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In this interdisciplinary anthology, essays study the relationship between the imagination and images both material and mental. Through case studies on a diverse array of topics including photography, film, sports, theater, and anthropology, contributors focus on the role of the creative imagination in seeing and producing images and the imaginary.
A moving, powerful story that shines a light on those that feel invisible in our world - and shows us that we ALL belong - from the author of Ruby's Worry. The Invisible is the story of a young girl called Isabel and her family. They don't have much, but they have what they need to get by. Until one day, there isn't enough money to pay their rent and bills and they have to leave their home full of happy memories and move to the other side of the city. It is the story of a girl who goes on to make one of the hardest things anyone can ever make...a difference. And it is the story of those who are overlooked in our society - who are made to feel invisible - and why everyone has a place here. We all belong.
A book for readers of the 21st century who have learned--and demand--to interact with media that includes both ideas and imagery, Invisible Images contains 170 stunning photographs and drawings of Willis's own architectural projects, multimedia art, and symbols.
From the author of the picture book phenomenon The Invisible String comes a moving companion title about coping with grief when a pet dies. "When our pets aren't with us anymore, an Invisible Leash connects our hearts to each other. Forever." That's what Zack's friend Emily tells him after his dog dies. Zack doesn't believe it. He only believes in what he can see. But on an enlightening journey through their neighborhood—and through his grief—he comes to feel the comforting tug of the Invisible Leash. And it feels like love. Accompanied by tender. uplifting art by Joanne Lew-Vriethoff, bestselling author Patrice Karst's gentle story uses the same bonding technique from her classic book The Invisible String to help readers through the experience of the loss of a beloved animal.
A comprehensive study of the theology of the Icon and its history, the aesthetics of the Icon and its structures, and the techniques and steps to paint an Icon, this book contains more than 100 color and black-and-white photos and a similar number of drawings which show the technical details and preparations of painting an Icon, from pigment colors to selection of wood.
If You Love God's Word You Will Love This New Testament! The Disciples' Literal New Testament sets you free from our artificial 460 year old chapter and verse structure, replacing it with paragraphing that reflects the flow of thought in the original Greek writings. Paragraph headings make that flow of thought explicit to you, speeding your understanding of the NT books. This translation retains the writing style of the apostles themselves, rather than transforming their Greek ways of writing into an elegant or contemporary English writing style, as has been beautifully done so many times. It is the same translation as the author's New Testament TransLine, first published by Zondervan in 2002. Now you can read the New Testament as the original writers intended it, and see it with a clarity formerly available only to those who could carefully study their Greek New Testament. You can even see the difference in writing style between Matthew, Mark and Luke! Used along with your standard Bible version, you will profit from both methods of translation. *Easily grasp the relationship of the whole and the parts of each book with the big-picture overview outlines that use the words of the original author. *Gain quick insight into the flow of thought from descriptive paragraph headings that summarize the main point of each paragraph in its context. *You can visually follow the apostles' thinking because the 'Intelligent Paragraphing' visually displays their main and subordinate thoughts. *The hindrance to your understanding caused by our artificial chapter and verse structure is eliminated by paragraphing based on the Greek writings. *You will more fully appreciate the minds and thinking patterns and intent of the original writers because the translation corresponds more closely to their words and their grammar and their sentence structure. *Deepen and expand your understanding of the New Testament by meditating on the notes containing alternative renderings, explanations of what is being said, and different views of the meaning.
By the mid-1940s. Gordon Parks had cemented his reputation as a successful photojournalist and magazine photographer, and Ralph Ellison was an established author working on his first novel, Invisible Man (1952), which would go on to become one of the most acclaimed books of the twentieth century. Less well known, however, is that their vision of racial injustices, coupled with a shared belief in the communicative power of photography, inspired collaboration on two important projects, in 1948 and 1952. Capitalizing on the growing popularity of the picture press, Parks and Ellison first joined forces on an essay titled "Harlem Is Nowhere" for '48: The Magazine of the Year. Conceived while Ellison was already three years into writing Invisible Man, this illustrated essay was centered on the Lafargue Clinic, the first nonsegregated psychiatric clinic in New York City, as a case study for the social and economic conditions in Harlem. He chose Parks to create the accompanying photographs, and during the winter months of 1948, the two roamed the streets of Harlem together, with Parks photographing under the guidance of Ellison's writing. In 1952 they worked together again, on "A Man Becomes Invisible", for the August 25 issue of Life magazine, which promoted Ellison's newly released novel. Invisible Man: Gordon Parks and Ralph Ellison in Harlem focuses on these two projects, neither of which was published as originally intended, and provides an in-depth look at the authors' shared vision of black life in America, with Harlem as its nerve center.
What does it mean for Christ to be the "image of God"? And, if Christ is the "image of God," can the human person also unequivocally be understood to be the "image of God"? Augustine's Early Theology of Image examines Augustine's conception of the imago dei and makes the case that it represents a significant departure from the Latin pro-Nicene theologies of Hilary of Poitiers, Marius Victorinus, and Ambrose of Milan only a generation earlier. Augustine's predecessors understood the imago dei principally as a Christological term designating the unity of divine substance. But, Gerald P. Boersma argues, Augustine affirms that Christ is an image of equal likeness, while the human person is an image of unequal likeness. Boersma's careful study thus argues that a Platonic and participatory evaluation of the nature of "image" enables Augustine's early theology of the image of God to move beyond that of his Latin predecessors and affirm the imago dei both of Christ and of the human person.