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Using the historical principles of the Oxford English Dictionary, Lise Winer presents the first scholarly dictionary of this unique language. The dictionary comprises over 12,200 entries, including over 4500 for flora and fauna alone, with numerous cross-references. Entries include definitions, alternative spellings, pronunciations, etymologies, grammatical information, and illustrative citations of usage. Winer draws from a wide range of sources - newspapers, literature, scientific reports, sound recordings of songs and interviews, spoken language - to provide a wealth and depth of language, clearly situated within a historical, cultural, and social context.
Steel Drums and Steelbands: A History is a vivid account of the events that led to the “accidental” invention of the steel drum: the only acoustic musical instrument invented in the 20th century. Angela Smith walks readers through the evolution of the steel drum from an object of scorn and tool of violence to one of the most studied, performed, and appreciated musical instruments today. Smith explores the development of the modern steelband, from its roots in African slavery in early Trinidad to the vast array of experiments in technological innovation and to the current explosion of steelbands in American schools. The book offers insights directly from major contributors of the steelband movement with sections devoted exclusively to pioneers and innovators. Drawing on seven years of research, repeated trips to the birthplace of the steel drum, Trinidad, and interviews with steelband pioneers, Smith takes readers far beyond the sunny associations of the steel drum with island vacations, cruise ships, and multiple encores of “Yellow Bird.” Digging deep into Trinidad’s history—a tale of indigenous extermination and African slavery, of French settlement and Spanish and British colonialism before mid-century independence—Smith weaves an unforgettable narrative of talking drums, kalinda stick fights, tamboo bamboo bands, iron bands, calypso, Carnival, and the U. S. military. Together, all played major roles in the evolution of today’s steelband and in the panman’s journey from renegade to hero in the steelband’s move from the panyards of Trinidad’s poorest neighborhoods to the world’s most prestigious concert halls. The reader will discover how an instrument created by teenage boys, descendants of African slaves, became a world musical phenomena. Steel Drums and Steelbands is the ideal introduction to the steel drum, steelbands, and their history.
For two days each year Trinidad's capital, Port of Spain, hosts 'the greatest show on earth' - a raucous mix of music, costume and revelry known as Carnival. The festival has become more or less synonymous with the Caribbean island and is an intrinsic part of its identity and popular culture. Making extensive use of interviews with artists and other participants, BACCHANAL! explores the place of Carnival in Trinidadian society and the people who take part in it: -- How the festival reflects and affects attitudes towards religion, language, humour, politics, male-female relations and folk traditions. -- The historical role of Carnival, its roots in colonial society and slavery, and its traditional function as an expression of subversion and revolt. -- The effect of contemporary social and cultural influences on the dynamic, evolving phenomenon of Carnival. -- The increasing involvement of Indo-Trinidadians and women, the competing musical forms of reggae and soca, and the impact of tourism and commercialism.
This captivating collection of 99 essays offers a well-researched but easy-to-read look at birds as familiar as the sparrow and as seldom-seen as the albatross, from dancing varieties (crane) to sacred ones (ibis) to those associated with practical jokes and assassinations (snipe). The book combines extensive field experience with reflections drawn from biology, literature, music, history, politics, and other areas.
General study of Trinidad and Tobago - covers the economy, the social structure, the political system, demographic aspects and geographical aspects, historical setting, living conditions, education, culture, mass media, etc. Bibliography pp. 261 to 289, diagram, maps and statistical tables.
The idea for this story came to me in Trinidad. For the last twenty years, I have been going back to the island every Christmas. Most of the children know me as Santa for I give out toys and sweets at parties. The look on some of the children's faces brings tears to my eyes, and this has really touched me. After the festive season is over, I then become the Englishman since I've done a quite few performances in the southern part of the island. This is a ghost story about two young boys who met an old man on a train, who happens to be a ghost. In March of this year (2011), after Carnival, I visited San Fernando on Harris Promenade Hill where "the Train" stands. I stood looking at it and thought that I could tell some stories about it. On my return as I slept the following night, I dreamt about the train. In my dream, a young boy came up and stood looking at me and started asking questions. "Do you have lots of train in your country?" I told him I came from England. He replied, "I know. You're the white Santa." His mom and dad also noticed me always in deep thought while sitting on the bench. I told them that I was writing a song about the train. "We live quite close to the house you are staying at. We know most of the people in the village. Lots of the people talked about the white man from England, but only a few know your name." That's how it started. I wrote half the story in Trinidad and finished it on my return to England.
