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Sandy embarked on her mental health nursing career in Parkside Hospital in 1964 as a naive seventeen-year-old child and stepped into another worlda world of entrenched culture, such as the deep division of the sexes and women incarcerated for infidelity and labelled morally insane, doomed to spend the rest of their lives in the asylum. Pencil baths, gang showers, and group bathing and how a young window cleaner saw more than he expected to and fled. The stately matron in her crisply starched whites and fearsome charge nurses who evoked terror among the junior staff. Sandy relates hilarious tales of bodies being transported in the dead of night to the hospital mortuary by some very unconventional means. The camaraderie and the close-knit community of the hospital made it a home to many but asylum to most. With 1,300 beds and the ridiculous ratio of fifty patients to one nurse on night duty, she still had time to knit between rounds. Sandy rolled up her sleeves and got on with the job, and fifty years later, she is still rolling with the punchesliterally.
If the Walls Could Speak focuses on the lives of women in prison in postwar communist Poland and how they took on different roles and personalities to protect themselves and create a semblance of normality, despite abuses and prison confinement, and reveals how life in a Stalinist prison adds to our understanding of coercion and resistance under totalitarian regimes.
This book examines some of the more disturbing representations of nurses in popular culture, to understand nursing’s complex identities, challenges and future directions. It critically analyses disquieting representations of nurses who don’t care, who kill, who inspire fear or who do not comply with laws and policies. Also addressed are stories about how power is used, as well as supernatural experiences in nursing. Using a series of examples taken from popular culture ranging from film, television and novels to memoirs and true crime podcasts, it interrogates the meaning of the shadow side of nursing and the underlying paradoxes that influence professional identity. Iconic nursing figures are still powerful today. Decades after they were first created, Ratched and Annie Wilkes continue to make readers and viewers shudder at the prospect of ever being ill. Modern storytelling modes are bringing to audiences the grim reality that some nurses are members of the working poor, like Cath Hardacre in Trust Me, and others can be dangerous con artists, like the nurse in Dirty John. This book is important reading for all those interested in understanding the links between nursing’s image and the profession’s potential as an agent for change.
Womanist thought remains of critical importance given contemporary issues of social justice and advocacy. Womanist Ethical Rhetoric centers discourses of religious rhetoric and its influence on Black women’s aims for voice, empowerment, and social justice in these turbulent times. The chapters utilize womanism, in conjunction with other frames, to examine how Black women incorporate different aspects of their identities into struggles for empowerment and celebrations of who they are in holistic ways that center love and community. This approach embraces both the commonalities and differences between womanists through theoretical and applied contexts. It advances the work of womanist predecessors and pays homage to them, most notably Rev. Dr. Katie Cannon’s work on womanism and religion. Topics analyzed include Black women’s spiritual and professional identities in religious organizations, the role of Black churches in Black Lives Matter, and the inclusion of all Black women in racial academic achievement gaps. Chapters also examine Black women’s leadership and activism, including church leaders and representations in popular culture, and women’s inclusion in the beloved community. This collection centralizes the plurality of Black women’s lives, which is key to advancing their voices.
England, 1944: Recovering from physical and psychological wounds sustained in the liberation of Paris, US Army detective Billy Boyle and Lieutenant Kazimierz are sent to a convalescent hospital in the English countryside--only to discover that St. Albans may have its own war secrets, including a killer. As historical detective series go, this one is extremely well tended by an author who clearly dotes on his hero. As do we.--The New York Times Just days after the Liberation of Paris, US Army Detective Billy Boyle and Lieutenant Kazimierz are brought to Saint Albans Convalescent Hospital in the English countryside. Kaz has been diagnosed with a heart condition, and Billy is dealing with emotional exhaustion and his recent methamphetamine abuse. Meanwhile, Billy's love, Diana Seaton, has been taken to Ravensbrück, the Nazi concentration camp for women, and Kaz's sister, Angelika, who he recently learned was alive and working with the Polish Underground, has also been captured and transported to the same camp. This news is brought by British Major Cosgrove, who asks Billy for help, unofficially, in solving what he thinks was the murder of a British agent recuperating at Saint Albans. The convalescent hospital is really a secret installation for those in the world of clandestine warfare to recover from wounds, physical and emotional. Some are allowed to leave; others are deemed security risks and are detained there. When a second body is found, it is evident that a killer is at work in this high-security enclave. Now Billy must carry out his covert investigation while maintaining his tenuous recovery, shielding his actions from suspicious hospital authorities, and dodging the unknown murderer.
Martin Stride is a retired rock star, enjoying the quiet life with his young family on their beautiful estate. On the edge of his grounds lies a derelict Edwardian railway station waiting room once used to transport troops in The Great War. Silent for many years, it has become a playground for Martin's children but now they won't go near it. Strange occurrences in the waiting room lead Martin to seek the help of TV's favourite ghost-hunter Julian Creed. But Creed's psychic ability is a fabrication to gain viewers. He doesn't believe in the paranormal. Until he spends a night in The Waiting Room.