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In this volume, Dr Gordon examines the way in which images contributed to the creation of religious meanings in the Graeco-Roman world. Special attention is paid to Mithraism's notion of sacred space, its use of metaphors taken from the natural world, and its ideals of social action.
Twenty-four scholars join their efforts to congratulate David Lee Balch for a long career of dedication to scholarship and teaching. Topics range from the life of early Christian house churches to the kinds of challenges that early Christians needed to negotiate in their artistic and literary worlds as they established their own identity. Contributors Edward Adams Frederick E Brenk Warren Carter John R. Clarke Everett Ferguson John T. Fitzgerald Richard A. Freund Ronald F. Hock Robin M. Jensen Davina C. Lopez Margaret Y. MacDonald Abraham J. Malherbe Aliou Cisse Niang Peter Oakes Todd Penner Leo G. Perdue Turid Karlsen Seim Dennis E. Smith Yancy W. Smith Stephen V. Sprinkle Hal Taussig Oliver Larry Yarbrough
This book fills a gap in the study of mystery cults in Graeco-Roman Antiquity. Focusing on the visual language surrounding these cults, it aims to understand how images depict mysteries in different cults: Dionysus, Mithras, Mother of the Gods, and Isiac cults.
Panthée presents a collective reflection relating to the changes that affected the Graeco-Roman Empire and over the long term altered its religious landscapes. Fifty years after the foundation of the series EPRO, the volume aims to avoid the division between the supposedly "Roman" or "Graeco-Roman" and the "Oriental" by linking the available information relating the different major areas, such as the relation between local and global, the place of emotions in relation to soteriological and initiatory aspects, strategies of integration and negotiation of identities. For the first time the leading specialists in every field bring their approaches into contact with one another, and jointly construct a picture of practices and conceptual frames, which, in their diversity and inter-action, model a religious universe whose complexity will help to understand our modern globalising world. Panthée propose une réflexion collective sur les mutations qui ont affecté l'Empire gréco-romain et ont progressivement remodelé ses paysages religieux. Cinquante ans après la création de la collection des EPRO, ce livre ambitionne de dépasser le clivage entre ce qui serait "romain", ou "gréco-romain", et ce qui serait "oriental" en articulant les données disponibles autour de quelques thèmes majeurs, comme les jeux d'échelle entre local et universel, la place du registre des émotions en relation avec les dimensions sotériologiques et mystériques, les stratégies d'intégration et de négociation des identités. Pour la première fois, les meilleurs spécialistes venus de tous les horizons croisent leurs approches et construisent ensemble un tableau des pratiques et des cadres de pensée qui, dans leur diversité et dans leur interaction, dessinent les contours d'un univers religieux dont la complexité aide à penser le monde moderne de la globalisation.
The polytheistic religious systems of ancient Greece and Rome reveal an imaginative attitude towards the construction of the divine. One of the most important instruments in this process was certainly the visualisation. Images of the gods transformed the divine world into a visually experienceable entity, comprehensible even without a theoretical or theological superstructure. For the illiterates, images were together with oral traditions and rituals the only possibility to approach the idea of the divine; for the intellectuals, images of the gods could be allegorically transcended symbols to reflect upon. Based on the art historical and textual evidence, this volume offers a fresh view on the historical, literary, and artistic significance of divine images as powerful visual media of religious and intellectual communication.
The traditional grand narrative correlating the decline of Graeco-Roman religion with the rise of Christianity has been under pressure for three decades. This book argues that the alternative accounts now emerging significantly underestimate the role of three major cults, of Cybele and Attis, Isis and Serapis, and Mithras. Although their differences are plain, these cults present sufficient common features to justify their being taken typologically as a group. All were selective adaptations of much older cults of the Fertile Crescent. It was their relative sophistication, their combination of the imaginative power of unfamiliar myth with distinctive ritual performance and ethical seriousness, that enabled them both to focus and to articulate a sense of the autonomy of religion from the socio-political order, a sense they shared with Early Christianity. The notion of 'mystery' was central to their ability to navigate the Weberian shift from ritualist to ethical salvation.
This book explores how the Graeco-Roman world suffered from major power conflicts, imperial ambition, and ethnic, religious and racist strife.
Over the course of his career, Luther H. Martin has primarily produced articles rather than monographs. This approach to publication has given him the opportunity to experiment with different methodological approaches to an academic study of religion, with updates to and different interpretations of his field of historical specialization, namely Hellenistic religions, the subject of his only monograph (1987). The contents of this collected volume represent Martin's shift from comparative studies, to socio-political studies, to scientific studies of religion, and especially to the cognitive science of religion. He currently considers the latter to be the most viable approach for a scientific study of religion within the academic context of a modern research university. The twenty-five contributions collected in this volume are selected from over one hundred essays, articles, and book chapters published over a long and industrious career and are representative of Martin's work over the past two decades.
The twelve studies contained in this second collection by Henry Maguire are linked together by a common theme, namely the relationship of Byzantine art to the imaginary. They show how art enabled the Byzantines not only to imagine the sacred events of the past, but also to visualize the invisible present by manifesting the spiritual world that they could not see. The articles are grouped around the following five topics: the depiction of nature by the Byzantines before and after iconoclasm, especially in portrayals of the earthly and the spiritual Paradise; the social functions and theological significance of classical artistic forms in Byzantine art after iconoclasm; the association between rhetoric and the visual arts in Byzantium, especially in contrast to the role played by liturgical drama in western medieval art; the relationship of the visual arts to Byzantine concepts of justice and the law, both human and divine; and portrayals of the two Byzantine courts, the imperial court on earth and the imagined court in heaven. The papers cover a wide range of media, including floor and wall mosaics, paintings in manuscripts and churches, ivory carvings, coins, and enamel work.