Download Free Imagining The New Britain Book in PDF and EPUB Free Download. You can read online Imagining The New Britain and write the review.

First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Why and how did the British people come to see themselves as living in a society centred around a middle class? The answer provided by Professor Wahrman challenges most prevalent historical narratives: the key to understanding changes in conceptualisations of society, the author argues, lies not in underlying transformations of social structure - in this case industrialisation, which supposedly created and empowered the middle class - but rather in changing political configurations. Firmly grounded in a close reading of an extensive array of sources, and supported by comparative perspectives on France and America, the book offers a nuanced model for the interplay between social reality, politics, and the languages of class.
A history of the relationship between Great Britain and the United States ranges from the establishment of the first English colony in the New World to the present day, examining both nations in terms of what connected them and what drove them apart.
This book studies everyday forms of creativity. Comparing ethnography from three rural areas in Papua New Guinea, it analyses popular visions of utopia and dystopia. Distrustful of government promises of development and church expositions of heaven and hell, villagers cultivate their own clandestine versions of hope, of an alternative future, as a way of subverting existing governmental structures and pastoral powers. Through dreams, visions, rumors, sorcery accusations, cults, myths, and local fairy tales, villagers explore other versions of modernity. They imagine other ways to be Melanesian and other ways to be White. They combine Western and local culture in novel and often startling ways, which are never random or haphazard. Instead, villagers' inventiveness is structured and political. It strives to refigure the possibilities of social change, including contesting how subjects and subjectivities should be formed. Through sorcery fears and accusations, villagers voice their ambivalence towards modern commerce, urbanization, commodities, Western forms of personhood, and the new social inequalities of race, class, and ethnicity. Just as sorcery has been modernized, so has divination, with villagers incorporating Western technology into their practices for disclosing evil. In their new knowledge-making practices, villagers combine the traditional disclosing powers of dreams and the dead with the modern disclosing powers of Western forms of communication, perception, and travel. This creates almost a Melanesian form of science fiction. Villagers' novel experiments draw on local mythological understandings of hidden creative powers derived from solitude, singularity, transgression, and madness. These customary modalities of creativity and alterity have often been "Whitened." Thus, whereas previously bush spirits and the dead caused madness, today, Western culture (and especially Christianity) provides the extraordinary meanings, which entrap and alienate whilst offering hope and power. The dangerous ambiguous nature of Whiteness and modernity is also a prominent feature of local fairytales, which warn against the beguiling charms of beautiful Western objects and strange White people who have many customary Melanesian characteristics. It is the uneven, unfinished processes of Westernization that are being reflected upon and caricatured through new portraits of monstrosity and hope. This book is part of the Ritual Studies Monograph Series, edited by Pamela J. Stewart and Andrew Strathern, Department of Anthropology, University of Pittsburgh.
Factory jobs in “the Hardware City of the World” began attracting Polish immigrants to New Britain in the 1890s. The Poles soon became the city’s largest ethnic group, centering their family, business, social, cultural, and spiritual life on Broad Street. Their Polonia was unparalleled in New England. Three parishes and dozens of organizations shared a strong commitment to Polish education, military service, political representation, and “Dozynki” and “Dzien Zaduszny” traditions. Continuing waves of immigration contributed to Polonia’s ceaseless self-renewal. The Polish Community of New Britain celebrates this magnetic vitality and cultural continuity with rare photographs drawn from family albums and local archives.
How did South Africans become black? How did the idea of blackness influence conceptions of disadvantaged groups in England such as women and the poor, and vice versa? Bringing the Empire Home tracks colonial images of blackness from South Africa to England and back again to answer questions such as these. Before the mid-1800s, black Africans were considered savage to the extent that their plight mirrored England's internal Others—women, the poor, and the Irish. By the 1900s, England's minority groups were being defined in relation to stereotypes of black South Africans. These stereotypes, in turn, were used to justify both new capitalist class and gender hierarchies in England and the subhuman treatment of blacks in South Africa. Bearing this in mind, Zine Magubane considers how marginalized groups in both countries responded to these racialized representations. Revealing the often overlooked links among ideologies of race, class, and gender, Bringing the Empire Home demonstrates how much black Africans taught the English about what it meant to be white, poor, or female.
In this provocative book, now reissued with a new introduction, Paul Gilroy contends that race-thinking has distorted the finest promises of modern democracy and champions a new humanism, a new political language and a new moral vision for what was once called 'anti-racism'.
This is a book of failure and mistakes; it begins with what is stolen from us and proposes only an invitation to imagine. In these playful written experiments, Lola Olufemi navigates the space between what is and what could be. Weaving together fragmentary reflections in prose and poetry, this is an exploration of the possibility of living differently, grounded in black feminist scholarship and political organising. Olufemi shows that the horizon is not an immaterial state we gesture toward. Instead, propelled by the motion of thinking against and beyond, we must invent the future now and never let go of the otherwise.
In this study of the encounter between Vietnam and the United States from 1919 to 1950, Mark Bradley fundamentally reconceptualizes the origins of the Cold War in Vietnam and the place of postcolonial Vietnam in the history of the twentieth century. Among the first Americans granted a visa to undertake research in Vietnam since the war, Bradley draws on newly available Vietnamese-language primary sources and interviews as well as archival materials from France, Great Britain, and the United States. Bradley uses these sources to reveal an imagined America that occupied a central place in Vietnamese political discourse, symbolizing the qualities that revolutionaries believed were critical for reshaping their society. American policymakers, he argues, articulated their own imagined Vietnam, a deprecating vision informed by the conviction that the country should be remade in America's image. Contrary to other historians, who focus on the Soviet-American rivalry and ignore the policies and perceptions of Vietnamese actors, Bradley contends that the global discourse and practices of colonialism, race, modernism, and postcolonial state-making were profoundly implicated in--and ultimately transcended--the dynamics of the Cold War in shaping Vietnamese-American relations.
Imagining Home: Gender, Race and National Identity, 1945-1964 is a powerful examination of ideas and images of home in Britain during a period of national decline and loss of imperial power. Exploring the legacy of empire in imaginings of the nation during a period of decolonization after 1945, it is has become one of the outstanding books about the relationship between gender, race and national identity. Analyzing the role of colonialism and racism in shaping ideas of motherhood, employment and domesticity, it brilliantly traces the way in which Englishness became associated with domestic order and the very idea of home became white, exploring themes that reverberate strongly today as arguments around gender, race and feminism occupy the headlines. Drawing extensively on oral history and life-writing of politicians, journalists, churchmen, health professionals, novelists and film-makers, Wendy Webster examines the multiple meanings of home to women in narratives of belonging and unbelonging. Its focus on the complex interrelationships of white and black women's lives and identities offers a compelling new perspective on this period. This Routledge Classics edition includes a new Preface by the author.