Garden (1792) — an epic poem that aims to "enlist the Imagination under the banner of Science." Part I, The Economy of Vegetation, sings the praises of British industry as a dance of supernatural creatures while part II, The Loves of the Plants, wittily employs metaphors of human courtship to describe the reproductive cycles of hundreds of flowers. Darwin supplements his accomplished verses with (often much longer) "philosophical notes" that offer his idiosyncratic perspective on the scholarly controversies of the day. Despite a recent surge of academic interest in Darwin, however, no authoritative critical edition of The Botanic Garden exists, presenting a barrier to further scholarship. This two volume set comprises a complete, meticulously transcribed, reading text — including all the poetry, prose apparatus, and illustrations — along with extensive commentary that situates Darwin within contemporary debates about the natural sciences. This set will be of interest to readers as the definitive reference edition of The Botanic Garden and due to its efforts to make the work more practically and intellectually accessible to seasoned and novice readers alike. The first volume presents a wide ranging and authoritative introduction to The Botanic Garden, detailing the background to the work and the various contexts in which it should be understood. These include: aesthetic theory and practice, the science of the mind, love and sexuality, politics, spirituality, the natural sciences, and evolutionary theory and the two Darwins. The full text of Part I of the The Botanic Garden, The Economy of Vegetation, then follows accompanied by the editors’ annotations, discussion of illustrations and textual notes.
A story about two angels who have fell from heaven getting a second chance at heavens gates.