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Will Heather's Homecoming date be dreamy or disastrous? Freshman Heather Tildy is finally starting to fit in at Pecan Hills High--sort of. What she wants more than anything is to turn her Homecoming date with hunky Drew Blanton into a permanent relationship. But how can a girl have the date of her dreams when rumors say that he'd rather be taking another girl to the dance? The last thing Heather's big night needs is an interfering ghost, especially one who is way into grunge and likes to share unwanted advice about Heather's love life. If Heather can find a way to quickly solve her new haint's problem, she might have the romantic date with Drew she's always dreamed of. Too bad nothing involving ghosts is ever that simple. Although Georgia author Maureen Hardegree concedes to having all the usual baggage of a middle child, she is NOT a ghost handler. She does, however, believe in connecting with her inner teenager and in feeding her active imagination--it likes Italian food and chocolate.
Can't a girl choose her own boyfriend without his kid brother haunting her? Ghosts might not be heavy, but the guilt Heather's best friend, Xavier, is carrying around for his dead little brother weighs at least a ton. Of course, just as Heather's crush, Drew Blanton, shows some interest in her, Xavier's haintly brother Stevie shows up. Ten-year-old Stevie has a simple request--he'll only move on if Heather goes out on a date with his brother. But as Heather knows, nothing involving ghosts is ever that simple, and Stevie is a determined troublemaker. With him interfering in Heather's love life, her Halloween may be more trick than treat. Although Georgia author Maureen Hardegree concedes to having all the usual baggage of a middle child, she is NOT a ghost handler. She does, however, believe in connecting with her inner teenager and in feeding her active imagination--it likes Italian food and chocolate.
"The Broken Sword; Or, A Pictorial Page in Reconstruction" by D. Worthington is a novel set in the particular period of American history from 1865 till 1877. The government of the South by carpet-baggers was essentially oppressive and inquisitorial. It was, in its practical operation, a pure and unadulterated despotism, superseding the protection guaranteed by the Federal Constitution to each and every State. It was under the dominion of organized anarchy, with legislatures and courts of justice, subordinated to a lawless assemblage of unprincipled men calling themselves the representatives and judges of the people. Among its necessarily implied powers was that of confiscation, and numbered in its enumeration of brutalities, was a nameless crime that shocked the moral sense of mankind. Reconstruction came upon the South with fearful impulse.
Inconsequential: not important or significant. Synonyms: insignificant, unimportant, nonessential, irrelevant In the world of genetic mutation, Gypsy’s talent of knowing a person’s age of death is considered a failure. Her peers, the other Cavies, have powers that range from curdling a blood still in the vein to being able to overhear a conversation taking place three miles away, but when they’re taken from the sanctuary where they grew up and forced into the real world, Gypsy, with her all-but-invisible gift, is the one with the advantage. The only one who’s safe, if the world finds out what they can do. When the Cavies are attacked and inoculated with an unidentified virus, that illusion is shattered. Whatever was attached to the virus causes their abilities to change. Grow. In some cases, to escape their control. Gypsy dreamed of normal high school, normal friends, a normal life, for years. Instead, the Cavies are sucked under a sea of government intrigue, weaponized genetic mutation, and crushing secrets that will reframe everything they’ve ever been told about how their "talents" came to be in the first place. When they find out one of their own has been appropriated by the government, mistreated and forced to run dangerous missions, their desire for information becomes a pressing need. With only a series of guesses about their origins, the path to the truth becomes quickly littered with friends, enemies, and in the end, the Cavies ability to trust anyone at all.
The hills of the Appalachia region hold secrets—dark, deep, varied, and mysterious. These secrets are often told in the form of eerie, thrilling, and creepy folk tales that reveal strange sightings, curious oddities, and commonly serve as cautionary tales for eager and curious ears. These spine-tingling stories have been told and retold by family members, neighbors, and "hillfolk" for generations. Haint Country: Dark Folktales from the Hills and Hollers is a collection of weird, otherworldly, and supernatural phenomenon in Eastern Kentucky—tales that have been recorded and documented for the first time. Collected and adapted by Matthew Sparks and Olivia Sizemore, the anthology explores stories of ghosts or "haints," strange creatures or "boogers," haunted locations or "stained earth," uncanny happenings or "high strangeness," and humorous Appalachian ghost stories. Contemporary yarns of black panthers, demons, and sightings of ghostly coal miners are narrated in the first person, reflecting the style and dialect of the collected oral history. Though comprised of a mixture of claimed accounts and fabricated lore, the locations and people woven throughout are very real. Complemented with evocative watercolor illustrations by Olivia Sizemore (who was inspired by the work of Stephen Gammell) and a compendium that provides additional context, Haint Country is a thrilling and bone-chilling excursion to the spooky corner of Appalachia.
Rose Forester, the ward of Ohio pioneer, Captain Maywood, is captured by Indians and rescued by Maywood's son Albert.