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The classic work on the evaluation of city form. What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion—imageability—and shows its potential value as a guide for the building and rebuilding of cities. The wide scope of this study leads to an original and vital method for the evaluation of city form. The architect, the planner, and certainly the city dweller will all want to read this book.
Criticism on the textual and iconographic construction of the city is extensive, yet the problem of historical change in representations of "the urban" has received little attention. Believing traditional accounts are limited by their reflection of a specific historical moment, Joan Ramon Resina and Dieter Ingenschay focus, by contrast, on transition. In essays written for this volume, scholars of literary and visual studies, the history of architecture, cultural theory, and urban geography explore the ways perceptual or conceptual paradigms of the city supersede or replace others, while at the same time retaining the "after-image" of what went before. The writers touch on a wide variety of issues related to contemporary urban cultures as they journey through cities including New York, Barcelona, Madrid, Paris, Tijuana, Berlin, and London. Drawing on the work of Roland Barthes, Walter Benjamin, Camilo José Cela, Honoré de Balzac, and Alfred Stieglitz, their approach is broadly cultural rather than technical. After-Images of the City takes into account the intrinsic instability of the image and reveals that representations of the modern metropolis cannot be fixed in time and history.
Images of the City is a photographic album that documents urban culture. The 50 photos were taken by Veronika Bernard at several European cities (Cologne, Berlin, Budapest, Lyon, Istanbul, and others) during the period 2007-2013, as part of her two digital arts projects Ornamental Abstractions and Snapshots, along with her two academic projects Breaking the Stereotype and Images. (Series: Anthropology / Ethnologie - Vol. 56)
Criticism on the textual and iconographic construction of the city is extensive, yet the problem of historical change in representations of "the urban" has received little attention. Believing traditional accounts are limited by their reflection of a specific historical moment, Joan Ramon Resina and Dieter Ingenschay focus, by contrast, on transition. In essays written for this volume, scholars of literary and visual studies, the history of architecture, cultural theory, and urban geography explore the ways perceptual or conceptual paradigms of the city supersede or replace others, while at the same time retaining the "after-image" of what went before. The writers touch on a wide variety of issues related to contemporary urban cultures as they journey through cities including New York, Barcelona, Madrid, Paris, Tijuana, Berlin, and London. Drawing on the work of Roland Barthes, Walter Benjamin, Camilo José Cela, Honoré de Balzac, and Alfred Stieglitz, their approach is broadly cultural rather than technical. After-Images of the City takes into account the intrinsic instability of the image and reveals that representations of the modern metropolis cannot be fixed in time and history.
Images of the City takes the reader on a fascinating journey through urban landscapes across centuries, literary periods, media, genres and borders. 27 essays gathered from Poland, UK, Romania, Italy, Hungary, and Portugal by researchers representing different academic environments and fields of speciality offer a truly interdisciplinary perspective on the issue of understanding, representing, and interpreting the city. In this respect, the volume complements other anthologies which discuss urban space without limiting itself to one unique theoretical perspective. Its neat division into chronological and thematic sections makes for easy yet informative and inclusive reading, encouraging cross-referencing and challenging interests and tastes of a wide array of readers. Images of the City provides essential reading for cityphiles everywhere.
Images of the City takes the reader on a fascinating journey through urban landscapes across centuries, literary periods, media, genres and borders. 27 essays gathered from Poland, UK, Romania, Italy, Hungary, and Portugal by researchers representing different academic environments and fields of speciality offer a truly interdisciplinary perspective on the issue of understanding, representing, and interpreting the city. In this respect, the volume complements other anthologies which discuss urban space without limiting itself to one unique theoretical perspective. Its neat division into chronological and thematic sections makes for easy yet informative and inclusive reading, encouraging cross-referencing and challenging interests and tastes of a wide array of readers. Images of the City provides essential reading for cityphiles everywhere.
IMAGES deals with the discourse of cultural encounters within the context of social co-existence. Within this scope, the project deals with both verbal and non-verbal communication and focuses on the thematic fields of cultural encounter, poverty, and migration. This volume thus offers readers a cross-section of current research both on the perception of urbanity and on contemporary and historical representations of the city, coming from a variety of fields in people's daily lives. (Series: Anthropology / Ethnologie - Vol. 57) [Subject: Sociology, Cultural Studies, Urban Studies, Poverty Studies, Migration Studies]
In a remarkable synthesis of iconography and social history, Chiara Frugoni addresses the changing concept of the city as revealed in visual and literary images throughout medieval Europe. By exploring the sentiments expressed through the image of the city, she traces how notions of civic identity became fused in the consciousness of the people and in the daily flow of their lives. An examination of cities depicted in early medieval illustrations suggests a widespread feeling of insecurity, often conveyed through networks of bare walls marking the boundary between order and chaos. Analyzing chronicles and other historical texts, Frugoni shows that the strong relationship between cities and their bishops led to a consciousness of the city as a meeting place rather than simply a place to live under protection. As the religious and protective roles of the city diminished during the high Middle Ages and early Italian Renaissance, a secular ideology emerged, finding its expression, for example, in the Lorenzetti fresco in Siena, a political manifesto offering a reassuring view of Good Government in the city.
First Published in 1991. Knowing any real city, and still more so, knowing what it is to know a city, may be as much about passive as about active experience. What we read in the field-that field of the city in all its bizarre mixture of culture and nature-is bound to determine, to some non-fictional extent, what we know of it, what we imagine it could be, what we fear it may be, or become. These essays are meant to be, albeit in their critical mode, the recountings of knowing something through something else: they are the projected imagination, through reading, of the reading by the self and/or others (a wide range of each) of a city, or cities as such, of what city-knowing or city-thinking is. The city as stage, market, and labyrinth, variously trafficked and aestheticized, dreamt and politicized, as passionately written by authors from Cicero to Kazin, from Wordsworth, Dickens, Whitman, and Woolf, to Williams, Ashbery, and Bonnefoy, is the place the essays play themselves out, through architecture and metaphor.
Originally published in 1961, Images of the American City examines how Americans dealt with the rapid shock of urbanization as it evolved from an agricultural nation. Working from the framework of a social psychologist, Anselm L. Strauss offers a deeper look into the sociological, psychological, and historical perspectives of urban development. He describes how the cultural changes of a space ultimately develop urban imagery by looking towards the urbanization of America from peoples' views of the cities rather than how the cities are themselves. Urban imageries are contrasted with the context of an ideal city and visitors' perspectives of cities. Strauss takes a step back to ask questions about what Americans think and have thought of their cities. How do these cities compare to the image of an ideal city? What are the different perspectives between a city-dweller and a visitor? He contrasts the tension between those within the city and those outside of its urban limits. Strauss describes how space and time are major themes in the symbolic urbanization of a city. He offers a macroscopic view of the city as a whole and shows how urban imageries evolved from changes in lifestyles. He then provides historical breakdowns of different regions of the country and how they were urbanized. This book documents and illustrates the change in American symbolization from the growth of American cities to the union of urbanity and rurality.