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Remembering Mass Violence breaks new ground in oral history, new media, and performance studies by exploring what is at stake when we attempt to represent war, genocide, and other violations of human rights in a variety of creative works. A model of community-university collaboration, it includes contributions from scholars in a wide range of disciplines, survivors of mass violence, and performers and artists who have created works based on these events. This anthology is global in focus, with essays on Africa, Asia, Europe, Latin America, and North America. At its core is a productive tension between public and private memory, a dialogue between autobiography and biography, and between individual experience and societal transformation. Remembering Mass Violence will appeal to oral historians, digital practitioners and performance-based artists around the world, as well researchers and activists involved in human rights research, migration studies, and genocide studies.
A multimedia eBook showcasing a collection of pieces created by artists working with the New Community-Informed Approaches to Humanitarian Protection and Restraint project based at the Institute of Development Studies (IDS). The different media are interspersed with non-academic, descriptive text written by the project’s Principal Investigator, Jeremy Allouche. Presented in the book are photography, theatre, dance, music, painting, writing, and slam poetry, in combination with some of the research findings. Collectively, they provide an alternative perspective on the experience of protection issues from the point of view of the arts, the social sciences, and the humanities.
Die Reihe Islamkundliche Untersuchungen wurde 1969 im Klaus Schwarz Verlag begründet und hat sich zu einem der wichtigsten Publikationsorgane der Islamwissenschaft in Deutschland entwickelt. Die über 330 Bände widmen sich der Geschichte, Kultur und den Gesellschaften Nordafrikas, des Nahen und Mittleren Ostens sowie Zentral-, Süd- und Südost-Asiens.