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This volume, originally published in 1989, is intended as a practical guide to archaeological illustration, from drawing finds in the field to technical studio drawing for publication. It is also an invaluable reference tool for the interpretation of illustrations and their status as archaeological evidence. The book's ten chapters start from first principles and guide the illustrator through the historical development of archaeological illustration and basic skills. Each chapter then deals with a different illustrative technique - drawing in the field during survey work and excavation, drawing artefacts, buildings and reconstructions, producing artwork for publication and the early uses of computer graphics. Information about appropriate equipment, as well as a guide to manufacturers, is also supplied. An obvious and important feature of Archaeological Illustration is the 120 line drawings and half-tones which show the right - and the wrong - way of producing drawings. This volume will therefore be of interest to amateur and professional archaeologists alike.
This handbook is aimed at students and others who wish to learn the techniques of artefact illustration, regardless of ability or previous experience. It includes comprehensive advice on many aspects of archaeological artefact illustration from equipment and materials to the preparation of finished artwork for printing. This profusely illustrated volume treats the various techniques to overcome the difficulties of translating three-dimensional objects into two-dimensional illustrations.
Have you ever wanted to go on an archaeological adventure in some faraway place or even in your own community? Well, here’s your chance. Whether you believe it or not, if you can write your name, you have all the skills you need in your hands to be an archaeological illustrator! All you need is patience and the training in this manual, and you could be illustrating artifacts for a fascinating archaeological project almost anywhere in the world! On every archaeological project, illustration of the artifacts is always in demand. If no artist is present, then someone on the project needs to acquire these skills in the shortest amount of time. Thus, the idea for Illustration of Archaeological Artifacts was born. This publication is unique as it describes how to draw artifacts, (both pottery and stone tools in this volume), following simple steps depicted in clear line drawings. Publications of this manual are available as eBooks, soft cover, or hardcover depending on which suits your situation best. Now let’s embark on your archaeological illustration adventure!
This second edition of the classic textbook, The Archaeologist’s Laboratory, is a substantially revised work that offers updated information on the archaeological work that follows fieldwork, such as the processing and analysis of artifacts and other evidence. An overarching theme of this edition is the quality and validity of archaeological arguments and the data we use to support them. The book introduces many of the laboratory activities that archaeologists carry out and the ways we can present research results, including graphs and artifact illustrations. Part I introduces general topics concerning measurement error, data quality, research design, typology, probability and databases. It also includes data presentation, basic artifact conservation, and laboratory safety. Part II offers brief surveys of the analysis of lithics and ground stone, pottery, metal artifacts, bone and shell artifacts, animal and plant remains, and sediments, as well as dating by stratigraphy, seriation and chronometric methods. It concludes with a chapter on archaeological illustration and publication. A new feature of the book is illustration of concepts through case studies from around the world and from the Palaeolithic to historical archaeology.The text is appropriate for senior undergraduate students and will also serve as a useful reference for graduate students and professional archaeologists.
This handbook is primarily designed to raise standards and is intended for students and for those working in archaeological illustration. It is a showpiece of some fine illustrators, working in quite different ways. Drawings of objects, made from different materials are shown at their original drawn size as well as at their subsequent, reduced, published scale, so that the techniques used by the draftsman can be clearly seen and appreciated. Objects are described, sometimes by specialists and each drawing method has been written by the illustrators themselves, who share their methods here; giving step-by-step guides to how the illustrations were put together.
A new, revised manual of archaeological illustrating, largely written by and for students, intended to aid the archaeologist with no formal training in art or drafting. Discussed under separate sections are basic tools and techniques, the rendering of maps, architectural floor plans and reconstructions, stratigraphic sections, relief monuments, ceramics, ceramic figurines, lithic artifacts, burials, artifacts of shell and bone, and illustrating from photographs.
With a little perseverance anyone can learn how to make lithic artefact drawings. This book is a concise how-to guide.
This book is an introduction to the study of artefacts, setting them in a social context rather than using a purely scientific approach. Drawing on a range of different cultures and extensively illustrated, Archaeological Artefacts and Material Culture covers everything from recovery strategies and recording procedures to interpretation through typology, ethnography and experiment, and every type of material including wood, fibers, bones, hides and adhesives, stone, clay, and metals. With over seventy illustrations with almost fifty in full colour, this book not only provides the tools an archaeologist will need to interpret past societies from their artefacts, but also a keen appreciation of the beauty and tactility involved in working with these fascinating objects. This is a book no archaeologist should be without, but it will also appeal to anybody interested in the interaction between people and objects.
Catalog of an exhibition held at the Institute for the Study of the Ancient World at New York University, New York, February 12-June 7, 2015.