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In Spaces for the Sacred, Philip Sheldrake brilliantly reveals the connection between our rootedness in the places we inhabit and the construction of our personal and religious identities. Based on the prestigious Hulsean Lectures he delivered at the University of Cambridge, Sheldrake's book examines the sacred narratives which derive from both overtly religious sites such as cathedrals, and secular ones, like the Millennium Dome, and it suggests how Christian theological and spiritual traditions may contribute creatively to current debates about place.
Focusing on the important relationship between the 'sacred' and the 'secular', this book demonstrates that it is not paradoxical to think in terms of both secular and sacred or neither, in different times and places. International experts from a range of disciplinary perspectives draw on local, national, and international contexts to provide a fresh analytical approach to understanding these two contested poles. Exploring such phenomena at an individual, institutional, or theoretical level, each chapter contributes to the central message of the book - that the ‘in between’ is real, embodied and experienced every day and informs, and is informed by, intersecting social identities. Social Identities between the Sacred and the Secular provides an essential resource for continued research into these concepts, challenging us to re-think where the boundaries of sacred and secular lie and what may lie between.
For Andrew Ecker the confusion of the illusion of self-identity led to a life of alcohol, cocaine, opiate addiction, imprisonment and ultimately suicidal attempts on his life. Generational drug addiction, imprisonment and mental illness fortified the foundation of his thoughts and kept the vision of destruction going until he began a spiritual path and process of redefining and finding the medicine in his relationships: The Sacred 7.Based on an ancient indigenous teaching of introduction The Sacred 7 will guide you in a ceremonial process of intentionally designing your life; how you relate to yourself, your family, the community and the universe, creating a bridge from the inner and outer world to assist in fortifying the metaphysical architecture of your reality. This foundational spiritual teaching is about awakening the greatest parts of you and practicing your spirituality in a truly authentic way. It is about claiming the truth and the medicine in the story of YOU!
From the moment of God's covenant with Abraham in the Old Testament, the idea that a people are chosen by God has had a central role in shaping national identity. This text argues that sacred belief remains central to national identity, even in an increasingly secular, globalized modern world.
The Sacred Identity of Ephesos offers a full-length interpretation of one of the largest known bequests in the Classical world, made to the city of Ephesos in AD 104 by a wealthy Roman equestrian, and challenges some of the basic assumptions made about the significance of the Greek cultural renaissance known as the ‘Second Sophistic’. Professor Rogers shows how the civic rituals created by the foundation symbolised a contemporary social hierarchy, and how the ruling class used foundation myths - the birth of the goddess Artemis in a grove above the city – as a tangible source of power, to be wielded over new citizens and new gods. Utilising an innovative methodology for analysing large inscriptions, Professor Rogers argues that the Ephesians used their past to define their present during the Roman Empire, shedding new light on how second-century Greeks maintained their identities in relation to Romans, Christians, and Jews.
"This work is about how deeply war is intertwined in what it means to be human - in belonging and in collective identity, in the shared rituals of society, in the ongoing negotiation that represents relationships between societies everywhere. Vlahos examines that idea in chapters that explore the following eight themes."--BOOK JACKET.
Most histories of the American South describe the conflict between evangelical religion and honor culture as one of the defining features of southern life before the Civil War. The story is usually told as a battle of clashing worldviews, but in this book, Robert Elder challenges this interpretation by illuminating just how deeply evangelicalism in Methodist, Baptist, and Presbyterian churches was interwoven with traditional southern culture, arguing that evangelicals owed much of their success to their ability to appeal to people steeped in southern honor culture. Previous accounts of the rise of evangelicalism in the South have told this tale as a tragedy in which evangelicals eventually adopted many of the central tenets of southern society in order to win souls and garner influence. But through an examination of evangelical language and practices, Elder shows that evangelicals always shared honor's most basic assumptions. Making use of original sources such as diaries, correspondence, periodicals, and church records, Elder recasts the relationship between evangelicalism and secular honor in the South, proving the two concepts are connected in much deeper ways than have ever been previously understood.
The Sacred is the Profane collects nine essays by William Arnal and Russell McCutcheon that advance current scholarly debates on secularism-debates. The essays return, again and again, to the question of what "religion"—word and concept—accomplishes, now, for those who employ it, whether at the popular, political, or scholarly level. The focus here is on the efficacy, costs, and the tactical work carried out by dividing the world between religious and political, church and state, sacred and profane.
The concept of the medieval city is fixed in the modern imagination, conjuring visions of fortified walls, towering churches, and winding streets. In Riemenschneider in Rothenburg, Katherine M. Boivin investigates how medieval urban planning and artistic programming worked together to form dynamic environments, demonstrating the agency of objects, styles, and spaces in mapping the late medieval city. Using altarpieces by the famed medieval artist Tilman Riemenschneider as touchstones for her argument, Boivin explores how artwork in Germany’s preeminent medieval city, Rothenburg ob der Tauber, deliberately propagated civic ideals. She argues that the numerous artistic pieces commissioned by the city’s elected council over the course of two centuries built upon one another, creating a cohesive structural network that attracted religious pilgrims and furthered the theological ideals of the parish church. By contextualizing some of Rothenburg’s most significant architectural and artistic works, such as St. James’s Church and Riemenschneider’s Altarpiece of the Holy Blood, Boivin shows how the city government employed these works to establish a local aesthetic that awed visitors, raising Rothenburg’s profile and putting it on the pilgrimage map of Europe. Carefully documented and convincingly argued, this book sheds important new light on the history of one of Germany’s major tourist destinations. It will be of considerable interest to medieval art historians and scholars working in the fields of cultural and urban history.