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The true-crime story of a millionaire beauty queen and the murder of her ex-lover, by the New York Times bestselling author of Because You Loved Me. On a day like any other in Akron, Ohio, in a parking lot like so many across America, a black-clad motorcyclist rode up to an occupied vehicle and fired a gun—and didn't miss. The shock rippling through the community led to former beauty queen Cynthia George, a respected church member and devoted mother. Married to a wealthy businessman, she seemed to lead a charmed life. But did her beauty mask a heart cold enough to kill? M. William Phelps, award-winning master of the non-fiction thriller, updates this gripping saga of illicit love and murder with startling, unforgettable new insights. Praise for If Looks Could Kill “Phelps, one of America's finest true-crime writers, has written a compelling and gripping book about an intriguing Ohio murder mystery.” —Vincent Bugliosi New York Times bestselling author of Helter Skelter “Starts quickly and doesn't slow down. The author's thorough research and interviews give the book a sense of growing complexity, richness of character, and urgency.” —Stephen Singular, author of Unholy Messenger: The Life and Crime of the BTK Killer “Phelps' sharp attention to detail culminates in this meticulous recreation of a tragic crime. This gripping true story reads like a well-plotted crime novel and proves that truth is not only stranger, but more shocking, than fiction. Riveting.” —Allison Brennan, New York Times bestselling author of Tell No Lies Includes sixteen pages of photos
A groundbreaking work by an internationally acclaimed forensic psychotherapist that looks at women who commit extreme acts of violence and cruelty and at the underlying oppression and abuse often at the heart of these crimes Women can be murderers and child abusers. They can commit acts of extreme and sadistic brutality. And those who do, are outcasts from society and from womanhood itself. They are seen as monsters and angels of death: and must be kept at a safe distance. Anna Motz is a renowned clinical and forensic psychologist in London and New York. Writing with candor, compassion, and a clear-eyed perspective, she explores in depth the shockingly underexamined psychological underpinnings of female violence. Far from the heartless and inhuman monsters we might believe them to be, these women are often victims of a culture of violence and emotional trauma. Already hailed as a landmark, Motz's daring book, bursting with humanity, makes clear that women’s violence is more widespread than most realize, that these acts of violence expose deeply held, centuries-old beliefs about women and their value, and that these acts demand to be taken more seriously as a distinctive societal taboo that can—and must—be brought into the light.
On a trip to Scotland, bookbinder Brooklyn Wainwright gets caught up in case involving a forbidden masterpiece in the second novel in the New York Times bestselling Bibliophile Mystery series. Book restoration expert Brooklyn Wainwright is happy to be attending the world-renowned Edinburgh Book Fair. But then her ex, Kyle McVee, shows up with a bombshell. He has an original copy of a scandalous text that could change history—and humiliate the beloved British monarchy. Trying to get Kyle’s story out of her mind, Brooklyn takes a nighttime tour of the city. Unfortunately, the first landmark contains a real dead body—Kyle’s. The police are convinced Brooklyn’s the culprit, but with an entire convention of suspects, Brooklyn’s conducting her own investigation. Before she can crack the case, she’ll have to find out if the motive for murder was a 200-year-old secret—or something much more personal...
If Chins Could Kill: Confessions of a B Movie Actor Here we are together in the digital universe. Somehow, you've clicked yourself to this page. If you came here of your own free will and desire, you and I are going to get along just fine. Life is full of choices. Right now, yours is whether or not to download the autobiography of a mid-grade, kind of hammy actor. Am I supposed to know this guy? you think to yourself. No-and that's exactly the point. You can download a terabyte of books about famous actors and their high-falootin' shenanigans. I don't want to be a spoilsport, but we've all been down that road before. Scroll down to that Judy Garland biography. You know plenty about her already-great voice, troubled life. Scroll down a little further to the Charlton Heston book. Same deal. You know his story too-great voice, troubled toupee. The truth is that though you might not have a clue who I am-unless you watch cable very late at night-there are countless working stiffs like me out there, grinding away every day at the wheel of fortune. If Chins Could Kill: Confessions of a B Movie Actor documents my time in blue-collar Hollywood, where movies are cheap, the hours are long, and the filmmaking process can be very personal. To keep up with the times, I've digitized Chins. It was originally published in hardcover/analog fifteen years ago, which is a vast amount of time in the evolution of books and technology, and it was time to get current. The advance of technology is great for a book like this, which is jammed full of pictures. When it came out originally, the photographs all had to be black and white and moderately sized on the page. Now, any photo that was originally taken in color can strut its stuff. Overall, the resolution of the images is off-the-charts better than the first go-around. This is one "sequel" that I'm happy to be a part of, since we could make so many technical improvements. The process was very similar to restoring an old movie. Since I knew that it was going to be reissued, I also had a look at the story being told and decided to condense, move, or clarify some chapters, all or in part. I also tried to add a hint of historical context, since it has been a decade and a half since Chins first came out. I hope you enjoy it. Regards, Bruce Campbell
A novel that marks the debut of a sexy and wickedly entertaining new mystery series, If Looks Could Kill introduces a heroine whose blend of wry humor and gutsiness will win over readers everywhere. Bailey's in bed with her commitment-challenged lover K.C. when she gets a frantic call from her high-maintenance boss at Gloss magazine. Grabbing coffee and a cab outside her Greenwich Village apartment-the consolation prize in her divorce settlement-Bailey reluctantly heads uptown. At Cat Jones's Upper East Side town house, she finds something that seriously clashes with the chic decor: the dead body of the family's live-in nanny. As Bailey-unofficially-delves into the murdered girl's past, she finds no shortage of A-list suspects. But when a startling discovery suggests that Cat may have been the intended victim, Bailey is suddenly up to her bed head in a high-profile investigation that's perfect fodder for a tabloid headline: Is someone trying to kill the editors of women's magazines? With the spotlight on New York's glitzy media world, Bailey interviews back-stabbing editors, straying husbands, and one sexy, six-feet-two psychologist who could make her decide to kick K.C. to the curb. Sporting her pair of red slingbacks and armed with the investigative skills she's honed as a true crime reporter, she sets out on a search that takes her from Manhattan's exclusive Carnegie Hill area-the nanny heartland of America-to the ritzy weekend estates of Pennsylvania and Connecticut. Bailey will need all her street smarts and some lightning-fast detective work to catch a killer who could end up deleting her name from the masthead for good.