Joel Kuortti’s Writing Imagined Diasporas: South Asian Women Reshaping North American Identity is a study of diasporic South Asian women writers. It argues that the diasporic South Asians are not merely assimilating to their host cultures but they are also actively reshaping them through their own, new voices bringing new definitions of identity. As diaspora does not emerge as a mere sociological fact but it becomes what it is because it is said to be what it is, the writings of imagined diasporas challenge “national” discourses. Diaspora brings to mind various contested ideas and images. It can be a positive site for the affirmation of an identity, or, conversely, a negative site of fears of losing that identity. Diaspora signals an engagement with a matrix of diversity: of cultures, languages, histories, people, places, times. What distinguishes diaspora from some other types of travel is its centripetal dimension. It does not only mean that people are dispersed in different places but that they congregate in other places, forming new communities. In such gatherings, new allegiances are forged that supplant earlier commitments. New imagined communities arise that not simply substitute old ones but form a hybrid space in-between various identifications. This book looks into the ways in which diasporic Indian literature handles these issues. In the context of diaspora there is an imaginative construction of collective identity in the making, That a given diaspora comes to be seen as a community is the result of a process of imagining, at the same time creating new marginalities, hybridities and dependencies, resulting in multiple marginalizations, hyphenizations and demands for allegiance. The study concentrates on eleven contemporary women writers from the United States and Canada who write on South Asian diasporic experiences. The writers are Ramabai Espinet, Jhumpa Lahiri, Amulya Malladi, Sujata Massey, Bharati Mukherjee, Uma Parameswaran, Kirin Narayan, Anita Rau Badami, Robbie Clipper Sethi, Shauna Singh Baldwin, and Vineeta Vijayaraghavan.
'What Jimmy Cornell doesn't know about cruising isn't worth knowing' - Yachting World One of the most influential cruising yachtsmen writing today, Jimmy Cornell has sailed over 200,000 miles on all the oceans of the world, including three circumnavigations and voyages to the Arctic and Antarctic. His successful guide to sailing around the world, World Cruising Routes, has helped many aspirational voyagers turn their dreams into reality and follow in his footsteps. Here in its extensively revised edition is its partner, covering all the land-based essentials for cruisers. This substantial handbook profiles every cruising destination in the world, with information on cruising attractions, history, culture, climate(including average monthly temperatures and rainfall, plus tropical storm seasons), local laws, regulations and formalities, facilities available, plus public holidays and events, emergency telephone numbers, and much more. Everything the cruiser needs to know about. Lavishly illustrated throughout, it is not only a must-have onboard reference work for long distance sailors, but will undoubtedly inspire the adventurous to sail where they have never sailed before.
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The amazing story of one man’s obsession with an enigmatic and deadly reptile. Raymond Ditmars (1876–1942), the first curator of reptiles at New York’s famous Bronx Zoo, brought cold-blooded animals to public attention as never before. Through wildly successful books and movies, he inspired a generation of zoologists with his fascination for snakes, insects, and other misunderstood creatures. Ditmars was among the most celebrated naturalists in America. His reptile-collecting trips for the zoo spawned newspaper headlines across the world. Although a serpent lover, he was all too aware of the devastating effects of snakebites and was instrumental in the development of antivenom. His films and writings brought him fame, but he remained a devoted zoo employee, doing what he loved most: caring for animals. Bushmaster tells the story of this remarkable man and what became an obsession with the mysterious bushmaster of the South American rainforest. Measuring up to thirteen feet in length, this is the world’s largest viper, and its scientific name, Lachesis muta, translates as “silent fate.” Despite numerous expeditions to jungles from Honduras to Brazil, Ditmars could never capture a bushmaster for himself. Now, British author Dan Eatherley follows in Ditmars’s footsteps, revisiting his early haunts in the United States and South America. He attempts to do what Ditmars himself failed to achieve: to find a bushmaster in the wild. But eighty years later, will Dan have any more luck? Through the author’s own quest, Bushmaster reveals the life of a pioneer herpetologist, wildlife filmmaker, and zoo curator.