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What is it like to travel with others for adventure, lust and god? This delightful travelogue, in which Srinath Perur embarks upon ten conducted tours, is full of rich experiences: hanging on to a camel in the Thar Desert, joining thousands on a pilgrimage in Maharashtra, crossing living root bridges near Cherrapunji, rediscovering music while on the trail of Kabir, and a lot more. As much about people as it is about places, the book is also a reflection of the nature of popular travel today, which is marked by the packaging of experiences, the formation of tourist economies and compulsive picture-taking. How this influences tourists comes across vividly: in their creation of a mini India on a bus as they race through treasured sights in Europe; in their perfunctory devotion as they hop from temple to temple in Tamil Nadu; and in their ‘enjoying’ with sex workers far away from home. Ironic, and often comic, If It’s Monday It Must Be Madurai is an idiosyncratic portrait of India and her people.
A book that is immersed in a whirlpool of memories that has a lot of sundry facts about the 1980s and 1990s Madurai. A load of past effaced by time has been unearthed by the author. Every middle-aged reader would be drawn into the well of nostalgia by this written relic. The shops, the smell, the colours, the taste, the people and almost every season of the times seem to have enthused the author. It’s a journey of interest… Don’t miss it!
ONE OF THE NEW YORK TIMES CRITICS' TOP BOOKS OF 2017 ONE OF VULTURE'S 100 BEST BOOKS OF THE 21ST CENTURY FINALIST FOR THE L.A. TIMES BOOK PRIZE IN FICTION “A modern classic.” —The New York Times Book Review A young man's close-knit family is nearly destitute when his uncle founds a successful spice company, changing their fortunes overnight. As they move from a cramped, ant-infested shack to a larger house on the other side of Bangalore, and try to adjust to a new way of life, the family dynamic begins to shift. Allegiances realign; marriages are arranged and begin to falter; and conflict brews ominously in the background. Things become “ghachar ghochar”—a nonsense phrase uttered by one meaning something tangled beyond repair, a knot that can't be untied. Elegantly written and punctuated by moments of unexpected warmth and humor, Ghachar Ghochar is a quietly enthralling, deeply unsettling novel about the shifting meanings—and consequences—of financial gain in contemporary India. “A classic tale of wealth and moral ruin.” —The New Yorker “Ghachar Ghochar introduces us to a master.” —The Paris Review Named a Best Book of the Year by the Guardian, Globe and Mail, and Publishers Weekly Shortlisted for the ALTA National Translation Award in Prose Longlisted for the International Dublin Literary Award
Indian culture and spiritualism have exerted a strong hold over the world’s greatest intellectuals—from psychologists like Carl Jung to poets like T.S. Eliot, from orators like Swami Vivekananda to philosophers like Sri Aurobindo, from statesmen like Dr A.P.J. Abdul Kalam to writers like H.G. Wells. Compiled by Salil Gewali, Great Minds on India is a remarkable collection of the thoughts and views of these world-renowned opinion-makers on India’s cultural inheritance and glorious legacy.
The Aravind Eye Care System, based in India, is the world's largest provider of high-quality eye care. It is also one of the world's most incredible and revolutionary organizations. This is the first book to explore Aravind's history and the distinctive philosophies, practices, and commitments that are the keys to its success.
"The share auto I squeeze into next seems unusually vulnerable after a night in the truck - too compact, too low down. Perhaps, these are the usual side effects of prolonged riding with the king of the road, I think to myself. But it is only when I fill in ‘truck’ as my mode of transportation in the hotel ledger at Udaipur does the utter ludicrousness of my endeavour truly hit home" Think truck drivers, and movie scenes of them drunkenly crushing inconvenient people to their gravelly deaths come to mind. But what are their lives on the road actually like? In Truck De India!, journalist Rajat Ubhaykar embarks on a 10,000 km-long, 100% unplanned trip, hitchhiking with truckers all across India. On the way, he makes unexpected friendships; listens to highway ghost stories; discovers the near-fatal consequences of overloading trucks; documents the fascinating tradition of truck art in Punjab; travels alongside nomadic shepherds in Kashmir; encounters endemic corruption repeatedly; survives NH39, the insurgent-ridden highway through Nagaland and Manipur; and is unfailingly greeted by the unconditional kindness of perfect strangers. Imbued with humour, empathy, and a keen sense of history, Truck De India! is a travelogue like no other you've read. It is the story of India, and Indians, on the road.