A New York Times Notable Book A revised collection with thirteen essays, including six new to this edition and seven from the original edition, by the “star in the American literary firmament, with a voice that is courageous, honest, loving, and singularly beautiful” (NPR). Brilliant and uncompromising, piercing and funny, How to Slowly Kill Yourself and Others in America is essential reading. This new edition of award-winning author Kiese Laymon’s first work of nonfiction looks inward, drawing heavily on the author and his family’s experiences, while simultaneously examining the world—Mississippi, the South, the United States—that has shaped their lives. With subjects that range from an interview with his mother to reflections on Ole Miss football, Outkast, and the labor of Black women, these thirteen insightful essays highlight Laymon’s profound love of language and his artful rendering of experience, trumpeting why he is “simply one of the most talented writers in America” (New York magazine).
The “engrossing, thoroughly researched look at women who are in romantic relationships with incarcerated men”—fully updated with twenty-first-century cases (Publishers Weekly). In 1991, Sheila Isenberg’s classic study Women Who Love Men Who Kill asked the provocative question, “Why do women fall in love with convicted murderers?” Now, Isenberg returns to the same question in the age of smart phones, social media, mass shootings, and modern prison dating. The result is a compelling psychological study of prison passion in the new millennium. Isenberg conducts extensive interviews with women who seek relationships with convicted killers, as well as conversations with psychiatrists, social workers, and prison officials. She shows that many of these women know exactly what they are getting into—yet they are willing to sacrifice everything for the sake of a love without hope, promise, or consummation. This edition of Women Who Love Men Who Kill includes gripping new case studies and an absorbing look at how the digital age is revolutionizing this phenomenon. Meet the young women writing “fan fiction” featuring America’s most sadistic murderers; the killer serving consecutive life sentences for strangling his wife and smothering his toddler daughters—and the women who visit him in prison; the high-powered journalist who fell in love and risked it all for “Pharma Bro” Martin Shkreli; and many other women absorbed in online and real-life dalliances with their killer men.
From "the queen of heartbreaking prose" (Paste) Helene Dunbar, We Are Lost and Found is a young adult realistic fiction novel in the vein of The Perks of Being a Wallflower about three friends coming-of-age against the backdrop of the AIDS crisis in the early 1980s. Michael is content to live in the shadow of his best friends, James and Becky. Plus, his brother, Connor, has already been kicked out of the house for being gay and laying low seems to be Michael's only chance at avoiding the same fate. To pass the time before graduation, Michael hangs out at The Echo where he can dance and forget about his father's angry words, the pressures of school, and the looming threat of AIDS, a disease that everyone is talking about, but no one understands. Then he meets Gabriel, a boy who actually sees him. A boy who, unlike seemingly everyone else in New York City, is interested in him and not James. And Michael has to decide what he's willing to risk to be himself. This book is perfect for: Readers who want stories centering gay boys coming of age Parents and educators looking for realistic historical fiction for teens Fans of Becky Albertalli, Adam Silvera, and Stephen Chbosky Praise for We Are Lost and Found: "Dunbar painstakingly populates the narrative with 1980s references—particularly to music—creating a vivid historical setting... A painful but ultimately empowering queer history lesson."—Kirkus Reviews "It's a certain type of magic that Helene Dunbar managed with this story... A hauntingly beautiful, yet scarring story that captures the struggles of figuring out who you are while facing the uncertainties of the world, a story that should be mandatory reading for all."—The Nerd Daily "We Are Lost and Found absolutely sparkles... she so perfectly, so evocatively captures the angst, uncertainty, and shaky self-confidence of adolescence that it might make you wince."—Echo Magazine Optioned for a major motion picture adaptation by Nikolaj Coster-Waldau's production company, Ill Kippers!
After being chased down and driven to the brink of death by a mysterious man with a tattoo on his face, Chateau’s left with more questions than answers. But when her assailant tells her Ryang-Ha’s to blame for the attack, she can’t help but wonder about her fellow assassin’s past. Meanwhile, Ryang-Ha recalls the betrayal that set all this in motion…
Get ready to embark on the ride of your life with this thrill-fuelled thriller, for fans of Karin Slaughter and Karen Rose.