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Revised and enlarged papers from a conference held July 30-Aug. 1, 2005, in Eisenach, Germany, with additional contributions.
What kind of book is the Bible? Is it a rulebook or a guidebook for moral living? Is it a history book or a book filled with fascinating (and sometimes fantastic) stories? Did humans write the Bible or did God somehow speak a perfect message that the authors transcribed? Many people have asked these questions about the nature of this beautiful, odd, comforting, disturbing book the church calls its “Holy Scripture.” Charlotte Vaughan Coyle shares her own journey to make sense of the Bible in this read-through-the-Bible-in-a-year project. She discovered that the crucial work of asking hard questions and even arguing with the Bible revealed the Scriptures to be a symphony of polyphonic voices, a work of art that paints an alternative vision of reality, a complex novel-like story unavoidably embedded in its own culture and time, and yet able to give witness to the God beyond history who has acted (and continues to act) within history. With the heart of a pastor and the passion of a preacher, Rev. Coyle invites seekers and students (both churched and un-churched) to strap on their scuba gear and join her for a deeper dive beneath the surface of this immense, colorful, mysterious world of the Bible.
Nearly all metaphors in the Gospel according to John relate to ancient family imagery. Thus, the disciples are born of the Father; the Father provides them with bread and drink (water); He educates them and protects them and a dwelling is prepared for them, and so on. This family imagery, which is interwoven throughout the Gospel in a complex network, provides a key to the understanding of the message of the Fourth Gospel. In this volume, after exploring numerous state-of-the-art theories on metaphor, a customised metaphor theory is developed from the Fourth Gospel itself, which can be applied to the analysis of the Gospel as a whole. The theory is based on two of the best-known metaphors in the Fourth Gospel: I am the Good Shepherd, and I am the True Vine. Subsequently, all other metaphors are analysed according to this theory.
The command to love is central to the Gospel of John. Internationally respected scholar Francis Moloney offers a thorough exploration of this theme, focusing not only on Jesus's words but also on his actions. Instead of merely telling people that they must love one another, Jesus acts to make God's love known and calls all who follow him to do the same. This capstone work on John's Gospel uses a narrative approach to delve deeply into a theme at the heart of the Fourth Gospel and the life of the Christian church. Uniting rigorous exegesis with theological and pastoral insight, it makes a substantive contribution to contemporary Johannine scholarship.
"In the beginning was the Word . . ."The Gospel of John opens with rich poetic imagery and unfolds into twenty-one chapters full of symbols and signs that point to Jesus Christ as truly human and truly divine. This collection of fifty-six reader's poems, combined with twenty-six original pieces of art printed in full color, offers an inviting first read to those new to the Gospel and fresh perspective to those long familiar with its themes. There is no substitute for reading the Scriptures themselves again and again. This resource, in fact, flows directly from that kind of sustained reading. Like artists throughout the centuries, siblings Samuel Rahberg and Natalie Rahberg have employed the disciplines of writing and visual art to share with others the fruits of their own prayer. May each reader be led back to the Christ revealed in the Gospel of John.Samuel Rahberg is a spiritual director and author in Saint Paul, MN. Natalie Rahberg is a working artist in McKinney, TX.
Provides a description of the element or image, shows examples of how it is used in the biblical text, and presents photographs and maps that further illustrate the ideas.
Sosa Siliezar investigates the presence and significance of creation imagery in the Gospel of John. He argues that John has intentionally included only a limited (albeit significant) number of instances of creation imagery and that he has positioned them carefully to highlight their significance. Sosa Siliezar contends that the instances of creation imagery used in varying contexts function collectively in a threefold way that is consonant with John's overall argument. First, John uses them to portray Jesus in close relationship with his Father, existing apart from and prior to the created order. Second, John uses creation imagery to assert the primal and universal significance of Jesus and the message about him, and to privilege him over other important figures in the story of Israel. Third, John uses creation imagery to link past reality with present and future reality, portraying Jesus as the agent of creation whom the reader should regard as the primal agent of revelation and salvation. The book concludes by underscoring how these findings inform our understanding of John's Christology and Johannine dualism.
This book comprehensively surveys the origin, production and reception of the canonical gospels in the early church. The discussion unfolds in three steps. Part One traces the origin of the 'gospel' of Jesus, its significance in Jewish and Hellenistic contexts of the first century, and its development from eyewitness memory to oral tradition and written text. Part Two then more specifically examines the composition, design and intentions of each of the four canonical gospels. Widening the focus, Part Three first asks about gospel-writing as viewed from the perspective of ancient Jews and pagans before turning to the question of reception history in the proliferation of 'apocryphal' gospels, in the formation of the canon, and in the beginnings of a gospel commentary tradition.
"In Paul, the Spirit, and the People of God, Pentecostal scholar Gordon Fee has redefined the terms of the discussion about the Holy Spirit in a way that transcends today's paradigm of 'charismatic' or 'noncharismatic' orientation. His words are a strong reminder of what God, through his Holy Spirit, intends the church to be. . . . His work is an attempt to point us back to the Bible and reinvigorate our own vision of how the Spirit mobilizes the community of believers in the local church."--Wendy Murray, author; former senior writer, Christianity Today "Gordon Fee, one of our truly master exegetes, has put steel and sinew into the words Spirit, spirit, and spiritual--words that have become flabby through subjectivizing indulgence and lack of exegetical exercise. His accurate, fresh, and passionate recovery of the place and meaning of Spirit in Paul and for us Christians is a provocative stimulus and reliable guide to the recovery of the experienced presence of God in our lives. For those of us who want to live in continuity with all that has been revealed in Jesus and given in the Spirit, this is an eminently practical book."--Eugene H. Peterson, professor emeritus of spiritual theology, Regent College "Gordon Fee is one of the finest Bible expositors I have known. Whenever he speaks and writes, I listen, and recommend you do the same."--Chuck Colson, founder, Prison Fellowship Ministries
The Knowing the Bible series is a new resource designed to help Bible readers better understand and apply God’s Word. Each 12-week study leads participants through one book of the Bible and is made up of four basic components: (1) Reflection questions designed to help readers engage the text at a deeper level; (2) “Gospel Glimpses” highlighting the gospel of grace throughout the book; (3) “Whole-Bible Connections” showing how any given passage connects to the Bible’s overarching story of redemption culminating in Christ; and (4) “Theological Soundings” identifying how historic orthodox doctrines are taught or reinforced throughout Scripture. With contributions from a wide array of influential pastors and church leaders, these gospel-centered studies will help Christians see and cherish the message of God’s grace on each and every page of the Bible. In this study of John’s Gospel, pastor and author Justin Buzzard helps readers understand the most theologically and philosophically profound account of Jesus’s life, death, and resurrection in the New Testament. From revealing his cosmic identity as being with the Father “in the beginning,” to recounting the many miraculous signs attesting to his divinity, Buzzard illuminates John’s unmatched portrait of Jesus Christ, the unique Son of God, sent from heaven to save all who would turn to him. This insightful guide encourages Christians to worship Christ as Lord and follow him on mission to the world.