‘To say that, in fact, writing has been no more than a way of talking about the body and nothing but the body...’ Lost to the meaning of her life, a foreign writer arrives in Delhi seeking the wordless company of strangers. Delhi is an exploded sun, bleeding everywhere its untrammelled chaos: the feral dampness of bus fumes; the suicidal rush of scooters; the autorickshaw seats impregnated with thousands of odours—nauseous accretions of India’s muddy human tide. The men with their stinking bidis rule as masters and the women remain walled in by centuries of tradition. The author, infatuated by a quiet lady on the street, begins to seek the untamed and undiscovered country that lies below her sari, the delicate throbbing hidden beneath her silence. As she rediscovers her voice and the ability to write a story, and as monsoon arrives, low and heavy-bellied, washing away the concrete barricades of custom, a secret encounter in a music store opens up an ancient darwaza of forbidden pleasures. Bursting with sharp irreverence, Indian Tango is a story of fleshly transgression and unlikely liberation in the patriachopolis of New Delhi.
For a long time - too long - the mirror that India held to its face was made elsewhere. 'What writer about the country would you recommend I read?' first-time travellers to India would ask, and in the late twentieth century the answer was still Forster or Naipaul or even the long-dead Kipling. In fiction, that changed with Rushdie. Now it has changed in all kinds of non-fiction. Narrative history, reportage, memoir, biography, the travel account: all have their gifted exponents in a country perfecting its own frank gaze. In this special issue, Aman Sethi's 'Love Jihad' gives us insight into the riots, religious fractiousness, mob mentality and political manipulations that have come to define day-to-day life in Uttar Pradesh; Samanth Subramanian investigates the legacy of postcolonialism among Mumbai's elite at one of the city's oldest exclusive clubs; Raghu Karnad reveals the secret and terrible history of a great Delhi monument; Amitava Kumar brings us with him into a richly detailed world of grief at his mother's funeral pyre on the banks of the Ganges; and Sam Miller follows Gandhi's footsteps through Victorian London. Photographer Gauri Gill and artist Rajesh Vangad take a fresh look at an Indian village and embellish its present with its past, and Katherine Boo introduces the photographs that helped her write Behind the Beautiful Forevers. Hari Kunzru imagines an Indian future where inequality is taken to an all-too-imaginable extreme; the 'English Summer' of 1985 is brought to life in an excerpt from Amit Chaudhuri's Odysseus Abroad; and Anjali Joseph invites us into the mind of an ageing cobbler as he splices together the loose strands of his memories. Granta 130: India features more fiction by Upamanyu Chatterjee, Deepti Kapoor, Kalpana Narayanan, Vivek Shanbhag, Neel Mukherjee; a story by one of India's finest - and unduly neglected - prose writers, Arun Kolatkar; and poetry by Tishani Doshi, Anjum Hasan, Vinod Kumar Shukla and Karthika Nar.
ONE OF THE NEW YORK TIMES CRITICS' TOP BOOKS OF 2017 ONE OF VULTURE'S 100 BEST BOOKS OF THE 21ST CENTURY FINALIST FOR THE L.A. TIMES BOOK PRIZE IN FICTION “A modern classic.” —The New York Times Book Review A young man's close-knit family is nearly destitute when his uncle founds a successful spice company, changing their fortunes overnight. As they move from a cramped, ant-infested shack to a larger house on the other side of Bangalore, and try to adjust to a new way of life, the family dynamic begins to shift. Allegiances realign; marriages are arranged and begin to falter; and conflict brews ominously in the background. Things become “ghachar ghochar”—a nonsense phrase uttered by one meaning something tangled beyond repair, a knot that can't be untied. Elegantly written and punctuated by moments of unexpected warmth and humor, Ghachar Ghochar is a quietly enthralling, deeply unsettling novel about the shifting meanings—and consequences—of financial gain in contemporary India. “A classic tale of wealth and moral ruin.” —The New Yorker “Ghachar Ghochar introduces us to a master.” —The Paris Review Named a Best Book of the Year by the Guardian, Globe and Mail, and Publishers Weekly Shortlisted for the ALTA National Translation Award in Prose Longlisted for the International Dublin Literary Award