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For the first time ever, all paintings in the Department of Western Art in the Ashmolean Museum have been brought together in one volume. Every picture is illustrated and almost all are represented in colour. Biographies of all known artists in the collection are also included, making this catalogue an invaluable reference work for specialist libraries, collectors and general readers alike.
Adeze Wilford, Alex Poots, Ashley James, Hans Ulrich Obrist, Howardena Pindell
"Agnes Denes, the queen of land art, made one of New York's greatest public art projects ever in 1982. Now, the world might be catching up with her." -Karrie Jacobs, New York Times Agnes Denes: Absolutes and Intermediates accompanies the largest exhibition of the artist's work in New York to date, held at The Shed in fall 2019 as part of the arts space's opening season. Presenting more than 130 works, this comprehensive publication, presented in an embossed slipcase, spans the 50-year career of the path-breaking artist dubbed "the queen of land art" by the New York Times, famed for her iconic Wheatfield--A Confrontation (1982), for which she planted a two-acre wheatfield in Lower Manhattan on the Battery Park Landfill, in the shadow of the then recently erected Twin Towers. A major undertaking, this superb catalog includes a comprehensive text by the exhibition's curator, Emma Enderby, an interview with Denes by Hans Ulrich Obrist, essays by prominent scholars and curators including Caroline A. Jones, Lucy R. Lippard and Timothy Morton that examine Denes' multifaceted practice in new ways, writings by the artist and reflections by curators who have worked with Denes over the course of her career. New works by Denes commissioned by The Shed for the exhibition are presented in a special insert. Budapest-born, New York-based artist Agnes Denes (born 1931) rose to international attention in the 1960s and 1970s as a leading figure in conceptual, environmental and ecological art. A pioneer of several art genres, she has created work in many mediums, utilizing various disciplines--such as science, philosophy, linguistics, ecology and psychology--to analyze, document and ultimately aid humanity.
This volume includes concise, illustrated entries on the more than 450 examples of furniture, porcelain, and silver from the Museum's collection. New to this expanded edition are sections devoted to maiolica and glass. An index of previous owners and updated bibliographies are of particular help to the scholar.
The Abradale Press (Abrams' promotional book imprint) reprint of the work originally published by Abrams in 1982--and still in BIP at $65.00. Faithfully reprints the original at a modest price. Annotation c. by Book News, Inc., Portland, Or.
First catalogue raisonn, of N.C. Wyeth's work, compiled by the foremost historian on the subject.
This is a biography of Paul Henry's life and artistic achievements, especially his idyllic landscape paintings of the west of Ireland. It interweaves the life of his talented wife, Grace, and explores his friendships and associations with Paris and Dublin.
Published for Jordan Casteel's major New Museum show, Within Reach surveys her paintings exploring the nuances of Black subjectivity In her large-scale oil paintings, New York-based artist Jordan Casteel (born 1989) takes up questions of Black subjectivity and representation by examining the gestures, spaces and forms of nonverbal communication that underpin portraiture. "There is a certain amount of mindfulness that it requires ... to be present with someone in a moment." she explains. "I've always had an inclination towards seeing people who might be easily be unseen." Published for Casteel's first solo museum exhibition in New York, this volume brings together 40 large-scale paintings from throughout her career, including works from the celebrated series Visible Man (2013-14) and Nights in Harlem (2017), along with recent cropped "subway paintings" and portraits of her students at Rutgers University-Newark. Whether depicting former classmates from Yale, nude and in serene repose; street vendors near her home in Harlem; anonymous New Yorkers huddled on the subway; or her own students, posed largely in domestic interiors among their personal belongings, she explores how both public and private spheres can serve as frames for an inner life. This generously illustrated, oversized publication honors the larger-than-life scale of the artist's work. It is the first comprehensive monographic publication on Casteel's work and includes texts by Dawoud Bey, Amanda Hunt and Lauren Haynes, and conversations conducted with the artist by Massimiliano Gioni and Thelma Golden.
William Hogarth (1697-1764) was among the first British-born artists to rise to international recognition and acclaim and to this day he is considered one of the country's most celebrated and innovative masters. His output encompassed engravings, paintings, prints, and editorial cartoons that presaged western sequential art. This comprehensive catalogue of his paintings brings together over twenty years of scholarly research and expertise on the artist, and serves to highlight the remarkable diversity of his accomplishments in this medium. Portraits, history paintings, theater pictures, and genre pieces are lavishly reproduced alongside detailed entries on each painting, including much previously unpublished material relating to his oeuvre. This deeply informed publication affirms Hogarth's legacy and testifies to the artist's enduring reputation. Published for the Paul Mellon Centre for Studies in British Art