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In 1987, more than a decade before the dawn of queer theory, Ifi Amadiume wrote Male Daughters, Female Husbands, to critical acclaim. This compelling and highly original book frees the subject position of 'husband' from its affiliation with men, and goes on to do the same for other masculine attributes, dislocating sex, gender and sexual orientation. Boldly arguing that the notion of gender, as constructed in Western feminist discourse, did not exist in Africa before the colonial imposition of a dichotomous understanding of sexual difference, Male Daughters, Female Husbands examines the structures in African society that enabled people to achieve power, showing that roles were not rigidly masculinized nor feminized. At a time when gender and queer theory are viewed by some as being stuck in an identity-politics rut, this outstanding study not only warns against the danger of projecting a very specific, Western notion of difference onto other cultures, but calls us to question the very concept of gender itself.
This book reveals how conventional anthropology has consistently imposed European ideas of the "natural" nuclear family, women as passive object, and class differences on a continent with a long history of women with power doing things differently. Amadiume argues for an end to anthropology and calls instead for a social history of Africa, by Africans.
Chinua Achebe has long been regarded as Africa’s foremost writer. In this major new study, Jago Morrison offers a comprehensive reassessment of his work as an author, broadcaster, editor and political thinker. With new, historically contextualised readings of all of his major works, this is the first study to view Achebe’s oeuvre in its entirety, from Things Fall Apart and the early novels, through the revolutionary Ahiara Declaration – previously attributed to Emeka Ojukwu – to the revealing final works The Education of a British Educated Child and There Was a Country. Contesting previous interpretations which align Achebe too easily with this or that nationalist programme, the book reveals Achebe as a much more troubled figure than critics have habitually assumed. Authoritative and wide-ranging, this book will be essential reading for scholars and students of Achebe’s work in the twenty-first century.
Winner of the 2023 World Fantasy Award for Best Anthology Winner of the 2023 Locus Award for Best Anthology A 2023 NAACP Image Award Nominee A 2023 British Fantasy Award Nominee A NPR Best of the Year pick A Book Riot Best SFF of the Year pick "[A] magnificent and wide-ranging anthology . . . A must-read for all genre fans."—Publishers Weekly, starred review From award-winning editorial team Sheree Renée Thomas, Oghenechovwe Donald Ekpeki, and Zelda Knight comes an anthology of thirty-two original stories showcasing the breadth of fantasy and science fiction from Africa and the African Diaspora. A group of cabinet ministers query a supercomputer containing the minds of the country’s ancestors. A child robot on a dying planet uncovers signs of fragile new life. A descendent of a rain goddess inherits her grandmother’s ability to change her appearance—and perhaps the world. Created in the legacy of the seminal, award-winning anthology series Dark Matter, Africa Risen celebrates the vibrancy, diversity, and reach of African and Afro-Diasporic SFF and reaffirms that Africa is not rising—it’s already here. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Several hundred A-Z entries cover Achebe's major works, important characters and settings, key concepts and issues, and more. Though best known as a novelist, Achebe is also a critic, activist, and spokesman for African culture. This reference is a comprehensive and authoritative guide to his life and writings. Included are several hundred alphabetically arranged entries. Some of these are substantive summary discussions of Achebe's major works of fiction, nonfiction, and poetry. Entries are written by expert contributors and close with brief bibliographies. The volume also provides a general bibliography and chronology. Nigerian writer Chinua Achebe is widely regarded as the most important of the numerous African novelists who gained global attention in the second half of the 20th century. Achebe is certainly the African writer best known in the West, and his first novel, Things Fall Apart, is a founding text of postcolonial African literature and regarded as one of the central works of world literature of the last 50 years. Though best known as a novelist, Achebe is also a critic, activist, and spokesman for African culture. This reference is a comprehensive and authoritative guide to his life and writings. Included are several hundred alphabetically arranged entries. Some of these are substantive summary discussions of Achebe's major works of fiction, nonfiction, and poetry. Other topics include all of his major fictional characters and settings, important concepts and issues central to his writings, historical persons, places, and events relevant to his works, and influential texts by other writers. Entries are written by expert contributors and close with brief bibliographies. The volume also provides a general bibliography and chronology.
The aim of the rebirth of the sacred arts of Igbo African spirituality by Sirius Ugo Art is to restore the glory of African methodology, and unveil the hidden African intelligence in our spiritual systems. As we are the ones witnessing the beginning of Uga Anwu, the age of enlightenment, it is our duty to lay the foundations of Anwu for the next generation. All the arts in this book were shot and digitally created by Sirius Ugo Art. They were all based on the fashion, designs, and decorations of the ancient Igbo people. Spirits are not human beings, however, spirits are manifested in human form because humans are spiritual beings experiencing materialism. The colors of the deities are also well-known in ancient Igbo. When a spirit is pure white, it represents purity, or the moon and sun. When a spirit is green, it represents life, health and Fertility. When a spirit is red, it represents blood, war, and power. When a spirit is dark in color, it represents dark energy. When a spirit is blue, it represents water, and air. All the deities work with one or two of the four elements. For example, Agunkwo works with Eke, while Nneono Oshimiri works with Orie. There are over seven hundred thousand Igbo deities. It would be impossible to create the arts of all Igbo deities, because that would be one claiming to understand all the energy forces in the universe, which is impossible. However, all the energy forces (Umu agbara nine) of the universe are different manifestations of Chukwu na Nnechukwu. Igbo people do not believe that humans created umu agbara. Igbo enlightens us that Umu Agbara (Energy forces) existed before humans. And that humans came to recognize them and work with them to become Agbara as well. A human being becomes Agbara through self Illumination.
Ogunyemi uses the novels to trace a Nigerian women's literary tradition that reflects an ideology centered on children and community. Of prime importance is the paradoxical Mammywata figure, the independent, childless mother, who serves as a basis for the postcolonial woman in the novels and in society at large. Ogunyemi tracks this figure through many permutations, from matriarch to writer, her multiple personalities reflecting competing loyalties. This sustained critical study counters prevailing "masculinist" theories of black literature in a powerful narrative of the Nigerian world.
Chinua Achebe's influence on contemporary African literature is as much in evidence in his art of the novel as his theory of African literature and literary criticism. ISINKA (Igbo term for artistic purpose') establishes Achebe's legacy as a literary theorist and critic. In these essays scholars from around the globe assess and establish how much Achebe's extra-fictional ideas about African literature and literature in general are justified in his own creative works.'