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"21,000 color illustrations. $20,000,000.00 of collectible comic books. Complete cataloging system for comic books, 1935-1965. Relative value index for 50,000 comic books. Scarcity index; relative rarity of collector's comics, many illustrations in this book are of the only copy left in existence."--Dust jacket.
"Analogy, Attunement, and Attention brings together a uniquely contemporary and diverse set of voices to address the complex sets of relationships that the photograph creates between its viewers and their bodies, minds, and sense of the physical and metaphysical world. This volume examines our changing relationship to space and selfhood as mediated by the lens, the print, the screen, the computer, and the multitude of networked technologies built around the image"--
Collects TECH JACKET #7 & 8, TECH JACKET DIGITAL #1-3. Get ready for the new TECH JACKET ongoing series with this brand new collection-featuring the previously digital-exclusive TECH JACKET DIGITAL miniseries! An intergalactic bounty hunter comes to Earth to claim the ultimate prize: Tech Jacket!
In a quiet seaside town, a gas station clerk named Huck secretly uses his special gifts to do a good deed each day. But when his story leaks, a media firestorm erupts, bringing him uninvited fame. As pieces of Huck's past begin to resurface, it's no longer clear who his friends are - or whose lives may be in danger. This series from writer MARK MILLAR and artist RAFAEL ALBUQUERQUE presents a comic book unlike anything you've read before.
On museum visits, we pass by beautiful, well-preserved vases from ancient Greece—but how often do we understand what the images on them depict? In Image and Myth, Luca Giuliani tells the stories behind the pictures, exploring how artists of antiquity had to determine which motifs or historical and mythic events to use to tell an underlying story while also keeping in mind the tastes and expectations of paying clients. Covering the range of Greek style and its growth between the early Archaic and Hellenistic periods, Giuliani describes the intellectual, social, and artistic contexts in which the images were created. He reveals that developments in Greek vase painting were driven as much by the times as they were by tradition—the better-known the story, the less leeway the artists had in interpreting it. As literary culture transformed from an oral tradition, in which stories were always in flux, to the stability of written texts, the images produced by artists eventually became nothing more than illustrations of canonical works. At once a work of cultural and art history, Image and Myth builds a new way of understanding the visual culture of ancient Greece.
Much of the material unearthed by this book is ugly, states historiographer Patricia Morton who exposes profoundly dehumanizing constructions of reality embedded in American scholarship as it has attempted to render the history of the Afro-American woman. Focusing on the scholarly literature of fact rather than on fictional or popular portrayals, Disfigured Images explores the telling--and frequent mis-telling--of the story of black women during a century of American historiography beginning in the late nineteenth century and extending to the present. Morton finds that during this period, a large body of scholarly literature was generated that presented little fact and much fiction about black women's history. The book's ten chapters take long and lingering looks at the black woman's prefabricated past. Contemporary revisionist studies with their goals of discovering and articulating the real nature of the slave woman's experience and role are thoroughly examined in the conclusion. Disfigured Images complements current work by recognizing in its findings a long-needed refutation of a caricatured, mythical version of black women's history. Morton's introduction presents an overview of her subject emphasizing the mythical, ingrained nature of the black woman's image in historiography as a natural and permanent slave. The succeeding chapters use historical and social science works as primary sources to explore such issues as the foundations of sexism-racism, the writing of W.E.B. DuBois, twentieth century notions of black women, current black and women's studies, new and old images of motherhood, and more. The conclusion investigates how and why recent American historiographical scholarship has banished the old myths by presenting a more accurate history of black women. This keenly perceptive and original study should find an influential place in both women's studies and black studies programs as well as in American history, American literature, and sociology departments. With its unusually complete panorama of the period covered it would be a unique and valuable addition to courses such as slavery, the American South, women in (North) American history, Afro-American history, race and sex in American literature and discourse, and the sociology of race.
Collects Vision (2015) #7-12. The epic conclusion of the story that everyone is talking about! Once upon a time, a robot and a witch fell in love. But the story of Scarlet Witch and Vision was just the start. Vision has built a new life for himself — a new family. Yet while every family has its share of skeletons in the closet, for the Visions those skeletons are real. And now the family’s facade is crumbling. The Avengers know the truth. That Vision’s wife has killed. That the synthezoid lied to protect her. And that lie will follow lie, death will pile upon death. The Avengers know they need to act. Tragedy is coming, and it will send the Android Avenger into a devastating confrontation with Earth’s Mightiest Heroes. Nobody is safe.
A uniquely detailed study of a Japanese aircraft carrier that took part in the attack on Pearl Harbor, before being sunk at Midway. Superbly illustrated with line drawings, full-colour artwork of the ship through its career, internal reconstructions of deck layouts, and 3D illustrations of every detail of the ship from its rigging to its aircraft to its anchors, this book reconstructs and dissects one of the most prominent carriers of the early Pacific War. Built in the late 1930s, Hiryu took part in the attack on Pearl Harbor and most of the operations of Japan's triumphant first months of the war, before being sunk at Midway. Drawing on Stefan Draminski's new research and making the best use yet of his acclaimed 3D illustration techniques, this is the most comprehensive examination of Hiryu ever published. It includes a complete set of detailed line drawings with fully descriptive keys and full-color 3D artwork, supported by technical details, photographs, and a concise history of the ship's construction and service.
Biomedical imaging is becoming an indispensable branch within bioengineering. This research field has recently expanded due to the requirement of high-level medical diagnostics and rapid development of interdisciplinary modern technologies. This book is designed to present the most recent advances in instrumentation, methods, and image processing as well as clinical applications in important areas of biomedical imaging. It provides broad coverage of the field of biomedical imaging, with particular attention to an engineering viewpoint. The goal of the book is to provide a wide-ranging forum in the biomedical imaging field that integrates interdisciplinary research and development of interest to scientists, engineers, teachers, students, and clinical providers.
"The main theme of the 1988 workshop, the 18th in this DARPA sponsored series of meetings on Image Understanding and Computer Vision, is to cover new vision techniques in prototype vision systems for manufacturing, navigation, cartography, and photointerpretation." P. v.