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This issue contains works by Thomas Campbell and Dmitry Vorobyev, John Cunningham, Harry Halpin, Stewart Martin, Benedict Seymour, and Simon Yuill, with commissioned artwork by Theo Michael, John Russell, and Plastique Fantastique.
Volume two of the Diamond Gem Award-winning comics magazine IMAGE+ continues with all the hard-hitting content you love! This issue features 80 pages of interviews, previews, and in-depth features, plus exclusive comics content.
Collects Young Avengers (2013) #6-10. Ever wonder what the super hero equivalent of a terrible soul-sucking, talent-wasting temp job is? Wonder what Tommy (aka Speed) has been up to? Wonder why mutant David Alleyne (aka Prodigy) hasn't been even in the background in any one of the eight thousand X-books? Discover answers herein! Then: existential horror turns cosmic horror as something emerges from the shadows of the past...and it seems that the Young Avengers have one more thing to worry about. The team races desperately across the multi verse in pursuit of their missing friend, but their road trip goes crazy as it reaches its desti nati on. Because its desti nati on is mainly excitement and heartbreak. Several Young Avengers decide what to do next. The question is, whether they stay Young Avengers! Plus: Are you ready for Mother's Day?
Image is everything. Today, our television and movie stars, our athletes, and our politicians carefully craft images for public consumption. Even our country's Executive Chief is not immune to a bit of image manipulation. If presidents can not always actually satisfy the public's excessive, contradictory, and unrealistic expectations, they can at least present a compelling image of presidential leadership and success. When it comes to the modern presidency, tennis star Andre Agassi was correct, ?Image is everything.?Image creation is a serious business with critically important implications for the success of any politician. But presidents must be careful in deciding how they craft the ways in which we perceive them. If they are to succeed, presidents must present an appropriate image of leadership to the American people; an image that is appropriate for the particular needs of the time when the president governs and is appropriate to the personality of that president. Their ultimate goal is to convince the public that they are actually providing leadership, even if in reality they have only a limited ability to effect outcomes.This book examines the way American presidents in the media age have shaped their public personas as a means of cultivating and advancing their political and ideological agendas. Images play an important role in the perceived success or failure of our presidents. Since public expectations are most often aimed directly at the White House and its central occupant, it is more important than ever that a president control his image, as well as presenting the right image to the American public. Reality thus becomes secondary and image is everything.
This book is about a single image - the frontispiece to Thomas Sprat’s History of the Royal-Society of London (1667). Designed by John Evelyn, and etched by Wenceslaus Hollar, it is arguably the best-known representation of seventeenth-century English science. The use of such plates to celebrate and legitimise the ‘new’ science of the period falls into a tradition that was well-established both in Britain and in Europe more generally, and which has increasingly attract attention from historians. Nevertheless, there are many questions to be asked about it and how it came into being. Was it an original composition by Evelyn, or is it based on earlier exemplars? Can all the scientific instruments, books and other objects that appear in it be identified, and what significance should be attached to their inclusion? Above all, how did the plate come to be designed in the first place, and what is its true relationship with Sprat’s book? In order to assess such issues, this study provides a full analysis of Evelyn’s image in its Royal Society setting and the wider world of early-modern science. The book first considers the overall iconography of the image and its message concerning Evelyn’s conception of the society’s role, before moving on to examine the myriad of details included in the plate and their significance. It concludes by considering the print’s history after publication, including the extent to which Evelyn used copies to exemplify the combination of technological and artistic accomplishment to which he believed the society should aspire.
This book constitutes the refereed proceedings of the International Biometric Authentication Workshop, BioAW 2004, held in Prague, Czech Republic, in May 2004, as part of ECCV 2004. The 30 revised full papers presented were carefully reviewed and selected for presentation. The papers are organized in topical sections on face recognition, fingerprint recognition, template protection and security, other biometrics, and fusion and multimodal bioinformatics.
While many fans remember The Lone Ranger, Ace Drummond and others, fewer focus on the facts that serials had their roots in silent film and that many foreign studios also produced serials, though few made it to the United States. The 471 serials and 100 series (continuing productions without the cliffhanger endings) from the United States and 136 serials and 37 series from other countries are included in this comprehensive reference work. Each entry includes title, country of origin, year, studio, number of episodes, running time or number of reels, episode titles, cast, production credits, and a plot synopsis.
This book constitutes the refereed proceedings of the bienially held International Conference on Computer Analysis of Images and Patterns, CAIP 2009, which took place in Münster, Germany, September 2-4, 2009. The 148 papers presented together with 2 invited talks were carefully reviewed and selected from 405 submissions. The papers are organized in topical section on: biometrics, calibration, document analysis, features, graph representations, image processing, image registration, image and video retrieval, medical imaging, object and scene recognition, pattern recognition, shape recovery, segmentation, stereo and video analysis, texture analysis, and applications.
Everything you ever wanted to know about multimedia retrieval and management. This comprehensive book offers a full picture of the cutting-edge technologies necessary for a profound introduction to the field. Leading experts also cover a broad range of practical applications.