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In Daniel Galef’s Imaginary Sonnets, a cast of people and objects from mythology, history, the news, and the quotidian parades through a variety of imaginative scenarios. In dialogues, dramatic monologues, satires, lamentations, eulogies, and execrations, the sonnets adopt perspectives ranging from the familiar to the novel to the twisty and surprising. Characters include not only widely known figures such as Cassandra, Pandora, St. Augustine, Byron, and Doris Day, but also obscure ones such as Henrique of Melacca, Emmett Till’s father, John Taurek, and—more startling—a salmon, a snowflake, and a pair of parallel lines. Imaginary Sonnets entertains and entrances with every turn of the page. PRAISE FOR IMAGINARY SONNETS: I love sonnet sequences, and Daniel Galef has written a rollicking collection that is alive with wit, intelligence, and wild imagination, as in the poem of unrequited love between two parallel lines. If you want to know what Cézanne has to say, not to mention Cassandra, Alcibiades, and “Parmenides to Doris Day,” then dig into this cornucopia of crazy, formal fun. — Barbara Hamby, author of Holoholo Daniel Galef’s sonnet cycle is a rare feat of empathy, wit, style, and (as the title hints) imagination. I’m thankful to have this book, in which the messy overlaps of life are somehow illuminated in work of astonishing, clear-eyed discipline. — Jack Pendarvis, author of Movie Stars Daniel Galef’s debut collection, Imaginary Sonnets, demonstrates his mastery of the form as well as his ability to reinvigorate it with wit and experimentation. These fourteen-line biographies and tales open up a world, largely drawn from literature, that your history books ignored and that you will enjoy. — A. M. Juster, author of Wonder and Wrath The sonnet is one nifty little container, isn’t it! Each of these poems contains its own tiny library—of books, sure, but life experiences, history . . . okay, everything, from Pandora (she of the box full of imps) to Casey (he of the Mudville Nine) and beyond. There’s even a taco talking to a chalupa, and I’m not making that up. Nobody could make that up except Daniel Galef. — David Kirby, author of Help Me, Information ABOUT THE AUTHOR: Daniel Galef was born and raised in Oxford, Mississippi, where he spent his afternoons on the veranda of Square Books. After studying philosophy and classics at McGill University in Montreal, he received his MFA from the fiction program at Florida State University in Tallahassee. His poetry covers a diverse range of styles and genres, including light verse (Light Quarterly, the Saturday Evening Post, the Washington Post Style Invitational), children’s literature (Spider, the Caterpillar, School Magazine), and serious formal poetry (Able Muse, Atlanta Review, the Lyric). Besides poems, he also writes fiction (Indiana Review, Juked, the Best Small Fictions anthology), nonfiction (Word Ways, Working Classicists, the Journal of Compressed Creative Arts), humor and satire (American Bystander, NationalLampoon.com, the Journal of Irreproducible Results), and plays (Players’ Theatre Montréal, Théâtre MainLine Theatre). In 2022 he placed second in the New Yorker cartoon caption contest. This is his first book.
Dirge for an Imaginary World from Matthew Buckley Smith is the winner of the 2011 Able Muse Book Award, selected by Andrew Hudgins. These are poems of breathtaking craftsmanship that find inspiration in the simplicity of the quotidian, or the perplexity of the grand. Smith is equally at ease musing about Neanderthals or God as he is with a ballet exam or highway medians. These poems of personal and universal introspection are filled with grace, and sparkle with abundant intelligence and wit. This masterful debut collection is an event to celebrate. PRAISE FOR DIRGE FOR AN IMAGINARY WORLD: Wildness and precision and passion balanced with wit—there are the hallmarks of Matthew Buckley Smith’s superb Dirge for an Imaginary World. In subjects great (“For the Neanderthals”) and small made great (“For the College Football Mascots”), the comic is rich with serious intent and gravity lightened with discerning wit. But only a poet who lifts heavy and unwieldy subjects—death, lost love, the absence of god—knows the imperatives of graceful balance. – Andrew Hudgins (Judge, 2011 Able Muse Book Award) In this deeply impressive debut volume of poetry, Dirge for an Imaginary World, Matthew Buckley Smith delivers a remarkable range of deft formal schemes, temporal movements, and varied settings. We encounter sonnets, couplets, quatrains, Sapphics, sestets and so forth written with a slick, delightful merging of technical expertise and smooth contemporary rhythms. The range of subjects is equally and as charmingly eclectic, from Neanderthals, Dante, Vermeer, for instance, to College Football Mascots, Highway Mediums, and Spring Ballet Exams. Mental and linguistic agility generously challenge the reader in poem after poem. – Greg Williamson (from the “Foreword”) “If a way to the Better there be, it exacts a full look at the Worst,” wrote Thomas Hardy, whose spirit moves through the fine poems of Matthew Buckley Smith’s debut collection. Like his blast-beruffled predecessor, Smith braves a clear-eyed look at our fallen world, mourning in elegantly precise language the sorrows inherent in “set(ting) out to map a promised land/ Out of reach and always just at hand,” but also wishing great mercy upon us travelers failed and failing. These are poems full of both reckoning and grace, made all the more beautiful for their humane wisdom. Dirge for an Imaginary World is immensely impressive. – Carrie Jerrell
This captivating book contains a unique mix of dialogues and poems. The dialogues are fictional conversations between historical figures, such as Queen Elizabeth and Cecil, Essex and Spenser, Diogenes and Plato, Dante and Beatrice, and even Oliver Cromwell and Sir Oliver Cromwell. The poems cover a range of topics and include titles like 'Fiesole Idyl', 'To Charles Dickens', and 'The Lover'.
