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Couldn't get enough of Love, Simon or Red, White and Royal Blue? This is the (slightly NSFW) book for you! 'Jack of Hearts might be the most important queer novel of the decade' Gay Times 'Jack of Hearts won my heart' Courtney Act 'This book is filth' Julian Clary --------------- 'My first time getting it in the butt was kind of weird. I think it's going to be weird for everyone's first time, though.' Meet Jack Rothman. He's seventeen and loves partying, makeup and boys - sometimes all at the same time. His sex life makes him the hot topic for the high school gossip machine. But who cares? Like Jack always says, 'it could be worse'. He doesn't actually expect that to come true. But after Jack starts writing an online sex advice column, the mysterious love letters he's been getting take a turn for the creepy. Jack's secret admirer knows everything: where he's hanging out, who he's sleeping with, who his mum is dating. They claim they love Jack, but not his unashamedly queer lifestyle. They want him to curb his sexuality, or they'll force him. As the pressure mounts, Jack must unmask his stalker before their obsession becomes genuinely dangerous... Praise for Jack of Hearts (and Other Parts) 'The affirming, sex-positive, brilliant new book that puts the "adult" into young adult literature' Attitude 'Humane, sex-positive writing of the funniest, filthiest and most heartening kind' The Guardian
Democracies are in danger. Around the world, a rising wave of populist leaders threatens to erode the core structures of democratic self-rule. In the United States, the tenure of Donald Trump has seemed decisive turning point for many. What kind of president intimidates jurors, calls the news media the “enemy of the American people,” and seeks foreign assistance investigating domestic political rivals? Whatever one thinks of President Trump, many think the Constitution will safeguard us from lasting damage. But is that assumption justified? How to Save a Constitutional Democracy mounts an urgent argument that we can no longer afford to be complacent. Drawing on a rich array of other countries’ experiences with democratic backsliding, Tom Ginsburg and Aziz Z. Huq show how constitutional rules can both hinder and hasten the decline of democratic institutions. The checks and balances of the federal government, a robust civil society and media, and individual rights—such as those enshrined in the First Amendment—often fail as bulwarks against democratic decline. The sobering reality for the United States, Ginsburg and Huq contend, is that the Constitution’s design makes democratic erosion more, not less, likely. Its structural rigidity has had unforeseen consequence—leaving the presidency weakly regulated and empowering the Supreme Court conjure up doctrines that ultimately facilitate rather than inhibit rights violations. Even the bright spots in the Constitution—the First Amendment, for example—may have perverse consequences in the hands of a deft communicator who can degrade the public sphere by wielding hateful language banned in many other democracies. We—and the rest of the world—can do better. The authors conclude by laying out practical steps for how laws and constitutional design can play a more positive role in managing the risk of democratic decline.
A catch phrase is a well-known, frequently-used phrase or saying that has `caught on' or become popular over along period of time. It is often witty or philosophical and this Dictionary gathers together over 7,000 such phrases.
An “intelligent, disturbing slice of noir” that portrays the man who derailed the police investigation into the Yorkshire Ripper (The Guardian). In this provocative novel, Mark Blacklock portrays the true and complex history of John Humble, aka Wearside Jack, the Ripper Hoaxer, a timewaster and criminal, sympathetic and revolting, the man hidden by a wall of words, a fiction-spinner worthy of textual analysis. In this remarkable work, John Humble leads the reader into an allusive, elusive labyrinth of interpretations, simultaneously hoodwinking and revealing. I’m Jack is a riveting novel about truth, lies, prison and shame. It is also a profound and furious love letter to Sunderland. It is a puzzle, a hoax, a multi-voice portrait and a virtuoso assemblage of textual elements. I’m Jack announces the arrival of a radically talented and innovative novelist. “A gripping study in self-invention—and, ultimately, self-erasure.”—Tom McCarthy, author of the Man Booker Prize finalists, Satin Island and C “Here are dark telegrams from an expertly realized otherness that is Sunderland. Spare. Swift. Smart. And dangerous. Carrying us through maps of shame to rescue a convincing fiction of the past from its sullen entropy.”—Iain Sinclair, award-winning author of The Last London “A chilling debut . . . An audacious exercise in mimicry . . . Its tone is mischievous, with a vein of dark, crafty humor—though the overall effect is somber. Blacklock’s Humble is impossible to like; yet by the end it is almost impossible not to feel sorry for him.”—Financial Times “A deftly executed ventriloquist act, it’s anchored in the true story of notorious hoaxer John Humble.”—Observer
Best remembered for the iconic classics Gone with the Wind (1939) and The Wizard of Oz (1939) to the silver screen, Victor Fleming also counted successful films such as Red Dust (1932), Captains Courageous (1937), Test Pilot (1939), Dr. Jekyll and Mr. Hyde (1941), and the groundbreaking Joan of Arc (1948) among his more than forty directing credits. One of the most sought-after directors in Hollywood's golden age, Fleming (1889--1949) was renowned for his ability to make films across a wide range of genres. In Victor Fleming: An American Movie Master, author Michael Sragow paints a comprehensive portrait of the talented and charismatic man who helped create enduring screen personas for stars such as Clark Gable, Spencer Tracy, and Gary Cooper.
An examination of ancient Greek drama, and its relationship to the society in which it was produced. By focusing on the ways in which the plays treat gender, ethnicity, and class, and on their theatrical conventions, Edith Hall offers an extended study of the Greek theatrical masterpieces within their original social context.
After an undistinguished career at Oxford, Stanley Windrush wanders from one escapade to another in the world of paid employment. The unwitting cause of an international furore in his indefinable role at the Foreign Office, he soon loses more jobs in the world of industry. He swiftly decides to take up a post as an unskilled worker - to be 'one of the chaps that reap the benefit', as his uncle advises - where his naïve dealings with the trade unions only cause more trouble for everyone. Originally released in 1958 as Private Life, the follow-up to Private's Progress, the novel was swiftly made into a popular film, I'm All Right Jack. 'Funny, critical and good-tempered, all at the same time and apparently without the slightest effort.' The Times 'Wonderfully funny.' Sunday Express 'Brilliantly funny.' Manchester Evening News 'Extremely funny.' Manchester Guardian
Master cake artist and a man of profound faith, Jack Phillips found himself in the middle of one of the highest-profile religious freedom cases of the century. In July 2012, two men came to Jack Phillips's shop requesting a custom wedding cake celebrating their same-sex marriage. In a brief exchange, Jack politely declined the request, explaining that he could not design cakes for same-sex weddings but offered to design cakes for other occasions and to sell them anything else in his shop. Little did Jack know that his quiet stand for his Christian convictions about marriage would become a battle for the right of all Americans to live out their faith. Now, Jack Phillips shares his harrowing experience for the first time in this powerful new memoir. The Cost of My Faith is Jack’s firsthand account from the frontlines of the battle with a culture that is making every effort to remove God from the public square and a government denying Bible-believing Christians the right to freely exercise their religious beliefs. Despite a Supreme Court victory in Masterpiece Cakeshop v. Colorado Civil Rights Commission, the fight to protect the right of Americans to freely exercise their beliefs is more critical than ever. The Cost of My Faith provides new insight into the case that shook the country and offers readers courage and inspiration to stand and live out their faith when facing their own battles.
Hugely impressive in its scope, with introductory chapters on social history, the film industry and theories of realism, this indispensable history of these vital years contains unusually fresh discussions of films justly regards as important, alongside those unjustly ignored. The extensive filmography which accompanies Sex, Class and Realism will also prove to be an invaluable reference source in the teaching of British cinema history.