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This text provides a study which focuses on 20th-century images of Turkey in the West, dealing with literature that is mainly in English and drawn from fiction and travel books. The author has previously written on the contemporary American novel.
This comparative study analyzes the ways that Central European writers used stereotypes of the Turks to develop their national identities from the early modern period to the present. Charles D. Sabatos uses Andre Gingrich’s concept of “frontier Orientalism” to foreground his analysis of Central European Orientalism, designating the nations of the former Habsburg Empire as the occident and the Turks as the oriental “Other.” This study applies theoretical approaches to literary history—as developed by scholars such as Stephen Greenblatt and Linda Hutcheon—to a range of texts from the early modern period, the nineteenth-century national revivals, interwar independence, and the communist and postsocialist regimes. By following these depictions across literatures and over an extensive historical period, this study illustrates how the Turkish stereotype evolved from a menace to a more abstract yet still powerful metaphor of resistance, and finally to a mythical figure that evoked humor as often as fear.
What would world literature look like, if we stopped referring to the “West”? Starting with the provocative premise that the “‘West’ is ten percent of the planet”, World Literature Decentered is the first book to decenter Eurocentric discourses of global literature and global history – not just by deconstructing or historicizing them, but by actively providing an alternative. Looking at a series of themes across three literatures (Mexico, Turkey and Bengal), the book examines hotels, melancholy, orientalism, femicide and the ghost story in a series of literary traditions outside the “West”. The non-West, the book argues, is no fringe group or token minority in need of attention – on the contrary, it constitutes the overwhelming majority of this world.
The Republic of Turkey has long aspired to join Europe both politically and culturally. However, its attempts to do so have been met with scepticism, and there is no unequivocal answer to the question of whether or not Turkey is accepted and viewed as European. This question is of particular interest in the case of Germany, the engine of the European Union’s economy which is not only home to millions of Turkish immigrants, but also has a history of cooperation with Turkey unique among European countries. With its analysis of West German prestige newspapers printed between 1950 and 1975, this study looks into how Germans viewed Turkey from a cultural and political perspective during a critical period of Turkish integration with the West and Europe, and compares this with perceptions of Greece, whose path to Europe was far less problematic by virtue of its classical legacy and Christian heritage.
The relaunched National Geographic Traveler guidebooks are in tune with the growing trend toward experiential travel, providing more insider tips and expert advice for a more authentic, cultural experience of each destination. These books serve discerning, curious travelers and supply information and interpretation not available on the Internet. In response to the interests of today's traveler, the acclaimed National Geographic Traveler series includes exciting new editorial features, a contemporary redesign, and inviting new covers.
In the first two decades after W.W.II, social scientist heralded Turkey as an exemplar of a 'modernizing' nation in the Western mold. Images of unveiled women working next to clean-shaven men, healthy children in school uniforms, and downtown Ankara's modern architecture all proclaimed the country's success. Although Turkey's modernization began in the late Ottoman era, the establishment of the secular nation-state by Kemal Ataturk in 1923 marked the crystallization of an explicit, elite-driven 'project of modernity' that took its inspiration exclusively from the West. The essays in this book are the first attempt to examine the Turkish experiment with modernity from a broad, interdisciplinary perspective, encompassing the fields of history, the social sciences, the humanities, architecture, and urban planning. As they examine both the Turkish project of modernity and its critics, the contributors offer a fresh, balanced understanding of dilemmas now facing not only Turkey but also many other parts of the Middle East and the world at large.
How do national stereotypes emerge? To which extent are they determined by historical or ideological circumstances, or else by cultural, literary or discursive conventions? This first inclusive critical compendium on national characterizations and national (cultural or ethnic) stereotypes contains 120 articles by 73 contributors. Its three parts offer [1] a number of in-depth survey articles on ethnic and national images in European literatures and cultures over many centuries; [2] an encyclopedic survey of the stereotypes and characterizations traditionally ascribed to various ethnicities and nationalities; and [3] a conspectus of relevant concepts in various cultural fields and scholarly disciplines. The volume as a whole, as well as each of the articles, has extensive bibliographies for further critical reading. Imagologyis intended both for students and for senior scholars, facilitating not only a first acquaintance with the historical development, typology and poetics of national stereotypes, but also a deepening of our understanding and analytical perspective by interdisciplinary and comparative contextualization and extensive cross-referencing.
This book, available for the first time in English, is an exhilarating journey through Turkey’s history and a perceptive look at the interactions between secularism, religion, and multiethnic identity. Without a guide and driven only by his own curiosity, Klaus Reichert travels to Anatolia, Istanbul, and the Aegean coast. He explores the strip of land where Adam and Eve are said to have settled after their expulsion from the Garden of Eden, and where Moses struck water from stone. While following in the footsteps of the brilliant architect Mimar Sinan and investigating the mysteries of his mosques, Reichert speaks to an old stonemason and a young teacher, visits one of the last remaining colonies of a rare breed of ibis, and walks the wide expanses surrounding the archaeological sites of western Turkey. Finally, he draws parallels between Kilim weaving, minimal music, and modernity as a whole. Under Reichert’s gaze, what is seen and learned becomes a colorful and provocative collection of images and patterns. A one-of-a-kind travelogue that touches on Turkey’s traditions, natural history, and political divisions, Turkey Rediscovered shows us a new side to a land we thought we already knew.
The Western Shores of Turkey is the distillation of a succession of journeys that John Freely made along this coast - an odyssey spanning a quarter of a century. The Western coast of Turkey has captivated travellers for centuries. With its dramatic mountains and idyllic bays and promontories, scattered with ancient ruins, it is not only one of the most beautiful parts of the country, but is also of great historical interest. Resting on two continents, Turkey reflects and absorbs the cultures of both East and West and nowhere is this more evident than along its Aegean and Mediterranean coasts. This is a land immersed in history and mythology: it is where Anthony met Cleopatra, where Herodotus, the 'father' of history, was born and where legendary battles were fought – from Alexander the Great to Gallipoli. By bus, car and caïque, on foot and post boat, from Istanbul to Antakya (Antioch) on the Syrian border, Freely discovered both the charm of modern Turkey and the wonders of its past. The result is both an informative guide and a remarkable travelogue for all who follow in his footsteps.
Creating Global Music in Turkey looks at the rise of ”world music” in Turkey by analyzing this country’s various “traditional” or ethnic music forms. The book focuses on the uniquely Turkish musical forms exemplified by Gypsy, Sufi, and Folk music, and explores how these have been incorporated into the global discourses of world music. In doing so, the book also shows how the place-making strategies of globalization are embodied through the construction of an “authentic” Istanbul sound under the label of world music. The reader is invited to consider each musical tradition as being a unique realm in its incorporation into world music. The process of incorporation and appropriation is explained by examination of the specificities of each realm. This book is unique within the relevant literature, focusing on the production of a global cultural form outside of the Western world. It uses the findings of comprehensive ethnographic research to reveal to the reader the strategies of actors, the discursive mechanisms in the field, and how the world music markets operate.