"Few poetic forms have found more uses than the sonnet in English, and none is now more recognizable. It is one of the longest-lived of verse forms, and one of the briefest. A mere fourteen lines, fashioned by intricate rhymes, it is, as Dante Gabriel Rossetti called it, "a moment's monument." From the Renaissance to the present, the sonnet has given poets a superb vehicle for private contemplation, introspection, and the expression of passionate feelings and thoughts." "The Art of the Sonnet collects one hundred exemplary sonnets of the English language (and a few sonnets in translation), representing highlights in the history of the sonnet, accompanied by short commentaries on each of the poems. The commentaries by Stephen Burt and David Mikics offer new perspectives and insights, and, taken together, demonstrate the enduring as well as changing nature of the sonnet. The authors serve as guides to some of the most-celebrated sonnets in English as well as less-well-known gems by nineteenth- and twentieth-century poets. Also included is a general introductory essay, in which the authors examine the sonnet form and its long and fascinating history, from its origin in medieval Sicily to its English appropriation in the sixteenth century to sonnet writing today in the United States, the United Kingdom, and other English-speaking parts of the world." --Book Jacket.
A unique anthology celebrating that most vigorous of literary forms--the sonnet The sonnet is one of the oldest and most enduring literary forms of the post-classical world, a meeting place of image and voice, passion and reason, elegy and ode. It is a form that both challenges and liberates the poet. For this anthology, poet and scholar Phillis Levin has gathered more than 600 sonnets to tell the full story of the sonnet tradition in the English language. She begins with its Italian origins; takes the reader through its multifaceted development from the Elizabethan era to the Romantic and Victorian; demonstrates its popularity as a vehicle of protest among writers of the Harlem Renaissance and poets who served in the First World War; and explores its revival among modern and contemporary poets. In her vibrant introduction, Levin traces this history, discussing characteristic structures and shifting themes and providing illuminating readings of individual sonnets. She includes an appendix on structure, biographical notes, and valuable explanatory notes and indexes. And, through her narrative and wide-ranging selection of sonnets and sonnet sequences, she portrays not only the evolution of the form over half a millennium but also its dynamic possibilities.
Vernon Lee was the pen name of Violet Paget (1856–1935) – a prolific author best known for her supernatural fiction, her support of the Aesthetic Movement and her radical polemics. She was also an active letter writer whose correspondents include many well-known figures in fin de siècle intellectual circles across Europe. However, until now no attempt has been made to make these letters widely available in their complete form. This multi-volume scholarly edition presents a comprehensive selection of her English, French, Italian, and German correspondence — compiled from more than 30 archives worldwide — that reflect her wide variety of interests and occupations as a Woman of Letters and contributor to scholarship and political activism. Letters written in a language other than English have been expertly translated by scholars Sophie Geoffroy (from the French), Crystal Hall (from the Italian), and Christa Zorn (from the German). The edition focuses on those letters concerning the writing, ideas and aesthetics that influenced Lee’s articles, books and stories. Full transcriptions of some 500 letters, covering the years 1856-1935, are arranged in chronological order along with a newly written introduction that explains their context and identifies the recipients, friends and colleagues mentioned. Since scholarship on Lee’s critical and creative output is still in the beginning stages, these letters will serve a purpose to students and researchers in a number of academic fields. In this first volume, tracing the years 1856– 1884, the assembled letters cover the beginnings of her career, encompassing her first publication, visits to London and encounters with some of the important artistic figures of the time. As her career begins to blossom, the letters also reflect the expansion of her subject matter from cultural studies and art history to novels and aesthetic philosophy. Correspondents include Lee’s parents, Matilda and Henry Paget; her brother the poet Eugene Lee-Hamilton; English poet Mary Robinson; English authors Henrietta Jenkin and Linda Villari; and Italian writers Enrico Nencioni, Mario Pratesi, and Angelo De Gubernatis, among others.