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Excerpt from Greek Prose Composition Part I contains, in graded lessons, the principal points of Greek syntax, the unusual and non-essential being purposely omitted. These lessons are designed for use at the beginning of the second year's study of Greek, thereby serving as a partial review of the first year's work and as an introduction to the composition work in connection with the reading of Xenophon's Anabasis. Part II contains short, simple English sentences, based on Books I - IV of the Anabasis. These should be used daily in connection with the reading of the text. Part III contains connected English prose, based on Books I - IV of the Anabasis. This is carefully graded, so that the stu dent who performs faithfully the work outlined here will be able to pass the entrance examination of any of the American colleges. The method of writing Greek at sight used in this book needs a word of explanation. It is the outgrowth of the author's personal experience in the classroom, and his belief that the best results can be obtained only by systematic practice in connection with the regular work. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Imaginary Conversations The statement will hardly be challenged that the general reader knows almost nothing of the career and work of Walter Savage Landor. Even the student of literature, unless he is specially well read and himself a classicist, is apt to know little of the author of "Count Julian," "Gebir," and the "Imaginary Conversations of Literary Men and Statesmen" and his rare devotion to the Roman Muse. Nevertheless, he was in many respects a remarkable figure in the literary life and activities of his age, an unrivalled prose writer, and a poet of the motherland of many and great gifts, of whom so high an authority as Swinburne affirms that "he has won for himself such a double crown of glory in verse and in prose as has been won by no other Englishman but Milton." The eulogy may seem extravagant; but it comes from one who can well appreciate the rare craftsmanship of a fellow poet and man of letters, for Landor, whatever he lacked in imagination, had an incomparable literary style and did much fine creative work, however wanting it was in continuity, in unifying power, and in the qualities that inflame, inspire, and abide in the human heart. With all his defects, which, however, are mainly those of character and temperament, Landor is nevertheless worthy of high honor, and his genius should win for him a more exalted place in the annals of letters. What a new century may do for him and his reputation, it would be idle to speculate upon. Hitherto he has sung but to "the few and fit," and with all his accomplishments he has, in great measure, failed to win the ear of the world, or to be known save, for the most part, through anthologies and treasuries of choice prose. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Platonic Patterns is a reprint collection of many of Holger Thesleff's studies in Plato-spanning from 1967 to 2003. It includes three books, four articles and a new introduction by the author, which sets the general outline of his interpretation of Plato. Whereas much of the scholarship on Plato has tended to operate within the frame of one language and/or a single school of thought, Thesleff constructively combines several discoveries and theories (philosophical, philological and historical) of various scholars with his own research, focusing on how Plato can be understood in his own context.The work represents small but significant breakthroughs in research on Plato from an internationally inclusive standpoint. Having previously been published mainly in Finland by scholarly societies, availability outside the Nordic countries has, up until now, been minimal.Thesleff employs his singular expertise of Greek language and literature to make innovative contributions to the study and interpretation of Plato. He thematically stresses the significance of the less overt elements found in Plato's dialogues, such as Plato's use of humor and his linguistic expression, while taking into account the chronology and/or the intended audience.