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The way that special effects are designed and then created in films is explained in this lavishly illustrated book that traces the development of the ILM company of George Lucas.
In Earth evolution, mountain belts are the loci of crustal growth, reworking and recycling. These crustal-scale processes are unravelled through microscale investigations of textures and mineral assemblages of metamorphic rocks. Multiple episodes of metamorphism, re-equilibration and deformation, however, generally produce a complex and tightly interwoven pattern of microstructures and assemblages. Over the last two decades, the combination of advanced computing and technological capabilities with new concepts has provided a vast array of novel petrological tools and high-resolution/high-sensitivity techniques for microanalysis and imaging. Such novel approaches are proving fundamental to untangling the enigma represented by metamorphism with an unprecedented level of detail and confidence. As a result, the first decade and a half of this century has already seen the tumultuous development of new research avenues in metamorphic petrology. This book aims to provide a timely overview of the state of the art of this field, of newly developed petrological techniques, future advancements and significant new case studies.
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"Industrial Light & Magic tells the story, through the words of filmmakers, artists, and technicians, of the visual effects house, Industrial Light & Magic, which was founded by George Lucas in 1975"--
The subject of this two-volume publication is an inventory of manuscripts in the book treasury of the Topkapı Palace in Istanbul, commissioned by the Ottoman sultan Bayezid II from his royal librarian ʿAtufi in the year 908 (1502–3) and transcribed in a clean copy in 909 (1503–4). This unicum inventory preserved in the Oriental Collection of the Library of the Hungarian Academy of Sciences (Magyar Tudományos Akadémia Könyvtára Keleti Gyűjtemény, MS Török F. 59) records over 5,000 volumes, and more than 7,000 titles, on virtually every branch of human erudition at the time. The Ottoman palace library housed an unmatched encyclopedic collection of learning and literature; hence, the publication of this unique inventory opens a larger conversation about Ottoman and Islamic intellectual/cultural history. The very creation of such a systematically ordered inventory of books raises broad questions about knowledge production and practices of collecting, readership, librarianship, and the arts of the book at the dawn of the sixteenth century. The first volume contains twenty-eight interpretative essays on this fascinating document, authored by a team of scholars from diverse disciplines, including Islamic and Ottoman history, history of science, arts of the book and codicology, agriculture, medicine, astrology, astronomy, occultism, mathematics, philosophy, theology, law, mysticism, political thought, ethics, literature (Arabic, Persian, Turkish/Turkic), philology, and epistolary. Following the first three essays by the editors on implications of the library inventory as a whole, the other essays focus on particular fields of knowledge under which books are catalogued in MS Török F. 59, each accompanied by annotated lists of entries. The second volume presents a transliteration of the Arabic manuscript, which also features an Ottoman Turkish preface on method, together with a reduced-scale facsimile.