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This book collects detailed knowledge and techniques on the identification and authentication of various Chinese antiques, including ancient coins, porcelain, bronzes, gems, calligraphy, ancient paintings, etc. The book is very detailed and authentic, providing readers with in-depth analysis of Chinese antiques, so that readers from scratch become proficient experts in the field.
From Anthony J. Allen, the author of four best-selling books on ancient Chinese bronzes, ancient Chinese ceramics, and two others on later Chinese porcelain, "Allen's Antique Chinese Porcelain *** The Detection of Fakes" is his most ambitious project yet. In plain language, he describes tricks of the trade learned over his long experience authenticating genuine antiques and detecting fakes. The minefield that antique Chinese porcelain can become for the uninitiated is described and illustrated in full colour detail with examples dating from the Ming dynasty circa 1500 AD to 2000 AD. There is also brief mention of some of the pottery and stoneware ceramics in this period. This book is aimed at the novice collector, dealer, or museum curator, who largely because of rapidly escalating prices and presence of fakes, is often too frightened to enter the fascinating field of antique Chinese porcelain. Both novice and experienced readers will learn from his authentication techniques, as he describes never before published features to look for, firstly to authenticate genuine antique porcelain, but also to rule out the bane of every collector; the fake made intentionally to deceive. Non-Chinese speaking readers are taught to read reign marks and to distinguish genuine marks from those apocryphal marks which have been added to a later piece. There is even a formula for converting Islamic dates to the Gregorian calendar. Allen's forthright style of writing may upset some of his peers, sections of academia, and the sellers of fakes, for which he has zero tolerance, as he leads readers through Imperial, domestic and export porcelain, then into the sub-branches including shipwrecks and shards recovered from the old kiln sites in Jingdezhen, the porcelain capital of China. Underglaze blue, famille rose and verte, monochromes, and pieces of various age, shape and decoration are illustrated, not just with a frontal view, but also of the undersides. Export wares, now the most common type of antique Chinese porcelain still available in the West, get special attention as he focuses on late Ming dynasty wares, underglaze blue, 18th century Chinese Imari, Batavian wares, armorial porcelain and famille rose of the 18th and 19th centuries. Faults, flaws, imperfections, foot rims, glazes, bubbles, are illustrated at length, including those features one expects to find, but also those that should not be present, notably on fakes.
Written by the prominent art and artifacts scholar Cycleback, this book is a primer and survey of standard methods and issues in the identification, authentication, fake and forgery detection of art, artifacts and collectibles, from ancient artifacts and famous paintings to antique toys and trading cards. Topics include stylistic and historical analysis, scientific testing (including radiometric dating, thermoluminescence testing, spectroscopy, microscopy and artificial intelligence analysis), basic research methods, material and process identification, provenance, altered forgeries, the limits of science and analysis, and more. Authentication involves many aspects and perspectives working together, from nuclear physics to art history, and this book is written for all those invested or interested in the topic, including museum workers, scientists, historians, students, appraisers, lawyers, collectors and those simply interested in how famous artworks and relics are authenticated and forgeries identified.
Viewing ancient China in world context, exploring the possibilities of international activities particularly in relation to the Philippines, during their classical dynasties based on the presence of abundant artifacts, ancient texts, and new archaeological discoveries.
An all-access pass to America's first (and favorite) reality television program -- boasting over ten million viewers each week -- Antiques Roadshow! If you're a fan of PBS's top-rated Antiques Roadshow, you've probably wondered -- what would it take to get your family treasure on the program? What happens to the antiques after the show airs? Are the appraisers ever wrong? And will Antiques Roadshow come to my hometown? In this four-color, fully illustrated guide to America's favorite treasure-hunting program, Antiques Roadshow Behind the Scenes reveals inside information about the participants, the appraisers, the fans, and the antiques that make up the show, direct from the woman who makes it all happen -- executive producer Marsha Bemko. Learn what it really takes to put on a Roadshow event (and why certain cities are more likely to get a visit from the show than others), who gets chosen to be on air (and what items producers are really looking for), what it takes to be an appraiser (and how even the experts make mistakes) ... and what happens when things go terribly wrong (such as the occasional antique that turns out to have been stolen!). In addition, learn which books, websites, and resources your favorite appraisers recommend, and get updates on some of the most popular and notorious items ever featured on the show. From priceless tips to the juicy family secrets hidden in dusty heirlooms, Antiques Roadshow Behind the Scenes is both an invaluable resource and a fascinating slice of Americana.
Contains a report on the Wanli shipwreck excavation and a catalogue of the excavated artefacts. Details the process of onboard artefact recording, dive planning and artefact preservation and following research.
This useful guide provides essential wide covered knowledge for collectors of antique Chinese porcelain. - Helps you understand the real value of an artifact. - Learn how to recognize authentic antiques from fakes. - Useful knowledge of porcelain design.
Information on "origins and development of the Chinese written language" precedes the extensive catalog of marks, including marks in regular kaishu script, marks in zhuanshu seal scripts, symbols used as marks, directory of marks, and list of potters.
From the 1790s until World War I, Western museums filled their shelves with art and antiquities from around the world. These objects are now widely regarded as stolen from their countries of origin, and demands for their repatriation grow louder by the day. In The Compensations of Plunder, Justin M. Jacobs brings to light the historical context of the exodus of cultural treasures from northwestern China. Based on a close analysis of previously neglected archives in English, French, and Chinese, Jacobs finds that many local elites in China acquiesced to the removal of art and antiquities abroad, understanding their trade as currency for a cosmopolitan elite. In the decades after the 1911 Revolution, however, these antiquities went from being “diplomatic capital” to disputed icons of the emerging nation-state. A new generation of Chinese scholars began to criminalize the prior activities of archaeologists, erasing all memory of the pragmatic barter relationship that once existed in China. Recovering the voices of those local officials, scholars, and laborers who shaped the global trade in antiquities, The Compensations of Plunder brings historical grounding to a highly contentious topic in modern Chinese history and informs heated debates over cultural restitution throughout the world.